Tag Archives: Show

The Eye of Faith Presents {NEW KINGDOM} @SUPERCRAWL 2017

 

Creatures of a day!
What is a man?
Man is the dream of a shadow.

-Pindar

 

SUPERCRAWL is upon us again! North America’s fastest growing festival is in its 8th year, and is set to be bigger and better than ever. Which is why we are so excited to announce our latest runway show entitled {NEW KINGDOM} to close the Designer Showcase in the Maker’s Market Fashion Tent at 9pm on Saturday, September 9!

 

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This collection is inspired by the palette, modernity, and of course, glamour of Ancient Egypt and is a nod to a new society who embraces the {past} to invigorate the {present} and propel us all into the {future}. We are featuring both menswear and womenswear, and most of the designs utilize vintage materials for a truly one of a kind statement.

We’ve been preaching for years, but its a still a huge issue! We fill our landfills with so much wasted fabric that its killing our planet. If we can work towards helping reduce this footprint in any way- we are vigilantly dedicated to this cause- and if more people could follow suit, who knows what could change?

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You are only a spirit

-Djehuti {ancient egyptian proverb}

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So if you’re around this Supercrawl weekend in Hamilton, ON make sure you swing by the Fashion Tent at James and Murray and check out some of the city’s best fashion, and of course, our {NEW KINGDOM} at 9p on Saturday, September 22!!!

CHECK OUT THE EVENT ON FACEBOOK

PLEASE SHARE!

Until we meet again,

{theEye}

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ARE YOU WATCHING ‘AMERICAN GODS’ YET ? ? ?

ARE YOU WATCHING ‘AMERICAN GODS’ YET ? ? ?

If you’re not, you need to get your life together and watch one of THE most visually and philosophically opulent shows that has graced the small screen in a very very long time . . .

Each shot, each sound, each choice and decision is stunning, and we have to admit we are hooked!

It’s nice to watch a show that feels like it embodies a deeper meaning to it. If you want a taste of what we mean, here’s a glimpse at the opening credits which in themselves are a true work of art!

It’s really a complex work! Here’s a rundown of what we’ve seen from the title’s director Patrick Claire {via Reddit}:

And that’s just in a minute and a half people!
So much more stimulating musings to come with this show, so definitely check out this wicked new offering from STARZ!

Tell us what you think!

Until next time,

{theEye}

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E.O.F. Snapshot of the Day {November 2, 2014}

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{“He’s the Greatest Dancer”}

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Poems by Greta Bellamacina PLUS “London at Night” EOF Exclusive Poem!

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The last time we spoke with the gorgeous and talented Greta Bellamacina she was getting for a poetry read in Paris, the city of lights, and we were lucky enough to read an original poem written for The Eye of Faith on the banks of the Mississippi River.

Now she is back, with another exclusive poem, and a new book of poetry hand-picked by the divine poet laureate herself, as well some gorgeous black and white portraits that portray the artist in the most gorgeously mysterious manner. . .

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Even as she works hard on a commission by the Royal Academy for their annual summer show, she still has time to be one of the world’s most intriguing style stunners, most especially at the release of POEMS which was featured on the VOGUE UK blog!

 

 

 

London at night 

 

the unbearable night

the night building which washes water 

the night wind which sounds like trapped radiator spirits

the night red light mill

the night full of ship tears

the night window that pains

the mystery that calls you old-fashioned

the night meadow of drafts

the water you would plant under the ground

to save a generation. 

The night walls that shudder flowers

the night woman who is bare 

the equal distances from arms and closed eyes

and gardens that makes a city wide. 

The great face of street kingdoms

the letting of strangers

with metal coloured necks and the sex of swans.

The night cars that are already knocked at doors

the eyes of god lamps 

the night love of dead trees

the five stoned fat of sunlight behind the night

the nights spangle of solace

the park firing of birds

the parks angels

the denial of kneeing

the fear of the colour grey 

the night that is your collar bones

the night which is a wife

the nights common breath

the night watching over the year

and requiting the vertical fires of land

with sea-sore heads.

The unforgiving night

the polite notion of restarting and the barking of roses.

The night skin of summer

the eight ways you became bother and sister

for the sake of rainwater

freely whiter than burnt wood. 

 

eof- greta bellamacina- 3

 

G.Bellamacina

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[PAST] [PRESENT] [FUTURE]
Until next time,
{theEye}
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Beautiful Dreamers: Back to the Garden With Lord Byron + Dries Van Noten Menswear Spring/Summer 2014

“Death, so called, is a thing which makes men weep, And yet a third of life is passed in sleep.”

-Lord Byron: George Gordon Byron {6th Baron Byron}

“I love not man the less, but Nature more”

-Lord Byron: George Gordon Byron {6th Baron Byron}

Lone, wild, and strange, he stood alike exempt

From all affection and from all contempt: (I, XII)[2]

“The Corsair” (1814) by Lord Byron

–+Lord Byron {Jan 22 1978 – April 19 1824}+–

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Until next time,

LIKE US on FACEBOOK & FOLLOW US on TWITTER

{theEye}

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E.O.F. Style Divinity: Patti Smith { Punk N’ Pretty}

patti smith with a crown of flowers

In art and dream may you proceed with abandon.

In life may you proceed with balance and stealth.

-Patti Smith

patti smith- yearbook photo

[photo courtesy:  Sexuality and Love in the Arts ]

A few weeks ago we had the pleasure of browsing Patti Smith’s “Camera Solo” at the AGO, and really got an opportunity to get an inside glimpse of the one-of-a-kind artist and human being.

Her works are exhibited in a sparse open gallery with a few antique chairs for sitting, on top of an aptly bohemian rug you most definitely would find in her own living space, surrounded by her snapshots and polaroids, her letters, her drawings, and beloved objects from her past all come together to expose the tender romantic heart beneath that hard rock shell you might at first perceive her.

patti-smith-robert-mapplethorpe-homotography-2

There are photographs of her children, and of her idols (Frida Kahlo’s bed, Nureyev’s ballet shoe, Walt Whitman’s tomb, and of course her beloved Mapplethorpe, who understandably is a resonating force in her life and work), and they are displayed with the kind of simple black-and-white wisdom she must have come to understand over the course of her life.

Now 66 years old, her soul seems as vital and vibrant as ever. And while we will always remember her as the Punk Rock Queen, her “Camera Solo” really helps display her sense of bohemian elegance. The mix of old and new is obviously something of great interest to us here at The Eye of Faith, and Patti Smith does well to juxtapose her personal memories, the memories of others, and the present day, all in a peaceful vortex of still life serenity.

[photo courtesy: CBC]

There is the sense of a true individual, a libertinian quality, in everything showcased. The sum of the parts, are nothing without her own experience, and thereby no singular person could recreate the moments captured forever by Patti Smith in her writing, drawings, music, film, and photography. Indeed, she is quite the Renaissance woman, and so we thought it apropo to put together a collection of some of our favourite images of the Rebel Goddess, and hopefully ignite that same age old wisdom and passion Patti Smith inherently seems to possess.

And though she is known for her punk rock roots, it was great to see such a refined vision. There wasn’t that garbage, safety pin, and spray paint aesthetic some people immediately cling to when you say “PUNK”. If you think about it, it’s just a state of being that denies following the “norm”. Being “punk” says  you’re doing it your way. No apologies. That’s where her divine sensibility sets in for us.

So as you look through these photos, just let it take over. You don’t have to be right all the time. Just feel it, and let it just be.

patti smith- vintage photograph- high school

[photo courtesy:  Sexuality and Love in the Arts ]

Artist are traditionally resistant to labels.

-Patti Smith

Patti Smith’s “Camera Solo” is running through until May 19 at the AGO, so don’t miss out on the opportunity to spy through the window of a true punk rock soul.

Also check out her official website for concerts and other details. 

patti smith- class clown -yearbook vintage

[photo courtesy:  Sexuality and Love in the Arts ]

To me, punk rock is the freedom to create, freedom to be successful, freedom to not be successful, freedom to be who you are. It’s freedom.

-Patti Smith

Until next time,

{theEye}

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God is in the Details: Revealing the Early Renaissance @AGOToronto

Revealing the Renaissance at the AGO - secrets in florentine art - the Peruzzi Altar Piece

Revealing the Early Renaissance: Stories and Secrets in Florentine Art (March 16 – June 16, 2013)

ART GALLERY OF ONTARIO (317 Dundas Street West)

$25 adult admission (includes admission to the rest of the gallery)

When thinking of the Renaissance, one might automatically conjure up images of Da Vinci, his Vetruvian man, and Michelangelo’s Sistine Chapel. It is a period in history renowned for its surge of creativity, knowledge, and innovation in areas of art, literature, music, architecture, and science.

It is a period that is also become more and more in vogue due to its resurgence in popular culture with T.V. shows like “The Tudors”, “The Borgias”, and the upcoming “Da Vinci’s Demons”, all putting their spin to this exciting and important moment in history.

But, what is rarely captured is the true birth of this period, and the movers and shakers who brought it all to life.

Perhaps its the fact that most art historians do not even know the names of most of the incredible artisans who painstakingly brought the churches of Florence to life with incredibly illuminated manuscripts, carvings, stained glass windows, and beautifully detailed panel paintings, between the years 1300 and 1350, that truly did start it all.

Revealing the renaissance: stories and secrets in florentine art

This is what Sasha Suda and the curators of the Art Gallery of Ontario‘s latest exhibition, “Revealing the Early Renaissance: Stories and Secrets in Florentine Art“, aim to bring to the forefront, allowing visitors to explore the lost masterworks that truly sparked a revolution, and would change the face of history forever.

In partnership with the J. Paul Getty Museum in Los Angeles, the curators have painstakingly worked on this exhibition for the past 10 years, travelling far and wide to analyze and bring overseas for the first time some of the most elaborate examples of work from this period that define the breaking point from the flatness of Medieval art to a more expressive and “humanized” perspective that has come to characterize the Renaissance.

Many of these pieces have been shut away from the public for centuries, making this one of the most impressive exhibits the AGO has ever premiered, and one that is sure to capture the imagination of all those lucky enough to visit.

The main gallery at Revealing the early renaissance- stories and secrets in florentine art - AGO- March 12, 2013

Sasha Suda Talks Art With Culture Minister Michael Chan

Curator Sasha Suda talks art with Michael Chan, Ontario Minister of Culture, Tourism, & Sport.  

One might, at first, be intimidated by the prestige of such an exhibit, but fear not, as this portal on the past is as much a reflection of our present day, as it is the 14th Century.

Whether or not you know a great deal about Renaissance art, the exhibition is packed full of information, from the audio guide, to the i-pads strategically placed amongst the exhibition to give you the full backstory on some of the exhibition’s most intriguing pieces. The curators have created an easy to understand story, that truly captures all the excitement and mystery of the artists and the works they created amidst the social context of Florence during this period.

Detail of the Peruzzi Altarpiece - christ wounds- revealing the early renaissance: stories and secrets in florentine art at the AGORevealing the Early Renaissance: Stories and Secrets in Florentine Art at the AGO -

God is in the Details . . .

As you first step into the gallery, it may not immediately strike you how these works differ from the Medieval illustrations and paintings you are used to, but upon closer examination, you will find how rich, textured, and full of emotion each piece truly is.

They are not works of art to be admired from afar, but works that deserve an acute eye, and a willingness to get lost in the stories being told within them.

There is a certain excitement generated as you begin to see the layers of colour, and painstakingly small brush strokes that capture the most miniscule details of hair and embroidery. While our culture might be used to multiple images rapidly flashing before our eyes (surely a luxury akin to witchcraft for the men and women of the Renaissance), one must note that the multi-faceted panels and illuminated manuscripts are akin to the cinema of the Renaissance, with all the drama, suspense, horror, and spectacle you could expect from a film of today, with even a bit of special effects here and there.

Revealing the Early Renaissance: Stories and Secrets in Florentine Art at the AGO

An exquisite panel painting. Blood, gore, and devotion. The piece reads almost like an expensive 14th Century comic . . .

It”s all for devotion sake, of course; used to invoke prayer, meditation, deep-thought, or contemplation. There’s definitely that sense of entertainment in the midst, often showcasing the more brutal and tumultuous moments of martyrs and Christ: Agatha with her breasts being cut off, another martyr is grilled on coals in ecstasy, and check out any crucified Christ in the mix and you’re bound to see more than your year’s worth of blood squirt (the most impressive, hands down, being Pacino Di Bonaguido’s “The Crucifixion” from 1315-1320, whose flowing blood rains on the spectators of the scene, as well as a juicy squirt from the chest for the viewer).

The Crucifixion by Pacino Bonaguida at the AGO - March 12, 2013 - Revealing the Early Renaissance: Stories and secrets in florentine art Revealing the Early Renaissance: Stories and Secrets in Florentine Art at the AGO - Detail of Bonaguida's "THE CRUCIFIXION"

Pacino De Bonaguida’s “The Crucifixion” and Detail of (1315-1320)

And while, we might cringe at the sight of this, its patrons felt the bloodshed and pain was the human aspect of their faith, and that one day perhaps, they may themselves reach divination, as did their faithful predecessors.

Getting lost in each piece, you begin to see that this society was obsessed with their idols, and their chance to be a part of them was as easy as getting a master to paint them into a panel or manuscript. In essence, it equated a wealthy merchant to the status of celebrity, having made his way onto the pages alongside the kingdom of heaven complete with Christ, the Virgin, and all the many martyrs who gave their life to the dedication of their fate.

The most entertaining example of this is the Laudario of Sant’Agnesse; an illuminated choir book commissioned by the Compagnia di Sant’Agnese, a fraternity of merchants, for use in charitable events and prayer, and who are also illustrated along the margins of the music. This remarkable collection of 24 illustrated manuscripts have been framed and reunited for the first time since the early 1800s, and will be performed by musical guests Lionheart on April 6 in the Walker Court of the AGO (click for more details).

Detail of Daddi's "Crowned Virgin Martyr" - Revealin ghte Early Renaissance at the AGO - Toronto

Detail of “A Crowned Virgin Martyr {Catherine of Alexandria}” (1334 – 1338) by Bernardo Daddi. 

It is amazing to think that at one time, masters like Botticelli, Leonardo Da Vinci, and Michelangelo must have set their gaze on these exact works to hone their own craft, and garner inspiration to create the masterpieces of the Renaissance we marvel at today. For when staring at the suggestive expression of Bernardo Daddi’s “A Crowned Virgin Martyr” (1334-1338), a glimpse of Da Vinci’s “Mona Lisa”  with her mysterious stare, and face full of subtle shadows that delicately sculpt her face, can definitely be seen,  which make the exhibition all the more exciting, and relevant.

In many ways, the exhibition brings to light that not much has changed in the world of art and commerce; citing the importance of banking and the prosperous merchant class to the creation of these vital works of art. Being so wealthy, members of the merchant class became so concerned that they may not  reach heaven, that they began spending their fortunes on commissioning buildings, and filling them with new art that expressed their hopes, fears, ideals, and emotions.

Revealing the Early Renaissance at the AGO-A view of Bernardo Daddi Italian The Martyrdom of Saint Ursula and 11,000 Virgins

With prosperity, comes art – and not much has changed today, as many of the world’s most successful artists rely on wealthy investors and corporate big wigs to the cut the cheque on a commission. Perhaps they no longer fear purgatory for their sins, but they are most definitely keeping their fingers crossed that their commission could strike them big dollars, and in that way, achieve idol status, and a bit of heaven.

The exhibition has already been lauded by the Wall Street Journal and Los Angeles Times as one of the most important exhibitions in recent years, so don’t miss out on this once-in-a-lifetime opportunity to travel through time, and take in 90 once-hidden masterworks that came to redefine life as we know it today.

Agony and the Ecstacy - Blood and Gore - Revealing the Early Renaissance at the AGO

All the Agony & The Ecstacy . . .

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Revealing the Early Renaissance: Stories and Secrets in Florentine Art” opens at the AGO on March 16 and runs until June 16, 2013. To book your tickets today, click here!

Also be sure to check out the event schedule at the AGO for exciting insights inspired by this latest exhibit (Click here).

Sasha Suda, Michael Chan (Ontario Minister of Culture), and CEO at the AGO, Matthew Teitelbaum - March 12, 2013 - AGO Press Preview

Matthew Teitelbaum (CEO at the AGO), Sasha Suda (Assistant Curator of European art at the AGO), and Michael Chan (Ontario Minister of Culture, Tourism, & Sport) – March 12, 2013. 

Until next time,

{theEye}

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“The Name Game” Challenge: Jessica Lange VS. Shirley Ellis

american-horror-story-asylum-the-name-game

It’s been about two weeks since American Horror Story: Asylum ended on FX, and for anyone who has seen the show, you will know that it is near impossible to get that rhythm and beat of Jessica Lange’s boppin’ rendition of the classic “The Name Game” which premiered in Episode 10 of the miniseries.

The scene, in which all the members of the cast work it out to the tune of Shirley Ellis’ 1964 hit is already sweeping the internet, and proves again that the show is there to push the boundaries of the genre, and take the story to the very outer limits of the audience’s expectation.

Surprising, Jessica Lange had never performed a sing and dance number throughout her expansive career, and so the scene was born, making everyone wonder why she hasn’t been shaking her thing and lip synching to herself before on screen. Absolutely electric, and ICONIC.

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Shirley Ellis, on the other hand, found immense success with the song, making her way to the top 3rd spot on the Billboard 100 with the number in 1965, but failed to have any follow-up success after this crazy song. It’s kind of a dirty word, but – one-hit-wonder, is often used to describe the career of Ms. Ellis who would release it a second time in the 60s, and again in 1973.

Now we are often looking for those bridges that lead us from the {Past} to the {Present}, and what better example than this! What we couldn’t manage was which version we enjoyed better?!

We grabbed videos of both Jessica Lange and Shirley Ellis performing the song, and were hoping to have a little battle, of sorts. They both have their merits, but we wanted to see which version struck the chord most with our readers!

So sit back, enjoy “The Name Game”,  and comment below which was your favourite!

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{VS.}

Nothing contrary about it. . . they’re both solidified into the zeitgeist, now!

So what did you think? who owned the challenge? Let us know in the comments below. You can also TWEET US or say your peace over on our FACEBOOK.

Don’t be shy!

Until shortly,

{theEye}

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Wacky World Wednesday: Over The Top Ghost Girl in Elevator Gag!

Sometimes it’s good to laugh.

This Wednesday has us feeling that extra bit of wacky with this hilarious stunt pulled by some savvy Brazilian television producers.

You know that part in horror movies where a creepy ghost child suddenly appears usually with tattered clothes and/or a broken doll of sorts to creep the shit out of you? You know exactly what I mean, as we’ve seen it only over and over again on the big screen.

But what if this nightmarish vision happened before your very eyes? Now, that’s a whole other ballgame…

Check out how these people react in this extremely funny clip that just premiered this week and is already stirring up controversy on “How far is too far?” when it comes to these secret camera pranks.

Personally, we’re fans and guarantee some hardy laughs out of this…

Let us know what you think…

Sincerely,

{theEye}

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INSIDE THE ASYLUM: Costume Design of “American Horror Story Asylum”

Fresh off the latest episode of American Horror Story Asylum, entitled “I Am Anne Frank Pt. 1”, we were impressed to find this great short video of the costumes for FX‘s coolest, freakiest, and oddly style-wise series created by master minds Ryan Murphy and Brad Falchuk.

Lou Eyrich takes us through Briarcliff Manor and the men and women inhabiting its walls. From the stern Sister Joan brilliantly played by Jessica Lange to the patients in the ward, Eyrich does a fantastic job at conjuring the realm in which the show inhabits.

Set in 1964, the show is a roller coaster of emotions that has departed from its haunted house roots and gone into the stratosphere of horror and things that haunt touching on everything from religious corruption, aliens, Nazis, demonic possession, genetic experimentation, sexual identity, mutations, and the true to life horrors of treating those deemed mentally ill in the 1960s.

Really, it’s everything we’ve ever wanted in a TV show and more, with every new week offering a more horrifying piece to the puzzle. The best thing is that the writing team for the show kept to heart the fact that the things that have happened in real life are far more terrifying than any monster with a face mask made of bloody skin. But hey, if that’s your jive, they have one of those too….

You can find more gruesome tidbits and behind-the-scenes moments from American Horror Story Asylum on their Facebook page. So check it out!

Enjoy the video!

Sincerely,

{theEye}

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