Tag Archives: Kim

NEW ADDITIONS TO THE {SHOP} circa. Feb, 2016 !

Fashion Photography - Aaron Duarte- Angela Xie - The Eye of Faith
Angela Xie photographed by Aaron Duarte, styled by Paul Heaton & Aaron Duarte /The Eye of Faith {Vintage} in collaboration with Style at MAC

We are pleased to announce some new additions to the {SHOP}. Had a lovely lady already inquiring about the YSL Rive Gauche Paris 90s black velvet pleated trousers, so get these finds while they are hot!

We were feeling moody opulent vibes. It’s always a secret society gathering one way or another here at The Eye of Faith {Vintage}. You got to know when to hold or fold, and we all need a place where we belong.  .  .

THE EYE OF FAITH {VINTAGE} - Photo by Aaron Duarte - Style at Mac- Angela Xie- Braeden Militante - Styling- Vintage
Braeden Militante (@bmilitante) + Angela Xie (@_thelorelei_) photographed by Aaron Duarte. Styling by Paul Heaton and Aaron Duarte/ The Eye of Faith {Vintage} in collaboration with Style at Mac. Read our interview with this stylishly discerning society!

Just be yourself! The thing we love most about these finds is the unending options. We are also excited that many of our new additions are for our stylishly discerning lady friends. . .

But, the boys are represented too, of course.

Check it out, and remember that XIXIXI gets you 25% OFF in the {SHOP}

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ALWAYS

IT PAYS TO BE IN THE KNOW. . .

VISIT US OFTEN FOR UPDATES AND STIMULATING MEMORIES AND MUSINGS!!!
FOLLOW US ON INSTAGRAM & TWITTER @THEEYEOFFAITH AND FACEBOOK /THEEYEOFFAITHVINTAGE OR CONTACT US DIRECTLY AT THE.EYE.OF.FAITH@GMAIL.COM
UNTIL WE MEET AGAIN,

{theEye}

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{STYLE WISE} LAUREN BACALL PRESENTS 1987 COSTUME DESIGN OSCAR

With the 88th Annual Academy Awards just around the corner, we can’t help but indulge in some Oscar nostalgia in this key periods of waiting…

One fantastic find is this clip from Oscar.com of the costume design portion of the 1987 ceremony which celebrated the best films of 1986; a fantastic year which include Roland Joffe’s “The Mission”, Woody Allen’s “Hannah and her Sisters”, Oliver Stone’s “Platoon”, and of course, my boy David Lynch’s iconic modern masterwork “Blue Velvet”*.

*one nomination for David Lynch in the category of Best Director (should have been many more).

Presenting the award is none other than style divinity Lauren Bacall in all her sultry, sophisticated glory….MAN! THEY DON’T MAKE THEM LIKE THEY USED TO!

What began as the most innocent unassuming presentation turned into full-on 80s fashion MADNESS!!!

Basically, the jist was that the costumes of films have always and will always directly influence fashion so with the help of legendary costume designer Theoni V. Aldredge ( 1974’s ‘The Great Gatsby’ ) who used the year’s nominees (“The Mission”, “Otello”, “Peggy Sue Got Married”, “Pirates”, and that year’s winner “A Room With a View”) as inspiration for contemporary fashions a la 1987 through the eyes of one magnificently creative and visionary mind.

They just couldn’t help themselves, and be prepared to be dazzled by some super enthusiastic dancers and some really exciting fashion that probably never actually made it to the streets, but at least opens the eye to the possibilities of inspiration.

In a not very surprising instance of history repeating itself, Jenny Beaven, the winner of the Oscar that year for James Ivory’s stunning, classic film “A Room With a View” (starring young and fresh faces Helena Bonham Carter and Denholm Elliot), is nominated again this year for George Miller’s visionary epic “Mad Max: Fury Road” and is primed to taking home the Golden Boy once again!

What is so fantastic about Jenny Beaven’s contribution to “Mad Max: Fury Road”, personally, is that it is such a different kind of project than her past films which have garnered nominations such as “Gosford Park“, “The King’s Speech“, and “Howards End“, which makes it so cool to see her creating such raw and original and truly contemporary visions for this latest masterwork, and getting much deserved recognition for it.

If you haven’t seen “Mad Max: Fury Road” do so. It is a magnificently conjured film by true veterans of the craft. To be honest, I had my doubts about it, as I am getting so tired of these Hollywood remakes, but with the original director at the helm it truly is a treat to see what could be done with a story like Mad Max if given the treatment it deserves.

And if you wonder how possibly could we see the tattered and extreme costumes of “Fury Road” translate to today’s fashion scene. Look no further than say Kanye West’s label “Yeezy” and his latest collection SEASON 3 . . .apparently dystopia is tres chic these days, and that’s just a single example.  Go figure!

We hope to delve a bit more into the Costume Design category in the coming week, so stay tuned!

And don’t forget to watch on the big night (Feb. 28) to see history in the making!

How rich it is to find the threads of our {past}, {present}, and {future}

entangling us so  . . .

Until next time,

{theEye}

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Music Minute: Ghosts – Japan (1981)


While sitting in our favourite local cafe, Cool Hand of a Girl,  we heard a favourite melody and it reignited our love of gothic new-wave (Not that we’re saying the flame ever went out). We were in fact listening to Japan.

Forming in 1974, it would be this band from South London who’d help usher in NewWave.  Achieving success in the late 1970s, early 1980s, they have been cited as an important influence on 1980s synthpop bands such as Duran Duran and Camouflage.
They would forever be associated with the ‘New Romantic ‘ fashion movement, an association which would always be denied by Japan.

In the early 80s, the group would garner their most notable success with “Ghosts“.  From the 1981 album ‘ Tin Drum, it reached number 5 in the UK Singles Chart in 1982.   Although it was their biggest hit, this was not enough to stop the band splitting only a few months later.

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{The Eye of Faith}
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Playboy Shutdown!

Don’t panic, this is just a transition. It’s just been announced this week Playboys Chicago headquarters will be closing their doors, and editorial, art and photo departments will be moving to California to continue publishing the magazine. But no word on the fate of other departments which will still run from the Chicago location.

“Some of the magazine’s Chicago employees have been asked to relocate, while others have been asked to stay on in Chicago to ensure a seamless transition,” Playboy spokeswoman Theresa Hennessey said in a statement.

Hefner acknowledged the upcoming changes himself in an October 2012 interview: “I think we’re probably going to be doing that out of economic concerns, yes,” Hefner said. “We will be probably consolidating on the West Coast.”

The magazine was established from a Chicago apartment in 1953, but it wasn’t until 1975 that Hefner relocated to L.A. and founded the Playboy Mansion we know and love.

Today we pay homage to the fine art department that endured for so many years with some of our favourite Playboy covers.

Do you think Playboy still has a bright future in sunny California?

-The Eye