Tag Archives: indie

The E.O.F. Vintage Summer LookBook 2017 !!!

           Our tagline has always been                 “Escape the everyday…”
Invocations of the {past}, into the {present}, to shape the {future}
We wanted to take it to the next level . . .
What better escape than the infinite stars above?

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remember :

XIXIXI gets you 25% off in the {SHOP}

inquiries ? email us at: the.eye.of.faith@gmail.com

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we are stardust

we are golden

and we’ve got to get ourselves

back to the garden

A VIEW WITH A ROOM // A POP UP {SHOP} @VOLVERDESIGNS

 

A VIEW WITH A ROOM - THE EYE OF FAITH VINTAGE - POP UP SHOP- JAMES STREET NORTH-11

As you know, we had the pleasure of setting up A POP-UP {SHOP} at Volver Studio at 126 James Street North in Hamilton, ON this Friday, and it was a blast! Just wanted to say THANK YOU to everyone who made their way up to the third floor, and especially THANKS to our loyal patrons who keep the dream alive.

I know a lot of our international friends and followers are not able to readily see what we are up to in the flesh, but perhaps a digital gallery can suffice.

We went for our signature time-traveled look, which was all the more amplified by the incredibly gorgeous space.

Hope you enjoyed the view!

Hoping to get more and more of this stuff online into the New Year, so stay tuned, or if you see something that is catching your eye and need more information email us at: the.eye.of.faith@gmail.com

And remember, XIXIXI get you 25% OFF in the {SHOP}

Until we meet again,

{theEye}

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E.O.F. TALKS TO: Johnny Terris, Bad Ass Underground Canadian Film Maker

E.O.F. TALKS TO Johnny Terris - Canadian Underground Film Maker- The Eye of Faith {Vintage}-3

I came from a very hardened punk background in the late 80’s and early 90’s and my early films really projected that. Of course there have been aspects of the more mainstream-type stuff I’m currently doing that, at first, have been difficult to navigate due to my past. But I’m learning. It’s a very rewarding process and I’m loving it.”

-Johnny Terris

Johnny Terris is one bad ass dude.

A true Renaissance man, Johnny has engaged in roles as actor, film maker, author, model, photographer and painter. Best known for his transgressive, violent punk-influenced films that were far from mainstream, even in the indie sense; Johnny would distribute his earliest on VHS in the streets of Halifax, Nova Scotia, to strangers. He even went as far to use his own blood in scenes!

Legendary for being asked to be Johnny Depp’s double in the early 90s – Johnny, in true rebel fashion, turned it down. Now he continues his work as an actor (AKA Edward Terris) in the TV miniseries “Sex & Violence”, which co-stars Academy Award winning actress, Olympia Dukakis.

The Eye of Faith is honoured to post this interview with a true pioneer of the subversively cool right here in the True North Strong and Free!

Special thanks to our correspondent John Wisniewski for the interview.

JW: When did you begin making films and and acting, Johnny?

JT:  I started doing movies around 1987 when I was 14 years old. Basically out of boredom living in a small town. My cousin, who was also my best friend, would film various things typical boys would do and then just decided to make a movie one day. We were heavily influenced by retro horror and grind house style film and my work of course reflected that. I never fit in with anyone in the small town where I lived and neither did he, so doing films were an outlet for us, an expression.  When I left home at 16, I became angrier and had an axe to grind with the world, so they eventually became more graphic and explicit and transgressive.

JW: Why did you decide to write an autobiographical novel?

JT: I started writing Sinister Splendor & Broken Glass back around 2002 but shelved it for many years. I originally started to write it for myself only, basically for therapeutic purposes because in 2001, the love of my life became a missing person and was never found so I thought writing about it would help with dealing with it. From there it just kind of spiraled into writing about my life from childhood, my early years on the street doing underground films and present stuff. The next thing I knew I pretty much had a book.

I compiled it together and released the first draft in 2011. It has since changed direction. Instead of an autobiography, it’s now more of a fictional character story that is set in the 1970’s and 1980’s, about a guy named Aaron, that is heavily based on my life instead of being about my life. That’s the third and final draft and the most recent one.

Nobody really knows who I am, and I’m sure most of the world wouldn’t care anyway so I decided to make it fiction that is based on me with characters based on my friends an family instead of the standard autobiography.  It made it more interesting to me that way. And I think to others reading it too. The book is still my life, but the characters are different.

E.O.F. TALKS TO Johnny Terris - Canadian Underground Film Maker- The Eye of Faith {Vintage}-1

JW: Any artists that have influenced your work?

JT: A few artists have influenced me in big way, Richard Kern and The Cinema Of Transgression were probably the biggest influence on me in terms of my own films. Retro 70’s and 80’s horror played a huge part as well. Early Dario Argento played a huge part. Grindhouse flicks, drive-in movies form that period.

From a very young age I was really influenced by a lot of vintage heterosexual porn too like Devil In Miss Jones, Devil Inside Her, Behind The Green Door etc. All the really strange and surreal X-rated films of that period. Early John Waters of course played an influence, especially in my early work.

Musically I was, and still am, obsessed with the NWOBHM/New Wave Of British Heavy Metal from the late 70’s and early 80’s. Bands like Girlschool, Motorhead, Plasmatics/Wendy O Williams, Saxon, Turbonegro, Judas Priest, bands like that. Tight jeans, white t-shirt, spiked wristband, leather jacket wearing, sneering bands. A lot of punk-tinged heavy metal from that period. Listening to that stuff gets me in writing mode immediately.

JW: Do you enjoy acting?

JT: Yeah of course, I wouldn’t do it if I didn’t enjoy it. I’m actually more comfortable in front of the camera being someone else than I am in my personal life. It’s always been that way. When I was a little kid I used to memorize scripts at the age of 9 or 10 years old and perform every character in my bedroom by myself for hours on end. Acting has always triggered something in me, as far back as I can remember.

E.O.F. TALKS TO Johnny Terris - Canadian Underground Film Maker- The Eye of Faith {Vintage}-2

JW:  You once doubled for Johnny Depp. What was that like?

JT: I never doubled for Johnny Depp. I was asked to when I was younger and living in Los Angeles but I was moving back to Canada at the time. I wouldn’t have done it anyway. I have no desire to be another actor, or anyone other than myself.  

JW:  What is your opinion of Hollywood and Hollywood movies?

JT: When I first went to Hollywood it was nothing like I expected it to be. It was actually pretty grimy and trashy. The Rainbow Bar & Grill was always fun. The Whiskey was fun. I don’t have a problem with mainstream cinema or the Hollywood stuff; it’s not exactly my thing, but being older now I’m not as ferocious against it like I used to be.

I used to revolt against it in a really hardcore way. But I’m currently one of the leads in a television series with Olympia Dukakis (who is an Oscar winner) so I’ve obviously tamed a bit in the old age and don’t care about that as much haha.

Most Hollywood films are formula and neatly packed for selling purposes and because of that it’s the same stuff just rehashed over and over again with a different title, and I personally find that very boring. Hollywood is very loud and explosive and action packed. They make and market their films that way. I prefer psychological films that are slower in tone and make you think.

JW:  Are you a horror film fan? Any favorite horror films, Johnny?

JT: Yeah I am a huge horror fan, I grew up on them and they are a huge influence. My mother was a huge lover of horror movies and nothing was really ever censored from me so I was watching stuff like ‘The Exorcist’ and ‘Texas Chainsaw Massacre’ when I was just a little kid. I usually prefer the physiological ones over the gore. I have lots of favorite horror films, though my favorite one would have to be the original ‘Carrie’.

JW:  Are you working on any screenplays, Johnny?

JT: Nothing really big right now, no. I’m very slowly writing a screenplay/script which is a greaser-style drama film about two brothers and their alcoholic father. But that’s a work in progress and who knows how that will evolve; too early to tell right now. I am though, currently helping a friend of mine shoot his apocalyptic style film.

I’m more focused on acting and writing right now.


Be sure to check Johnny out in the latest season of “Sex & Violence” starring Olympia Dukakis on OUTTV.

Until next time,

{theEye}

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Styling Orchards, the Band; Plus BONUS {MUSIC MINUTE} “Oh, Sister” by Orchards

The Eye of Faith -Orchards - Ally Kristensen Photography - 3

I learned long ago that when someone asks you to pull looks for a vaudeville circus inspired shoot, you do so!

Granted, I’ve never been asked to in this life, but something just tells you to jump at the opportunity when its right. We didn’t even have to question whether or not we wanted to be a part of this when the beautiful, and lovely (don’t forget talented) Jessica Panetta asked if we’d want to work together, and pull some looks to bring to a shoot for the city’s finest up-and-coming folk band, Orchards.

The Eye of Faith - Orchards - All Kristensen Photography - 10

Orchards comprises of Anthony William Wallace (violin, banjo), Daniel John Taylor (bass, guitar, ukulele), and Gabrielle Sylvane Charron-Merritt (trumpet, guitar) who are all uber-talented, fun, and highly multi-disciplinary artists who dove right into every scenario with gusto and poise.

Couldn’t have done it without my wardrobe partner, Heather English, who had a great eye for colour and detail (heart!) .

The Eye of Faith -Orchards - Ally Kristensen Photography- 13

Their music is haunting and eloquent with captivating melodies that evoke lost memories from deep within our collective consciousness. The songs are classic and utterly timeless bringing a modern twist to classic folk sounds. Needless to say, their music was the perfect inspiration for the shoot.

We played off the softness and decadent dishevelling of men and women seen in vintage photographs for the quieter moments, and looked for bold and intriguing colour and graphic combinations to complete the circus vibe.

All in all, I think the look completed is a nod to the past, but is completely reinvented – just like Orchard’s own music, which ultimately is the element we all hoped to showcase.

The Eye of Faith -Orchards - Ally Kristensen Photography - 7 The Eye of Faith - Orchards - Ally Kristensen Photography - 8 The Eye of Faith -Orchards - Ally Kristensen Photography - 9

Each shot is so great to look back on, as you remember it all happening – when it was moving, and there were sounds, and laughter, and distraction; not with a photograph. These are magic moments here, captured throughout.

Please enjoy the photographs, and definitely dive into the track below entitled “Oh,Sister” by Orchards for a true escape from the everyday . . .

The Eye of Faith -Orchards - Ally Kristensen Photography - 11

[ Click to listen to more Orchards at Bandcamp]

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[I told you the past can come back to life!]

We were so lucky to have such a talented team of individuals who all came together in symbiosis to make this vision come to life! Very proud to have been a part of it, and looking forward to what the future has in store . . .

Don’t forget to LIKE ORCHARDS on FACEBOOK, and share with all your friends!

Glad we could catch up!

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Until we meet again,

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Like us on Facebook and Follow us on Twitter
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{theEye}
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{MONDAY} MUSIC MINUTE: “Once There Was a Hushpuppy” from Beasts of the Southern Wild

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When I die, the scientists of the future, they’re gonna find it all. They gonna know, once there was a Hushpuppy, and she live with her daddy in the Bathtub.

-Excerpt  from “Beasts of the Southern Wild

For anyone who has seen the film, starring the young, gifted, and beautiful Quvenzhané  Wallis, you must have figured out by now that “Beasts of the Southern Wild” is probably one of the best films to come out in the last decade, and will undoubtedly find a place in the timeless classics we will refer back on in the future.

It has a lot of deep, and often dark, melancholic undertones throughout, but somehow through the tireless imagination of young Hushpuppy (the revelation that is Ms. Wallis – who was only six during filming), and the unnerved determination of the residents of The Bathtub, an almost magic land cut off the from society by a flood wall in southern Louisiana; the message received by the end of the film was that of hope, community, and the ultimate joy of living.

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The film’s prose weaves together very real issues with mythical, allegorical, and almost fantasy-like elements in a way not achieved since the whimsical narration of Linda Manz in Terrence Malick’s “Days of Heaven”. Indeed, there is a Malickian sensibility throughout the film- the camera pans effortlessly through the scenery, focusing in on the subtleties and beauties in nature, light, and human expression. There is also some Fellini-like sensibilities, with many quirky characters, and the ability to bring the most mundane and normal daily events into the most seemingly magical ones.

The film is nominated for 4 Academy Awards this year, including Best Picture, and Best Actress for Quvenzhané, who has become the youngest nominee ever for the category. However, with Awards season comes the snubs, and one of the biggest at this year’s Academy Award ceremony is most definitely the fascinating score for “Beasts of the Southern Wild“.

Co-written by Dan Romer and director Benh Zeitlin, the film’s music is as much a character to the film, as the beautiful words, and almost other-worldly imagery. So in spirit of raising awareness for this film, and awesome, inspiring music , we thought of featuring the main theme, “There Once Was A Hushpuppy” by director Benh Zeitlin as this MUSIC MINUTE.

Hope you enjoy, and definitely see the film! To learn more about the film click here.


When it all goes quiet behind my eyes, I see everything that made me lying around in invisible pieces. When I look too hard, it goes away. And when it all goes quiet, I see they are right here. I see that I’m a little piece in a big, big universe. And that makes things right.

Excerpt from “Beasts  of the Southern Wild

Until next time,

{theEye}

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Douglas Booth and Hailee Steinfeld- ROMEO AND JULIET 2013

MONDAY {MUSIC MINUTE}: The Sphinxs, “Both Die” !

Sian of the sphinxs by YOSH

{Photo by YOSH Photography}

 Good Morning

Friends, Fiends, Fans, and Follwers! 

Is there more perfect a Monday morning than this for a wicked musical pick me up?

You’ve grabbed your coffee by now, I hope, so now it’s time to get to the shimmying and shaking before your boss catches on that you look a little tired.

Here’s a sure-fire sold gold {Music Minute} to get you in the mood!

This one comes to you straight from the big T.O. 

A very talented band, whose leading lady we are honoured to call our friend,

the SPHINXS and their salacious song “Both Die” !

{WARNING: Song May Possess Addictive Qualities}

The Sphinxs at The Silver Dollar by YOSH

{Photo by YOSH Photography}

Make sure to LIKE them & check them out on their FACEBOOK,

and if you’re yearning for more,

listen to them on SOUNDCLOUD for more tracks!

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Keep your {EYE} peeled for these guys . . .

I guarantee you.

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