Tag Archives: production

{Style-Wise} This Very Moment . . . Vintage Style Inspiration for Spring 2015

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This very moment we couldn’t be more blessed.

Many props go to our many friends, fans, and followers who have helped get us this far – and many more to those who we have yet to meet who will take us even farther along the path our destiny has chosen for us.

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Life is nothing but a series of moments that pass before us. In a blink, they are gone. A whisper in the wind. A forgotten melody that drums in our memory.

Take these moments and package them tight, for you never know when you might need them.

This very wise {Style-Wise} is dedicated to that. After all, style is not as cut and dry as people like to make it out to be. It goes far beyond the clothes we wear, and trickles deep down into our centre where the components of who we truly are stay in constant motion.

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Here’s a little inspiration mixed with some simple philosophical points courtesy of the brilliant words of one, Mr. Terrence Malick, who seems to have some magical grasp on words, sound, and image, in a method that transcends the idea of style to whole other level that never ceases to enchant the mind and soul.

Check out this scene from his first feature ‘Badlands’ (1974) starring Sissy Spacek and Martin Sheen as star-cross’d lovers on a crime spree across America in the 1950s.

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The film was based loosely on the real life crimes of Charles Starkweather and Caril Ann Fugate who attempted to live a life outside the mundaneness of their strained small town lives. . .

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Starkweather was promptly sentenced to death by electric chair and died June 25, 1959 after a mass crime spree across the plains. Caril Ann Fugate maintained her innocence, and was sentenced to life in prison for a charge of first degree murder. However, after 17 years as a model inmate she was released on parole in June 1976.

Caril Ann Fugate lived a rather normal life hereafter, with many people siding with her innocence. Last summer she was involved in a car accident that left her husband dead, and herself in critical condition at the age of 70. There is no news since whether or not she survived her injuries.

“Since this has happened, there’s not a day in my life that has gone by that I haven’t thought about it,” she said of the killings. “There’s times when I think about my family and when I think about them, it’s always what happened. It’s always how they died.”

[source]

 

What else can you say? Love is strange . . .

Cherish your moments forever.

Don’t let them pass.

Until next time,

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Dandy “Dracula” [an Ode to Ishioka]

“They say you are a man of good… taste. “

-Dracula, Bram Stoker’s Dracula

As fore mentioned in our last post, we are developing quite the affinity for a certain dreamboat of the dark side, and it seems like more and more of the masses have also come under the dandy wrath of Dracula.

With the passing of ultra-talented and internationally acclaimed costume designer Eiko Ishioka (passed on January 21 at the age of 73), we are finding our world more and more drenched with the dark nightmares and dreamscapes her fantasies conjured in designing for Coppola’s visionary 1991 film, Bram Stoker’s Dracula.

A nightmare fantasy realm of dark mystery, elaborate exoticism, blood, seduction, and intrigue which would not have been the same without the remarkable talents of Ishioka who would go on to win the 1992 Academy Award for Best Costume Design.

While her spirit will be missed, the designs she created are of constant value, for they provide much inspiration and insight into reinvention, and taking the reigns on one’s image. Choose a jump point, and really explore it.

That’s what we’ve been up to. Since we’ve been in this dark mode, and with Dracula on the brain, we pulled some pictures to explore OUR take on the Prince of Darkness explored in true E.O.F. style.

DEDICATED TO EIKO ISHIOKA [ R.I.P. 1938 – 2012 ]

Sincerely,

– The Eye x

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Setting Up For Satan: Fresh Design Tips for a New “Aeon”

“Rosemary’s Baby” remains one of the single most affecting, and stylish films to ever grace the silver screen. Based on the bestselling novel by Ira Levin (“The Stepford Wives”), the film serves up the frightening tale of an innocent young couple pulled deep into a darkness once imaginable in the heart of New York City.

Many argue the darkness still purveys more than ever in urban sprawls all over the world. No longer should you fear the woods at night, as much as the threat of our own neighbours, and the things we can’t see, that has begun to send shivers up your spine. As Gary Indiana of the Village Voice describes:

“The movie appeared at a moment of optimum spiritual chaos in American life. Rosemary’s Baby remains an iconic memory trace of a time when anything seemed possible, including the birth of the Anti-Christ”.

The fear still prevails more than ever in these times, and many would argue that SATAN can be found everywhere we look these days; television, film, books, and of course, FASHION.

But, paranoid speculation aside, perhaps one of the greatest aspects of Roman Polanski’s 1968 classic, is the devilishly divine design by Richard Sylbert. Setting the film in the both epic and ominous Dakota Building in New York City, Sylbet acts on the trends and compulsions of the time that really give definition to Rosemary’s characterization.

Prim and proper Rosemary- the picture of perfection, really. From her committed DIY efforts around the apartment, to her of-the-moment Vidal Sassoon haircut (“Don’t you like it?”), Rosemary is a portrait of a woman, perhaps society, committed to doing what’s “Right”. In the end, her constant commitment to being the “good girl” has led her down the darkest path of all.

Artwork by Aaron Duarte for The Eye of Faith

Being obsessive fans of the film’s decor, it was such a treat to stumble upon “Rosemary’s Baby: Devilish Decor” on Nowness.com! The site always features dynamic and interesting stories in the realm of art, design, film, and fashion, but the celebration of Mia Farrow’s 67th birthday with a hillarious How-To for Satanist’ provided by blogging duo Unahppy Hipsters is just what Doctor Sapperstein ordered!

Gotta give it to Richard Sylbet for being so on-point with the yellow for 1968, considering the film would have started production at least a year before! Thanks Unhappy Hipsters and Nowness for this dangerous delight!

Artwork by Aaron Duarte for The Eye of Faith.

“All the while Rosemary is remaking the apartment to suit her needs, the building (and its inhabitants) are remaking her to suit theirs, which makes her choices of bright white walls and sunny yellow fabrics seem at first hopeful, then increasingly creepy.”

Sincerely,

{theEye}

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A Peak at Wong Kar Wai’s “The Grandmaster” . . .

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some people make films to provide answers, but the way I make films is posing questions . . .

-Wong Kar Wai {VICE}

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Costumes to die for. Cinematography to boot. These are some of things I’ve been hearing about Wong Kar Wai’s latest film, “The Grandmaster” which is supposed to be some sort of epic tale of the man who trained THE Bruce Lee – Ip Man.

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Granted, Bruce Lee is BOSS, but so was his mentor! 

The film also star’s two of cinema’s most beautiful faces; that being of the unequivocal Zhang Ziyi, and the uber underrated Kar Wai leading man Tony Leung Chiu Wai as the Grandmaster, himself.

tony leung and zhang ziyi styling at the grandmaster premiere- courtesy of chinadaily.com

{courtesy of ChinaDaily}

Check out Tony Leung’s bad-ass style choices! So chic, so casual, so COOL! Wool blazer, love the socks, and blue shoe-laces are a nice touch. He finishes it off nicely with the scarf. You’ll never see a star in Hollywood looking that smart. Zhang Ziyi – DYNAMITE. Love the holographic nature of this print – it’s so bold, and some might say too much, but paired with her timeless grace, she pulls off this dress with an effortless flare and edge that only Zhang Ziyi could inspire. 

Indeed, there’s been many who say the Weinstein’s hacked a good chunk off the piece, so I might wait to get my hands on a legit Hong Kong copy. So, until then, there are plenty of vids on the net to help entertain my fancy. Thought it would be nice to share them with you, too.

Let’s start with this wicked convo with Wong Kar Wai from VICE:

Now lets see Zhang Ziyi and Tony Leung FIGHT!

(it’s always best to a little opera, don’t you think?

Congrats to Philippe le Sourd on his recent nomination for achievement in cinematography at this year’s American Society of Cinematographers Awards! Would love to see him make it to this year’s Academy Awards, as well, so fingers crossed in the meantime.

Just a bit of a taste. Did you catch how the VICE interviewer brilliantly brought up style in context to his films. It’s definitely a great feature, and one we’ve brought up many a time, most recently in a {MUSIC-MINUTE} a few weeks ago.

Movies will always be one of our major sources of inspiration, so don’t think we’ll ever stop watching!

Until next time,

{theEye}

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Commercial Break: I Married A Witch (1942)


Well well well, Halloweens nearly here.  Just around the corner!  And we feel as if we cannot get ahead on posting all the spooky ghoulish goodies that we’d love to bring to our readers.  Today we renounce the horror of Halloween and reflect on a time back in the 1940s, we know our retro readers will enjoy.


Starring a vivacious Veronica Lake as Jennifer, a 15th century Witch, brought into the present time with her father Daniel.  Both were imprisoned in a tree until a bolt of lightning freed the pair.  In an effort to exact revenge, Jennifer sets out in a diabolical plan to find the ancestors of the bigots who burnt her and her father centuries before.

High-jinks ensue in this romantic comedy, as Jennifer tracks down the puritan Jonathan Wooley (played by Fredric March), who is unhappily engaged at present.  The ambitious witch crafts a plan to steal and marry the man,  but the only way she can entice him to her eccentric ways is by using a Love Potion.


Tensions mounted on the set, and Lake had a rebellious steak.  Making a reputation for herself as being difficult to work with, sneaking weight’s under her dress when March was scripted to effortlessly carry her away.  And antics such as wedging her heel into the leading actors foot off camera to throw off her co-star.  Lake would fade into obscurity as the pictures evolved in the coming years, leaving behind a legacy of luscious side swept blonde hair, and a notorious attitude of a true Witch.

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E.O.F. Snapshot of the Day {October 2, 2012}

{Veronica Lake in a publicity still from “I Married A Witch” Circa. 1942}

Halloween’s in the Air 
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New Trailer{s} for Paul Thomas Anderson’s upcoming film, “The Master” !

We’ve been profiling this film for months now, and finally two more trailers have dropped for this much anticipated film of the year! We are excited to share them with you.

Full of vintage American goodness, these latest trailers definitely help shed some light on this Post War Tale of Tragedy & Paradise Lost, among other things…the entire production looks absolutely fantastic! Artful, perhaps, even a new American classic….

Looks like Joaquin Phoenix had gotten back what many hypothesized he had lost in time to make this film which looks like quite a marvel of magic movie making!

We found some behind-the-scenes shots taken on the set of the film several months ago, as well as noting the story’s similarity (as well as Phillip Seymour Hoffman’s uncanny resemblance) to L. Ron Hubbard, the father of Scientology.

Many rumors are flying, and most people can’t wait! The world’s first glimpses are coming soon right here in our hometown of Toronto, at this year’s annual international film festival. The film will then make it’s European debut in Venice for their annual festival, as well. And with Harvey Weinstein backing the thing, we can’t imagine it flop…

So keep your {EYE} open, and enjoy these quick glimpses into one of the year’s hottest upcoming attractions!

Sincerely,

{theEye}

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E.O.F. Snapshot of the Day [April 24/2012]

                                Elizabeth Taylor on set of Suddenly, Last Summer (1959)

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American Vintage: Behind the Scenes of Paul Thomas Anderson’s “The Master”

With the Academy Awards freshly behind us, it’s come time to stare the future head on and see what’s patiently waiting in the wings for this upcoming year! One project in particular that seems to have many cinephiles speculating across the blogospher is auteur Paul Thomas Anderson’s (“Boogie Nights”, “Magnolia”, & “There Will Be Blood”) newest venture- “The Master”.

Shrouded in mystery, the film stars Joaquin Phoenix as a troubled drifter who finds himself the right-hand man to Lancaster Dodd (Philip Seymour Hoffman), a charismatic intellectual who launches a faith-based organization called “The Cause”. Set in the 1950s, Phoenix’s character begins to question the beliefs of the organization as it grows a fervent following.

Also starring Amy Adams and EOF Favourite, Laura Dern, the film is sure to stir up a lot of conversation with Anderson’s fictional religion “The Cause” being compared to the ever controversial religion of Scientology and it’s prolific rise throughout the 1950s headed by it’s founder, science fiction writer L. Ron Hubbard.

Anderson always has critical conversaions to tell about society in his films, and we’re sure “The Master” will be no exception.

One thing’s for certain, however- the staying power of vintage! Looks like on top of the 1950s of “The Master”, there will be plenty of period power this year with films like dirt backroad Prohibition-era “The Wettest County“, Beatnik 50’s “On the Road“, and of course the 1920’s decadent glamour of Bazz Luhrman’s “The Great Gatsby“; all will provide for some new classic vintage American moments!

Everything old is new again. So, if you’re excited for a sneak peak of some vintage American cool in the movies, check out these behind-the-scene photographs taken by Jack Erling on the set of “The Master”. No celebrities, but a great taste at some fantastic period costumes and locations! Makes you think they had a time machine!

Costume designer Mark Bridges won an Oscar on Sunday for his recreation of the silent era in “The Artist”, and from the looks of it he might be running the race again next year for “The Master”!

Enjoy! (Thank you, Blackbook!)

Sincerely,

-The Eye x

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