Tag Archives: utopia

O ‘MOTHER!’, WHERE ART THOU?

A couple daze ago, the poster for Darren Aronofsky’s newest film ‘Mother!’ dropped, and it has the internet spinning.

The plot is shrouded in secrecy, with not much about it being revealed except a few vague sentences. Here’s what wikipedia says:

A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

 

Leaves a lot to the imagination, but I guess Aronofsky just knows the power of mystery!

The film stars Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer, and Kristen Wiig!!!

Whatever it ends up being, we have been itching for another psychological thriller a la Black Swan and perhaps Mother! can truly deliver! Perhaps it will even deliver J-Law her second Oscar? Only time will tell…

You know we love linking {present} day visuals to the {past}, so we couldn’t help but perceive the remarkable similarities to the aesthetic of sure-fire style diva Frida Kahlo!

There’s some kind of resemblance….the heart, the botanicals, even the gore! So Frida!

The Mother! poster was designed by Taiwanese artist James JeanMother! opens in theatres October 13, 2017  – so stay tuned!

Who knows what kind of musings this film will expose the world to . . .

 

Frida Kahlo by Nikolas Muray

{circa. 1939}

 

“At the end of the day, we can endure much more than we think we can.”

-Frida Kahlo

Until we meet again,

{theEye}

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CLICK BANNER BELOW TO SHOP THE {SHOP}!

XIXIXI gets you 25% OFF 

Be yourself!

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+ Happy Saturday + {MUSIC MINUTE} Baltimora – “Tarzan Boy” + ATLANTIS Rising !!! A Little Witch Pop never Hurt Anyone #seapunk #junglelife

maxresdefault-2Baltimora-Tarzan-Boy-Summer-Version-12-1985-1

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Give me the order! Give me the order! Ohhhhh Ohhh Ohhhhh Ohhhh. . . 

So, Happy Saturday! Thanks for a great +Art Crawl+

Those we saw, and those we didn’t . . .

Been digging the summer?

Jungle life.

[Props to our girl Whit at Girl on the Wing – check out her safari window on King St. W]

This one’s for you . . .

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NOTE how everyone be using them green screens for this same effect.

Here’s one example (and I’m not mad at it)

In fact, I love me some Ay-Yo-Ay-Yo-I-Hear-You’re-Riding-On-The-Same-Tall-Tall-Tale, especially on a Saturday night!

And, I know you might too! So, enjoy this one also . . .

It’s a double, on the house, from The Eye of Faith!

Oh, and in case you’re like wha?

It’s Azealia Banks.

She’s our girl.

But really.

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ATLANTIS

At·lan·tis

 [at-lan-tis] 

noun
a legendary island, first mentioned by Plato, said to have existed inthe Atlantic Ocean west of Gibraltar and to have sunk beneath thesea, but linked by some modern archaeologists with the island ofThera, the surviving remnant of a much larger island destroyed by avolcanic eruption c1500 b.c
 output_zYHyW9

A little WITCH POP never hurt anybody.

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Remember XIXIXI gets YOU 25% OFF at the checkout

when you shop the

{SHOP}

So go ahead and drop.

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Until next time,

{theEye}

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{STYLE WISE} Invocating Nico + “Valley of the Kings”

Nico with a Hersheys Bar

 I am bohemian but at one time you would call me a hippie or a punk. I remain a bohemian whatever you call me. So maybe I am locked in the fifties. But I have never desired to grow up from my world as a child, which is when things are most clear and utopian. They are clear because you are at the center and you see all around you. When you get older you lose your sight …

-Nico.

It’s been 25 years since the death of Nico.

Beautiful, provocative, sexual, sinister, simple, and sublime; this fascinating spirit still wanders through our world through her music, and inspiringly exciting life. Every single day, individuals conjure the notion of Nico in hopes of holding onto just a bit of that magic mystery this woman possessed.

NIco in La Dolce Vita

nico & marcello mastroianni in ‘la dolce vita’ by federico fellini

Here’s a song for you called “Valley of the Kings” that just had to go up on here. It’s moody and majestic and brings me to a stylishly solemn place; perfect to reminisce the majesty that was this Queen. Her voice soars, and there’s no denying some good organ action.

Beautiful NicoValley of the Kings- Nico- The Eye of FaithNico by Gerard Malanga

Born in Cologne, Germany, her entourage included the likes of Andy Warhol, Federico Fellini, Brian Jones, and of course, The Velvet Underground, for which her voice and one-of-a-kind beauty served as a solid platform for the now iconic bohemian band.

Nico and AndyNico and the Velvet Underground

I’ve only uploaded a few pictures on here because there’s quite a few great ones in the video below. So please enjoy, and celebrate the legacy of this soulful siren.

I would say the time has not yet come. I rebel against the present, whenever it is, because I have not seen any change, other than oppositions grow stronger.

-Nico.

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Just keep on dreaming . . .

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{theEye}
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{STYLE WISE} – “Stranger Than Paradise”

“STRANGER THAN PARADISE . . . “

by The Eye of Faith

On a journey through the mystery of the most beautiful place on Earth.

Taking us to a world both wild and exotic, this series was inspired by the faded 1940s dreams and memories of life on the high seas in the South Pacific. It is the tale of society’s soldiers taken hostage by the wild. In many ways, it is a true Paradise Lost lived . . .
In a place where the air is hot and its perfume sweet it is hard not to be intoxicated by your surroundings –
lost in a paradise.

+”Nothing is quite as strange, as a day spent in Paradise”+

+GET THE LOOK+

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Hope you enjoy!

Sincerely,

{theEye}

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The Eye of Faith Gets “Lost in the Memory Palace: Janet Cardiff and George Bures Miller”

 

portrait_cardiff_miller_2012

[Photo: Zev Tiefenbach]

The world of Canadian artists Janet Cardiff and Geroge Bures Miller exist somewhere between reality and the vortex of our imaginations. . . 

The artist duo are known for their of-this-world out-of-this-world creations that combine objects, sound, images, mechanics, lighting, construction, and cinema to create one-of-kind experiments and showcases in the transcendental quality and nature of art.

As one of the world’s most internationally respected artist partnerships, we were lucky to get a chance to enjoy a retrospective of their work, in an exhibit appropriately title “Lost in the Memory Palace”, which runs from April 6 until August 18, 2013 at the Art Gallery of Ontario.

From the beginning of their partnership in 1995 to their work today, the artist duo have expertly managed to create evocative and multi-textural and dimensional works that transport its viewers to other worlds and often exotic states of mind.

portrait-janet cardiff and george miller_Bodtlaender

The duo has cited cinema as a major driving force in their work, bringing the immersive technology of the cinema to life in a gallery setting,  allowing the viewers an accessibility and availability that is mostly foreign to other works in the art gallery setting. While we are often encouraged to keep a distance in the world of art, Cardiff-Miller’s pieces are encouragingly tactile and require a closer look.

This is not a show that you can skim through and really “get” immediately. Going into it with this frame of mind would be disaster.

Like a film, the pieces require a dose of commitment, and an ability to get lost in the world being offered to you by the artists. The worlds are often slightly disturbing as you notice odd-looking effigies, or are startled by an abrupt sound; the element of mystery is definitely in the air, forcing you to question your own reality.

Such is the case with “Dark Pool”, the couple’s first installation created in 1995.

Cardiff Miller- Dark Pool

darkpool_4

I like that the technology is so popular it is almost invisible so that people can become intimate with it. At the same time the recorded voice is removed and has a sense of past that a real voice doesn’t, so it can actually get closer to the audience through that removal. They feel safe being intimate with a removed voice.

-Janet Cardiff

You are invited to open a paint chipped antiquated door to enter a long, dark, small room filled to the brim with boxes, books, furniture, rolling racks, and antique objects. You might want to, at first, turn back in fear of what could be lurking in the shadows, but very quickly you find yourself exhilarated by curiosity. As you walk through the room, you hear voices and whispers from the past (children, an elderly woman, a young couple), and begin to notice the clues all around you:

darkpool_3

darkpool_5e

darkpool_5c

[Photos: Cardiff/Miller]

An opened book on reading tea leaves sits behind a tray full of dirty empty tea cups. Two viewfinders, side by side, show a man and woman in a passionate embrace, the other shows a couple with signs of stagnant disdain. You see a collection of porcelain hands. A half-eaten biscuit on a plate. You hear the sound of Judy Garland launch from the radio singing her tragic anthem, “Somewhere Over the Rainbow”. You notice a book that dictates the signs of mental instability.

Often times, as in the case of “Storm Room” (2009), the imagined world is created so thoroughly, you really do question whether the artists have perhaps maneuvered a time slip or some sort of trans-continental teleportation device to get you to the empty Dentist’s office near Tokamachi, Japan, that was recreated for the piece.

Storm Room 1

[Photo: N.M. Hutcgubson]

An elaborate system of pipes, lighting, and speakers provide an uber realistic rendition of finding yourself unsure, even whilst in the comfort of “safety”. You can hear the coughing of a neighbour in the next “room”, and while you wait for the storm to “end”, you find yourself wondering where exactly you might have landed.

Storm Room 2

[Photo: N.M. Hutcgubson]

As water streams down the windows, and the rolling sound of thunder rattles the floor, you notice a roll of Japanese dental floss, buckets filling with water, a telephone, some old Japanese calendars, and a floor fan that only helps instil the uncomfortable quality of a 1960s Hiroshi Teshigahara film.

The Killing Machine- Cardiff Miller

[Photo: Seber Ugarte & Lorena Lopez]

Another unsettling piece, 2007’s  “The Killing Machine”, transports to a world unexpected and unknown. Forcing the viewer to imagine the violence and pain of being held on its soft pink fur chair at the will of two  elegantly choreographed, rotating stabbing wands, the piece is equally unsettling as it is beautiful.

Cardiff Miller- the killing machine - 2007

[Photo: Seber Ugarte & Lorena Lopez]

A statement on the nature of capital punishment, as well as a riff off Franz Kafka’s “In the Penal Colony”, the piece works on the level that it blends these horrors with a beautiful array of coloured lights, a disco ball (who doesn’t love a disco ball?), and almost triumphant orchestration for a bizarrely amusing and eerie imagining of our society’s indifference to killing.

The most impacting piece, had to be the first piece ventured to in the gallery – “Opera for a Small Room” which the couple created in 2005. The piece is a 20 minute long immersion into the tale of a sad and mysterious man (“R DENNEHY”) who speaks throughout the piece about his sad tale of lost love, and a seemingly lost sense of self.

Cardiff Miller - Opera for a Small Room

[Photo: Cardiff/Miller]

Contained in a small shed-like space filled to the brim with nearly 2,000 individual records, eight record players, and twenty-four antique loudspeakers; the piece encapsulate a mysterious, melancholy, and mildly sinister mood, all while telling the story of the strange man who embodies the space between the sounds of various arias, sounds, songs, and pop music. The entire story is aligned with the change of synchronized light and colour.

cardiff miller- opera for a small room- detail

cardiff miller- opera for a small room- detail 2

[Photo: Cardiff/Miller]

As the piece progresses you are enticed to circle the “room” to peer through the wall’s various cut-outs and doorways in hopes of gaining new perspectives on the world inside. As your eyes begin to wander you notice bowling trophies, suitcases, and other objects that add to this strange simulated reality. Its an opus of emotion, and another testament to the artists’ unique craft.

opera for a small room- cardiff miller- room

[Photo: Kunsthaus Bregenz]

   Writing is like a 3-Dimensional process for me. The words and sentences have to work with a physical space, resonate with that space. One thing works on the page but it’s a different thing when they are juxtaposed with a physical environment.

Janet Cardiff

Like a movie in real time playing before your eyes, the works of Janet Cardiff and George Bures Miller are remarkable and exciting works of contemporary Canadian art that we are lucky enough to have gotten the chance to enjoy so closely and thoroughly.

The artists’ cinematic tendencies and unusual combination of various sound and media point to a world where the disparate worlds of various arts and industry can coincide and exist together, for engaging and elevating works of art that not only provide an aesthetic experience, but delve deep into the psyche to penetrate the world of dream, nightmare, and emotion.

To put it plainly, “Lost in the Memory Palace” is as close to Utopia as we’ve seen in this world yet. There are plenty of other pieces by the couple to enjoy at the exhibit, so be sure not to miss out on this incredibly poignant and realized showing on now at the AGO.

“Lost in the Memory Palace: Janet Cardiff and George Bures Miller” at the Art Gallery of Ontario {April 6, 2013 – August 18, 2013}, for more info click here.

Until we meet again,

{theEye}

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E.O.F. Snapshot of the Day {August 18, 2012}

{James Mason with Ava Gardner on the set of

“Pandora and the Flying Dutchman” [circa. 1951]}


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