Tag Archives: Actress

{MUSIC MINUTE} “The Devil is Loose” by Asha Puthli

Well it sure has been a minute since we’ve had the chance for another addition to our beloved {MUSIC MINUTE} corner of our blog. Things have been really hectic and full, which is great, but with summer officially in full swing we are hoping to take the opportunity to put up more content here to ensure treasures of the {PAST} can be upheld here in the {PRESENT} and hopefully continue shaping our {FUTURE}…

Here we have a wicked piece called “The Devil is Loose” by one of those icons that everyone should know (but doesn’t) – Asha Pulthi! This song is from her album by the same name, and was her third of eight recorded albums.

Asha was born in Mumbai (formerly Bombay) February 4, 1945 and trained in classical Indian music and opera before falling for the devils of jazz which she infused into her traditional roots. After graduating from a public University in India, she received a scholarship to go to New York City and study with legendary choreographer Martha Graham (that aspect will make total sense when you see her moves in the video).

Her fate was setlled when her appearance on “Aint it Peculiar” by the Peter Ivers Band which was covered by major music magazines like Billboard and Rolling Stone. Her reckless abandon and joyful reverie was heard (and you can hear it too here– HIGHLY RECOMMENDED) and soon she had avant-garde jazz saxophonist Ornette Coleman knocking on her door, or calling her phone? We may never know…but she would make the most prophetic and signature vocals for his out-of-this-world improvisational jazz album Science Fiction, and the rest is history!

She was signed by John Hammond who most famously discovered Billie Holliday, Bob Dylan, and Bruce Springsteen – so very good company indeed!

Like I mentioned, this is from her third album of the same name (“The Devil is Loose”). Sadly not much is written about this album at all (at least in English) since it never saw its release in the US. But throughout, her vocals are sultry, soft, sweet, soulful and mysterious… her voice vaguely reminiscent of Diana Ross and then at other times as great and grand as Aretha Franklin.

Unfortunately for Asha, the money men at CBS London found an easy way out of hoisting her up and getting paid her proper dues when she became pregnant which effectively brought an end to her escalating royalties.

But before they could stiff her completely, performances on British television  would ensure her the right to negotiate royalties that only major acts such as The Beatles were able to obtain at the time- 14%!!! This and coupled with her pregnancy, Asha was shipped off to Germany much the same way The Beatles had been shipped to Hamburg.

However, unlike The Beatles, this choice by CBS London essentially hindered her career much more into obscurity and  allowed for artists like Donna Summer to build their brand off what Asha had rightfully developed.

She herself claims that Donna Summer, alleged Queen of Space Disco, copped her style- not only vocally, but literally too!

According to Asha, during one of her performances in Germany in the early 1970s she was approached by Ms. Summer herself.

Donna was in this moment “belting out songs” according to Pulthi, rather than the subdued dreamy vocals of Asha, inspired by her Hinduistic classical training, which gave that otherworldly style that would become the virtual sound of any major Munich disco…and would soon be adapted by the now famous Disco Queen that EVERYONE has heard of.

Not only that, Donna Summer allegedly approached Ms. Puthli backstage asking where she could find Asha’s custom made dress, to which Puthli would not oblige.

Donna, unbeknownst to Asha, went ahead and asked designer Bill Gibb to which he refused. Them’s the breaks, I guess.

“A lot of people say that this album [The Devil Is Loose] and the other album are templates that later on Donna Summer, Pete Bellotte, Georgio Moroder all ripped off from my sound. Now, remember I’ve mentioned to you that I was suspended because I was pregnant. So at that time was when they jumped on the bandwagon, apparently. This is what I’m told by people in Germany, in the industry. Because when they called me up they said, ‘We want to work with the real McCoy,”

-Asha Pulthi {source: Red Bull Music Academy}

Nonetheless, she is more and more recognized in importance and relevance for her ethno-fusion cosmic disco avant-garde synthy soul vibes, her out of the world stage presence (her moves have also been centred out as a major influence to Kate Bush), and undeniable individuality. A rebel spirit through and through.

Her first album “Asha Pulthri” was shot by Mick Rock who was David Bowie’s official photographer (she would also go on to hire Pierre LaRoche, Bowie’s iconic makeup artist), and was admired by art influencers such as Richard Avedon, Manolo Blahnik Salvador Dali, Andy Warhol, Diane Vreeland, and even headlined at Studio 54.

Her style was always changing and was always an eclectic mash up of her heritage, the {present} day (for her, {past} for us), and the unknown frontiers of space and time….So, how about that Donna Summer?

She most notably also made an appearance in the obscure Merchant-Ivory art film “Savages”, as one of the three wild women leaving very little to the imagination.

Her music was even literally blasted into space in 2009 from the Goonhilly British Satellite Earth Station on the 40th Anniversary of the Moon Landing. Why, you ask? Well

“{her music is} a form of free-floating, ultra-sexualized intergalactic disco that matched hyperventilating time with erotic electronics and surreal sonic environments. Puthli has gone so far out that she has space walked into inner space.”

As well, she has been sampled by the likes of P. Diddy, The Notorious B.I.G., Redman, 50 Cent, and Dilated Peoples. She even owns writing credits to “The World is Filled” by Biggie Ft. Too Short and Puff Daddy…so yeah!

SHE’S A BOSS

 

Nowadays the notion of a globalized pop star like Asha isn’t too uncommon. Artists like BTS get millions of fans around the world; or take for instance, K-Pop Girl Band BLACKPINK who just performed at Coachella…even the song ‘Jai-Ho’ from Slumdog Millionaire went on to win both an Academy Award and a Grammy!

That is NOW…but back THEN, artists to cross-over these racial boundaries were even rarer which is why still today, we can look back in awe on the incredible artistry, bravery and honesty Asha put forth to just be who she is!

I was not encouraged to do my own songs. They wanted me glam, more Shirley Bassey than Joan Baez. I insisted upon including at least one of my own songs, just one. They (the CBS record producers) already thought I was difficult because I wouldn’t change my name. There is a cognitive dissonance when you have a name like mine….They gave me suggestions like Ann Peters, Ann Powers. I said no as I had already won the Down Beat at that time and had a fan base in India. As Asha Puthli!”

Asha Puthli @ The Grammy Museum  {source}

Oh, how wonderful it is just to be yourself!

Some people might even blame THE DEVIL…which I’m sure is why she created this cosmic disco masterpiece.

See for yourself below:

HOW EPIC WAS THAT?!

{the dress, the moves, that audience, the song…EVERYTHING}

Luckily, so much of her music is resurfacing so we hope this post will help in the manifestation of her glory. Please enjoy “The Devil is Loose” and let us know what you think in the COMMENTS.

If you are intrigued, Red Bull Music Academy has a wonderful interview with this legend published just this last February, 2019.

We barely scraped the tip of the iceberg with this one, so don’t let us down! Go check her out, channel her spirit, and play those funky cosmic disco sounds hard into the night…

+E.O.F. STYLE DIVINITY+

It’s official.

Until next time,

{theEye}

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YOU, ME, AND ANGELYNE! L.A. ICON’S TRUE IDENTITY REVEALED!

Everyone knows Angelyne.

A staple of Los Angeles culture, and a precursor to the “famous for being famous” antics of Paris Hilton and Kim Kardashian; this mysterious blonde bombshell exploded in the 80s with the wish to be famous. You can’t miss her wild billboards or that sexy pink corvette. Even if you don’t know her name – you know here. Trust me. You do!

I love the term Hollyweird, and Angelyne definitely lives up to Los Angeles’ reputation for eclectic characters and unbelievable tales of transformation.

Always a lady of mystery…not much has ever been known about her; The real her, at least.

Most of the time, you can’t make up stories as intriguing and mind rousing as simply searching for the truth. That’s exactly what Gary Baum chronicles in his latest article for The Hollywood Reporter which has got the internet buzzing!

+CLICK HERE TO READ THIS AWESOME ARTICLE+

 

While, I feel a little sad that her mystique has been stripped away, there’s no denying that we are only going to experience an even bigger renaissance of Angelyne and all her bright pink glory.

I wonder how she feels about all this? There are many paparazzi videos of her on the internet, and she seems to hate that kind of attention. Either way, this article does not detract from her legacy as a patron saint of Hollywood….

Everything about her IS Hollywood. The dream to be a star. To be worshipped. Iconized. And of course…the fakery of it all. It’s not a bad thing. I think its empowering to be able to be whoever you want to be.

And that’s why she remains a hero to so many people. In fact, we had posted the original article on our FACEBOOK page (GIVE US A LIKE for cool stories, inspirations, and updates), and we
got a lot of response! I had promised a few people I would share this crazy documentary on Angelyne I had found while perusing the depths of Youtube, so thought why not just feature it on our site!

 

Angelyne definitely has a place here at The Eye of Faith. She is mysterious, enigmatic, beautiful, rebellious, independent, weird, and definitely has a singular sense of self that people would only ever even dream to attain.

 

Angelyne is still alive and well today and pushing her persona to the max, so do her a favour and follow her on Instagram! I was absolutely shocked at how little followers she has on there! So don’t waste the moment, people!

+FOLLOW HER HERE+

Above all else, I feel like Angelyne represents the magic of the feminine. The mystique a woman can harness and use as power in their life. From nothing to something….that’s magic, in itself.

Until we meet again,

{theEye}

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E.O.F. TALKS: Film Maker Craig Highberger Talks Andy Warhol Superstar Jackie Curtis

The Eye of Faith Shop Banner Boys

Here at The Eye of Faith we worship the spirit of individuality. Escaping the everyday, and letting your uniqueness shine is something Andy Warhol superstar Jackie Curtis was no stranger to.

Born February 19, 1947 in New York City; Jackie Curtis slayed the scene with a gender bending style and booming persona that should never be forgotten.

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That’s why we’re bringing her from the clutches of the past to the forefront, and it’s no better time, really; gender is undergoing quite a shift in this last decade, and many changes are still abound.

+ READ ALL ABOUT IT: COVERGIRL’s Cover Boy +

Our faithful correspondent John Wisniewski spoke with film maker and author Craig Highberger whose 2005 film “Superstar in a Housedress” explored the star’s groundbreaking art and life!

{ J.W. } What interested you about the life of star Jackie Curtis, Craig?

{C.H.} I grew up in Pittsburgh, Pennsylvania, which is Andy Warhol’s hometown. My Uncle Sam Highberger had gone to Carnegie Mellon University with Andy and was in some of his classes and talked about him and so I became aware of and I loved Warhol’s art and that whole world. I also loved new wave cinema and without telling my parents I snuck out to these film screenings at Carnegie Mellon of Warhol’s films “Chelsea Girls” and “Flesh”.

And in “Flesh” there is this scene I will never forget, in which Jackie Curtis and Candy Darling, in drag, are sitting on a couch reading a movie magazine and chatting while nearby Joe Dallesandro is getting a BJ from Gerri Miller! I was 16 years old and I mean this was just fabulous to me!

In high school I was very aware of what was going on in New York City, pop art, Max’s Kansas City, the Warhol scene. I knew I wanted to be a part of that.  There was a magazine out of New York called “After Dark” magazine that had these really hot photos of Joe Dallesandro, and Jackie Curtis, Holly Woodlawn and Candy Darling by photographer Jack Mitchell. I wanted to go to film school in New York and meet Andy Warhol and the Superstars and that is just what happened.

I was a freshman at NYU the fall of 1972, it was just a few years after Stonewall and gay liberation was happening and the first NYU gay student group wanted the University to allow the group to meet officially on campus and the administration did not immediately agree to this so there was a big demonstration announced – a sleep-in, actually in the basement of my dormitory at NYU and Jackie Curtis showed up for it in his signature drag, because Jackie knew that there would be press coverage and maybe TV cameras and Jackie was a publicity hound. And I was just entranced, I recognized him immediately and introduced, told him I was from Pittsburgh, that I loved Andy Warhol, that I loved him (Curtis) in “Flesh” and “Women in Revolt”, that I was majoring in film and television and wanted to film his plays and performances documentary style.

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We became instant friends. And I went around with Curtis to parties, to Max’s Kansas City, we hung out with Holly Woodlawn (who is still a great friend), Candy Darling, and I met Andy Warhol a couple of times. 

In 1974 Jackie played the starring role in his play “Glamor, Glory and Gold: the Life and Legend of Nola Noonan, Goddess and Star”, it was off-Broadway at the Truck and Warehouse Theater on the Lower East Side across the street from La Mama directed by Ron Link. And I told Ron I wanted to film the entire play and he allowed me to if I would show it at cocktail parties for his prospective backers. So I did that.

Everything about Jackie was amazing and exciting and I really wanted to make a documentary about Curtis’ life from the moment I met him. I loved Jackie. 

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{J.W.} How and when did Jackie Curtis meet Andy Warhol?

{C.H.} Jackie told me in August 1967 he and Candy Darling were walking in Greenwich Village and Jackie saw Andy Warhol and Fred Hughes coming out of the Leather Man store on Christopher Street.

Warhol had just bought some leather pants. Jackie ran up to Andy and introduced himself and asked for his autograph on the shopping bag Curtis was toting around. Warhol asked Jackie what was in the bag and Curtis told him it was satin shorts for the tap dancing scene in his play “Glamour, Glory and Gold” which was opening in September, Jackie invited him to come.

Jackie told me he went to the Factory with four tickets and gave them personally to Andy Warhol. He came and afterwards congratulated Curtis, the author and the start of the performance, Melba LaRose, Jr. played the lead Nola Noonan, and Candy Darling played Estelle and was reviewed as a woman.  Curtis asked Andy Warhol for a review quote and Warhol said of the play:  “For the first time, I wasn’t bored” which they used in advertisements! 

{J.W.} Jackie starred in the Paul Morrissey directed film “Flesh”. What was that like for Jackie? How did this film come about, Craig?

{C.H.} Warhol’s “Flesh” was Paul Morrissey’s response to “Midnight Cowboy” which was filming on location in New York City in 1968. Morrissey knew that Hollywood would tone down the subject matter and nudity and wanted to do something more gritty about a hustler (played by Joe Dallesandro) working the streets trying to raise money for his wife’s girlfriend’s abortion – talk about controversy in 1968 – that very concept was designed to stir up publicity and fill movie theater seats, especially with Warhol’s name attached to it.

Warhol and Morrissey already knew Jackie Curtis and Candy Darling and so Morrissey came up with an idea to have them sit on a couch and talk extemporaneously about a movie magazine while Joe Dallesandro is getting a blowjob from Geri Miller practically next to them in the same room!

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This was Jackie’s dream, to be in a movie in theatrical release on the big screen, and you bet that Curtis went to every screening and that it propelled him into more self-publicity (I believe this was the moment Curtis had 1000 Jackie Curtis shopping bags printed up which were sold in Greenwich Village head shops)!

{J.W.} Could you tell us about The Jack Mitchell Archives, Craig?

{C.H.} When I first began thinking about making “Superstar in a Housedress” I knew I would need lots of archival photographs of Jackie Curtis, and Holly Woodlawn and Candy Darling, Andy Warhol and the whole crowd. And I immediately thought I need Jack Mitchell photographs, he photographed them more than any other photographer. But how was I ever going to afford license fees? I got on Google and did some research and found that Jack Mitchell had retired in 1995, he lived in New Smyrna Beach, Florida and he did not have a website. So I thought I will offer to do a website for him and to be his webmaster in exchange for the rights to his photographs. And that is just what happened.

Jack and his partner Bob Pavlik came to the opening night of the film at Film Forum in New York and everyone was there, they were very impressed, and loved the film and seeing his photographs in a feature length film in a theater with a packed audience. And the film toured film festivals and we had a theatrical run and it was broadcast on cable and Jack loved it all. It brought him new attention. And I called him and said I know what my next documentary subject is and it is you!

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+Jackie Curtis by Jack Mitchell+

I want to do a film about your life and work. And he was very pleased and excited. He put me in touch with people who were old friends and people he had photographed who loved his work that I could interview on camera, like Broadway diva Patti LuPone, playwright Edward Albee, Alvin Ailey dancer Judith Jamison, famed choreographer Merce Cunningham, and many others.

And I made the film “Jack Mitchell: My Life is Black and White” and Jack said that it was the greatest honor of his life. He and Bob came to the opening in New York and they came to film festival screenings and Jack did Q&A sessions afterwards with me and he loved it so much.

About a year later Jack and Bob called me and told me that they had decided to leave me Jack’s archives, the entirety of his life’s work, all the vintage photographs, his negatives and color transparencies, his files and memorabilia, everything. Bob died in 2009 at the age of 77 during an operation. Four years later on November 7, 2013 Jack died just weeks after his 88th birthday. I was there with him when he passed away and moved his archives to a vault.

A few months later I began the full time work of cataloguing and digitizing everything. It is a huge job. Jack Mitchell’s career as a professional photographer began just after World War II, when he moved to New York City and continued for about the next five decades. The negative files are almost 6000 photo sessions and there are thousands of boxes of color transparencies as well. There are 77 boxes of vintage prints. I have been working on it for almost two years and have many years of work left. It is very exciting and I make new discoveries with every box I open and every negative file that I scan.

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{J.W.} What was Jackie Curtis’ finest hour?

{C.H.} Jackie Curtis’ finest hour?  Any of the countless hours Jackie performed – whether is was in his hit play Glamour Glory and Gold, or Cabaret in the Sky, Vain Victory, or singing at his grandmother’s Slugger Ann’s Bar – Curtis was an incredible star of amazing brilliance. So many people remarked upon his being a genius: La Mama founder Ellen Stewart and comic icon Lily Tomlin among them.

Jackie Curtis had an electric charismatic magnetism that enthralled and thrilled audiences. I loved Jackie. Jackie put all of himself into every performance for the love of the art, and that is why it is really impossible for me to zero in on one performance, one hour, one moment. Now that he is gone, I think of him and a whole kaleidoscope of incredibly beautiful moments of sublime artistry blossom in my mind. As others have said, he was sui generis – absolutely unique.

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{J.W.} What will your next book be about, Craig? Any other projects that you wish to tell us about?

{C.H.} I have been working on the Jack Mitchell Archives (cataloging boxes of vintage prints, and scanning negatives and color transparencies) since Jack’s death two years ago. There is a lot of material for my memoirs including several years I spent running around with Curtis. I am going to work at what may be my memoirs, but potentially could take a new form (film or multimedia) because I have the journals, and visual and audio elements as well.

Also, I decided to post five of my documentary films on Vimeo for reasonably priced on-demand streaming, as well as downloadable for iPhone and iPad. Here is the link: https://vimeo.com/craighighberger/vod_pages/sort:videos/format:thumbnail

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SPECIAL THANKS TO JOHN & CRAIG FOR THIS INTERVIEW

LEAVE US YOUR COMMENTS BELOW!

BE YOURSELF!

UNTIL NEXT TIME,

{theEye}

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E.O.F. Snapshot of the Day {May 2, 2016}

E.O.F. Snapshot of the Day - May 2, 2016- Vampire Lookalike Competition- circa. 1950s - Vintage Style Fashion Blog

+++Vampira Look – a- Like Competition+++

Hollywood, California

{circa. 1950s}

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+ + + + Read more about Vampira (actress Maila Nurmi) + + + +

an original E.O.F. STYLE DIVINITY

+READ AT YOUR OWN RISK+

{images may conjure inspiration}

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Unti we meet again,

{theEye}

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[UPDATED PRICES IN THE {SHOP} – use XIXIXI at the checkout for 25% OFF]

E.O.F. Snapshot of the Day {November 11, 2014}

{Marilyn Monroe photographed by Andre de Dienes, 1945}
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Commercial Break: Suspiria! (1977)

We had been anticipating watching this one for some time, and finally this past weekend we indulged in a masterpiece called Suspiria! Starring a young Jessica Harper who’s starred in The Phantom of the Paradise and Rocky Horror Picture Show II, and keeps us entertained to this very day as the Crabby Cook.

This is tale of an elite european ballet School where collecting on debt is a ‘charming habit’ of the students(insert the very sexy and very shadey Barbara Magnolfi), and the teacher’s and staff know more about the historic ballet school then they’d ever to let on.

From the Blind Pianist, to a creepy little blonde boy, this flick has got it all, including a killer soundtrack!

Drawn in by the Euro-Horror King, Dario Argento’s name alone, we knew we’d be in for some fun gore, sexy girls, and supernatural spooks, but were clueless to where the story may lead us other than reading a brief synopsis before hand. To our delight, every scene was as beautiful as the last!

With a set as beautiful as any work of art, adorned in blue and red velvet wallpaper, labyrinths of stripes,  a wide assortment of stained glass windows, shiny black lackerred wood panels and door’s, mile high ceilings, and an opulent Serpent staircase we’d love to climb.

We are introduced to the school through the eyes of a wide -eyed newcomer , played by Jessica Harper, who quickly grows suspicious of the happenings within the domineering school.

Upon her arrival, she witness a leggy buck-toothed blond fleeing from the school in a rainstorm, and learns the next morning of the school escapees dreadful fate (emphasis on the wide assortment of stained glass…).

Odd events lead to odder. Must be more than Voodoo? With everyday shrouded in mysteries, it isn’t until our heroin shares her suspicions with her classmate, played by lovely Stefani Casini, that the puzzle truly  begins to come together.  Leading Harper to a Psychiatric Convention and conversations of Witches and Covens.  Speculation leads to proof when it’s realized the Ballet school was founded by a great and powerful Witch who was said to be killed in a fire at the turn of the century.

If you’re a fan of Black Swan or Rocky Horror Picture Show, this one’s for you!

This is no chick flick by any means despite the gaggle of gals in ballet shoes.  Scene after scene, Dario Argento will keep you shocked and in suspense as this tale unravels.  Enjoy the Eyeful of opulence but be prepared for some gross yet charming gut-turning death’s.

Heed our words…This is a great film!!

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SssssssssSsSssss-Susperia! 

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E.O.F. SNAPSHOT OF THE DAY {JULY 23, 2013}

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{My My Miss Mia.  We are feelin’ her so much today! Between listening to her version of Love, and  after having a double feature night watching two of our favourite movies,  Rosemary’s Baby, and The Last Unicorn.. How couldn’t the snapshot of the day be Mia Farrow?!  Make sure to keep your eye’s open for a Style Idol/Divinity Story in the near future @ The Eye of Faith! }
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Commercial Break: “Phenomena” (1985)

phenomena vintage japanese poster

Before she would be doing the Magic Dance along side Jim Hensons Muppets, Jennifer Connelly starred in renowned director Dario Argento’s “Phenomena“.

With a killer soundtrack (excuse the pun), and plot twists we couldn’t let you miss, the respectable Eye highly recommend this one-of-a-kind spooky 80s thriller.

I know that a horror movie seems like a weird place to go for style inspiration, but with costume designs by Giorgio Armani,  Jennifer Connelly’s crisp and breezy summer white looks are as classic today as they were in 1985, and twenty years before that, and so on.

So don’t be left out in the dark. . .

Oh, and if bugs or ESP give you the willies… you better go ahead and watch this (even if it makes you squeamish)!

vintage 1985 illustration- dario argento's phenomena

Summer Watching Fun Begins!

Until next time,

{theEye}

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David Bowie’s “The Next Day” Video Banned and UnBanned Again . . .

bowie-the next day- screensht

The latest music video from music legend David Bowie stars Gary Oldman and Academy Award Winning Actress, Marion Cotillard, who take the film to the next level in a menagerie of religious imagery and graphic violence. It came as no surprise then that upon its upload onto Youtube today the video was promptly banned.

Well, you were psyched if you thought that, because a Youtube spokesperson revealed that the ban was, in fact, a mistake. “With the massive volume of videos on our site, sometimes we make the wrong call. When it’s brought to our attention that a video has been removed mistakenly, we act quickly to reinstate it,” the rep said, making the ordeal just an ode to human error. [source]

The video is back up and running on David Bowie’s VEVO channel on Youtube, or you can enjoy it right here on The Eye of Faith!

Check it out, and let us know if you thought this video was ban-worthy.

Until next time,

{theEye}

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E.O.F. Snapshot of the Day {October 9, 2012}

{“She’s never been the same after her trip from Oz.”}
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We can’t stop listening to the New Bond theme, make sure you check out our past post, also be sure to take a look at Daze of Being WILD!

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