Tag Archives: mansion

“STOKER” – The Life and Styles of the Rich and Sophisticated . . .

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“Stoker” is one of those films that only come out once in a blue moon; when we’ve all done our chores, and said our blessings to the universe – then we get a film like “Stoker”.

Complex, beautiful, provocative, wonderfully acted, great dialogue, and stylistically beyond are some words you could use to describe it, but its more the indescribable feelings you are left with after leaving the picture, that truly speak to its prestige in the grand scheme of world cinema.

The term world cinema couldn’t be more appropriate in this case, as Korean Director Park (Chang-Wook of “Oldboy” fame) has choreographed this exquisitely sinister plot in a language foreign to most of the cast and crew. Even while working with the film’s biggest stars, a translator was used to communicate between actor and director. And while this is his first English language film, it will definitely not be his last. As any film buff knows, the language of film is universal, and from the film’s opening shots the director’s eye for detail and acute sensibility sing a song harking back to film makers of a time long gone like Bergman, Hitchcock, and Kubrick.

India Stoker- Classic Vintage Inspired Look by Kurt and Bart

Many things spoke to us throughout the film, from Clint Mansell‘s (“Black Swan”) haunting score, the incredibly articulated and imaginative Production Design of Therese De Prez (another “Black Swan” veteran), Wentworth Miller (“Prison Break”) and Erin Wilson’s sophisticated script, as well as the acting chops of Matthew Goode ( playing against type as the mysterious Uncle with a dark past), Nicole Kidman (the lonely and vindictive mother), and most especially Mia Wasikowska, as India Stoker, the film’s protagonist.

This young starlet is always good in everything she is in, but almost expertly does she manage to tackle this role which requires her to be many things, most of the time without many words, making for a most appreciated and most memorable character in the past decade.

Surrounded by Saddle Shoes- India Stoker Style Stunner

But what stood out in particular for us here at The Eye of Faith, had to be the incredible costume design by designer duo Kurt & Bart, who put together the looks to fully realize these strange personalities.

Indeed, they are very rich and very sophisticated, and from the moment India walks onto the screen in her crocodile skinned LaBoutins, flowy skirt and floral silken blouse – you just knew you were in for a style treat with this one.

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In fact, throughout the film, the costumes play a great deal in helping enrich the story being told throughout. The designers point out a green Marni cardigan, worn during the film’s strange piano duet, noting how the colour of the cardigan matches the colours of the walls in her own house, symbolizing India’s captivity.

Also signature to the film’s main theme is a pair of shoes – saddle shoes, to be exact, which represent the more child-like and homely version of India, before she foregoes her inevitable transformation into womanhood.

India Stoker - Vintage Fashion Inspiration- Style Idol of Tomorrow

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India Stoker- The preraphaelite muse- nouveau gothic- style stunner inspiration- vintage fashion reinvention

While the film displays a nod to the 1950s with the styling of India, the duo point out that no vintage was harmed in the making of this film.

Instead, they studied day dressed and blouses from the era and used them as inspiration in the creation of India’s wardrobe, adding extra details, and unique clasps and fastenings that would indicate India’s obsessively detailed nature, as well as her rejection of the everyday – that’s my girl!

She is not of this world, but of her own, and throughout the film we are by her side in  her own elevated sense of reality.

The Spider Crawls Up Indias Saddle Shoes

I’m gonna bet there’s already been a rise in saddle shoe sales, and I’m hoping to see more girls unafraid to rock a pretty blouse and skirt combination. After all, its all in the attitude – the India Attitude.

She’s definitely a new idol of sorts; Nouveau-Gothic, in a way, with her pastel coloured blouses, and prim and proper way of dress, but grossly morose in her attitude and presentation to the world around her.

She is a representation of that breaking point from teen to adult, and that indefinite feeling of not belonging to the world that surrounds you, and doing everything you can to not fit into it. She’s a strange poster child for our generation, in that way.

There’s no doubting the staying power of this film, and in 25 years from now, we will still be looking back on this one as a great one on the level of psychological horrors like “The Shining” and “Rosemary’s Baby”. Even compared to those great classics, there is something very different here with “Stoker” that cannot be compared. Perhaps it is the contemporary nature of the story, and it taking place today that is very different.

These days American films don’t often delve into the lives of the rich and sophisticated to come out with a vision so twisted and maniacal, so perhaps it is the appropriateness of this action that really helps speak to the “nowness” of it all. There is no denying the conspiracies and secrets of the world’s most affluent families, and as history as shown us, they often hide the most terrible and terrifying secrets . . .

Finding The Letters She Never Received

“Stoker” is a glimpse on what might just be the truth behind the family with the mansion, the housekeeper, the beautifully kept lawn, the designer furniture, valuable antiques, most incredible designer clothing, and carved stone art just laying about in the garden. After all, you never know . . .

From the very beginning it will really keep you guessing, but be warned – its not for the faint of heart. This is a thriller, and while director Park describes his film as a modern fairy tale, don’t be expecting ponies and rainbows from this one. There is a glass slipper at the end of it all – though be them black crocodile LaBoutins at the end of it all, which maybe a few hours afterwards will really strike you as a funny “Happy Ever After” to this very modern Fairy Tale; a fairy tale that, unlike most,  challenges its audiences, and asks you to question the characters motives and uncover their vices to help us question ourselves and our own everyday anxieties.

So if there’s one thing you get up to this week its getting your butt out the door to see this film!

Stoker- Opening Shots

This is me. Just as a flower does not choose its colour, we are not responsible for what we come to be. Only once you realize this do you become free. And to become adult, is to become free.

-India, “Stoker” {2013}.

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Dying for the look? Stay Tuned to The Eye of Faith for the tools to recreate Stoker’s sensual 1950s reinvention!

Shotguns and Saddle Shoes - Stoker Style

Until we meet again!

Sincerely,

{theEye}

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Face the Future: Vapid Freakshow Covers Vogue Italia


Sex and vanity collide in the  not so distant future.   S&M undertones emerge and take over the carnal landscape of this isolated Ranch.   A day in the life with rich bliss and voyeuristic intentions have us intrigued and mildly disturbed.  So follow our lead as we take you through this bizarre yet eye-catching display of Fashion at it’s finest.

From the September spread for Vogue Italia shot by Steven Meisel, we are taken to a dark and strange world, with high end appeal.  Watch the above video by Gordon Von Steiner to get a glimpse into the weird world of mystery and perversion, mixed with aspirational sex appeal.

Model Carolyn Murphy channels her best Sharon Needles in this latest cover story.  With dozens of masks, each freakier than the last, and gorgeous styling by Karl Templer, we are blown away by the horror we find looking through this spread.

Thanks to Haute Macabre for bringing these images to our attention, we just knew we had to share it with our readers here at The Eye of Faith. Share with us your thoughts on this strange and telling tale of masked beauty and eerie fascination.


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{The Eye of Faith}
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Commercial Break: Inferno (1980)

By acclaimed director Dario Argento, this is a story that takes every turn you can imagine.  Following two sisters, one in Rome and the other in  New York, investigating a series of killings all linking to two covens of witches!

From swimming with the dead to being tackled by dozens of black cats, we’d hate to be the heroin in this gory flick. Witch Witch Witch!!

Eep!
The Eye.

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The Late Great Valentino: For Rent!

Tragedy came too soon, in the form of Rudolph Valentino’s death. Suffering from unexpected appendicitis and gastric ulcers, Valentino spoke optimistically to his doctors about his future, while the doctor’s knew the inevitable grim fate of the iconic actor. Passing away August 15 1926, at a young 31, hysteric female fan’s threw themselves off buildings, lusting to somehow be closer to their dearly departed Rudolph. A star remembered by name, but seldom by his film credits alone, Rudolph Valentino rose to stardom through the glory days of silent film. With his steely gaze, and exotic look, no other film star of the time could compare.

A stone’s throw away from the The Beverly Hills Hotel, Valentino’s estate stood strong after his passing. Owned at a time by tobacco heiress Doris Duke, who used the property as a stay over between commutes to her hawaiian property and a hollywood life, until her death in the home in 1996. Torn down and built back up, the home can now be rented for $1,000 a night to $14,000 monthly.

Maybe we could handle a night in the estate… but we’d be tempted to bust out the Ouija board and conjure up the spirit of the film great. Would you want to stay at this house??

The Eye

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