Tag Archives: Sculpture

The Eye of Faith Gets “Lost in the Memory Palace: Janet Cardiff and George Bures Miller”

 

portrait_cardiff_miller_2012

[Photo: Zev Tiefenbach]

The world of Canadian artists Janet Cardiff and Geroge Bures Miller exist somewhere between reality and the vortex of our imaginations. . . 

The artist duo are known for their of-this-world out-of-this-world creations that combine objects, sound, images, mechanics, lighting, construction, and cinema to create one-of-kind experiments and showcases in the transcendental quality and nature of art.

As one of the world’s most internationally respected artist partnerships, we were lucky to get a chance to enjoy a retrospective of their work, in an exhibit appropriately title “Lost in the Memory Palace”, which runs from April 6 until August 18, 2013 at the Art Gallery of Ontario.

From the beginning of their partnership in 1995 to their work today, the artist duo have expertly managed to create evocative and multi-textural and dimensional works that transport its viewers to other worlds and often exotic states of mind.

portrait-janet cardiff and george miller_Bodtlaender

The duo has cited cinema as a major driving force in their work, bringing the immersive technology of the cinema to life in a gallery setting,  allowing the viewers an accessibility and availability that is mostly foreign to other works in the art gallery setting. While we are often encouraged to keep a distance in the world of art, Cardiff-Miller’s pieces are encouragingly tactile and require a closer look.

This is not a show that you can skim through and really “get” immediately. Going into it with this frame of mind would be disaster.

Like a film, the pieces require a dose of commitment, and an ability to get lost in the world being offered to you by the artists. The worlds are often slightly disturbing as you notice odd-looking effigies, or are startled by an abrupt sound; the element of mystery is definitely in the air, forcing you to question your own reality.

Such is the case with “Dark Pool”, the couple’s first installation created in 1995.

Cardiff Miller- Dark Pool

darkpool_4

I like that the technology is so popular it is almost invisible so that people can become intimate with it. At the same time the recorded voice is removed and has a sense of past that a real voice doesn’t, so it can actually get closer to the audience through that removal. They feel safe being intimate with a removed voice.

-Janet Cardiff

You are invited to open a paint chipped antiquated door to enter a long, dark, small room filled to the brim with boxes, books, furniture, rolling racks, and antique objects. You might want to, at first, turn back in fear of what could be lurking in the shadows, but very quickly you find yourself exhilarated by curiosity. As you walk through the room, you hear voices and whispers from the past (children, an elderly woman, a young couple), and begin to notice the clues all around you:

darkpool_3

darkpool_5e

darkpool_5c

[Photos: Cardiff/Miller]

An opened book on reading tea leaves sits behind a tray full of dirty empty tea cups. Two viewfinders, side by side, show a man and woman in a passionate embrace, the other shows a couple with signs of stagnant disdain. You see a collection of porcelain hands. A half-eaten biscuit on a plate. You hear the sound of Judy Garland launch from the radio singing her tragic anthem, “Somewhere Over the Rainbow”. You notice a book that dictates the signs of mental instability.

Often times, as in the case of “Storm Room” (2009), the imagined world is created so thoroughly, you really do question whether the artists have perhaps maneuvered a time slip or some sort of trans-continental teleportation device to get you to the empty Dentist’s office near Tokamachi, Japan, that was recreated for the piece.

Storm Room 1

[Photo: N.M. Hutcgubson]

An elaborate system of pipes, lighting, and speakers provide an uber realistic rendition of finding yourself unsure, even whilst in the comfort of “safety”. You can hear the coughing of a neighbour in the next “room”, and while you wait for the storm to “end”, you find yourself wondering where exactly you might have landed.

Storm Room 2

[Photo: N.M. Hutcgubson]

As water streams down the windows, and the rolling sound of thunder rattles the floor, you notice a roll of Japanese dental floss, buckets filling with water, a telephone, some old Japanese calendars, and a floor fan that only helps instil the uncomfortable quality of a 1960s Hiroshi Teshigahara film.

The Killing Machine- Cardiff Miller

[Photo: Seber Ugarte & Lorena Lopez]

Another unsettling piece, 2007’s  “The Killing Machine”, transports to a world unexpected and unknown. Forcing the viewer to imagine the violence and pain of being held on its soft pink fur chair at the will of two  elegantly choreographed, rotating stabbing wands, the piece is equally unsettling as it is beautiful.

Cardiff Miller- the killing machine - 2007

[Photo: Seber Ugarte & Lorena Lopez]

A statement on the nature of capital punishment, as well as a riff off Franz Kafka’s “In the Penal Colony”, the piece works on the level that it blends these horrors with a beautiful array of coloured lights, a disco ball (who doesn’t love a disco ball?), and almost triumphant orchestration for a bizarrely amusing and eerie imagining of our society’s indifference to killing.

The most impacting piece, had to be the first piece ventured to in the gallery – “Opera for a Small Room” which the couple created in 2005. The piece is a 20 minute long immersion into the tale of a sad and mysterious man (“R DENNEHY”) who speaks throughout the piece about his sad tale of lost love, and a seemingly lost sense of self.

Cardiff Miller - Opera for a Small Room

[Photo: Cardiff/Miller]

Contained in a small shed-like space filled to the brim with nearly 2,000 individual records, eight record players, and twenty-four antique loudspeakers; the piece encapsulate a mysterious, melancholy, and mildly sinister mood, all while telling the story of the strange man who embodies the space between the sounds of various arias, sounds, songs, and pop music. The entire story is aligned with the change of synchronized light and colour.

cardiff miller- opera for a small room- detail

cardiff miller- opera for a small room- detail 2

[Photo: Cardiff/Miller]

As the piece progresses you are enticed to circle the “room” to peer through the wall’s various cut-outs and doorways in hopes of gaining new perspectives on the world inside. As your eyes begin to wander you notice bowling trophies, suitcases, and other objects that add to this strange simulated reality. Its an opus of emotion, and another testament to the artists’ unique craft.

opera for a small room- cardiff miller- room

[Photo: Kunsthaus Bregenz]

   Writing is like a 3-Dimensional process for me. The words and sentences have to work with a physical space, resonate with that space. One thing works on the page but it’s a different thing when they are juxtaposed with a physical environment.

Janet Cardiff

Like a movie in real time playing before your eyes, the works of Janet Cardiff and George Bures Miller are remarkable and exciting works of contemporary Canadian art that we are lucky enough to have gotten the chance to enjoy so closely and thoroughly.

The artists’ cinematic tendencies and unusual combination of various sound and media point to a world where the disparate worlds of various arts and industry can coincide and exist together, for engaging and elevating works of art that not only provide an aesthetic experience, but delve deep into the psyche to penetrate the world of dream, nightmare, and emotion.

To put it plainly, “Lost in the Memory Palace” is as close to Utopia as we’ve seen in this world yet. There are plenty of other pieces by the couple to enjoy at the exhibit, so be sure not to miss out on this incredibly poignant and realized showing on now at the AGO.

“Lost in the Memory Palace: Janet Cardiff and George Bures Miller” at the Art Gallery of Ontario {April 6, 2013 – August 18, 2013}, for more info click here.

Until we meet again,

{theEye}

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E.O.F. Snapshot of the Day {February 20, 2013} – James Dean’s ‘Life’ Mask {circa. 1955}

JAMES DEAN 1955 HAND PAINTED MASK - 1

We’ve learned there is a lot of crazy cool stuff on ETSY, but this one has to take the cake as the find (at least of the week)! Does he look familiar to you? He should. He’s a pretty steady regular here for us, at The Eye of Faith; after all, he is the one and only King of being bad, of embracing that rebel spirit and never letting go – JAMES DEAN.

That’s right, kids. This is a death mask of the true blue American icon, and idol of style for millions around the world, both during life and after death. Reminds me of the Elizabeth Taylor mask, Lanier Smith shared with us in the past, but this is, as I said – JAMES DEAN!!!

JAMES DEAN 1955 HAND PAINTED MASK - 2

Described here by the seller:

They were selling for $900 in California in 1955. That was quite a lot of money. Dean was beloved by many and right now still wildly popular among all generations. This mask was considered unusual because J. Leslie painted it, eyes and all by hand.

It is quite stunning and yes, these absolutely are James Deans features. They were made from the first mask created. 

These are becoming much harder to find, it comes with a license plate that went with the plaster mask.

It states California-James Dean-1931-1955.

Incredible, huh ?! Sometimes you just have to take that search a little further, turn that corner to the next page, and bona fide gems like this are just waiting to say ‘Hey’ to their new owner.

At $395, it’s a little bit our of our league, and maybe a bit frivolous, but God I’d love to own it. As the seller also mentions:  “This is a must have for a true fan, it is as close as you are going to get to a dead man.

Perhaps that’s creepy, but at the risk that James Dean’s death mask will start talking mysteriously one night, I’d be willing to take those chances!

James Dean is our rebel icon. Live Fast. Die Young. And Always Look Your Best – Even in Death.

{You can check out more listings from the dealer, FIVEHANDS CURIOSITIES  here. They have a really great selection of unique and bizarre items from all decades of the past. And while you’re browsing, don’t forget to visit our own hand-picked selection of men’s eclectic finest}

DON’T FORGET TO TWEET, TWEET, TWEET! #vintage #theeyeoffaith @theeyeoffaith

Until next time,

{theEye}

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Menswear Meets the Museum. Fashion Invades the Lourvre!

Cool and Casual menswear invades the Louvre!  Kings, gods and thinkers; historic  sculptures receive an urban makeover ala’ Dennis Wilson style!  What we know most notably as marbleized peices of history are photo-shopped into model Adonis’s to show off some cool Rayban’s and Khakis with Plaid.  Stumbling onto this story at ModAddiction.net, we know this was a sure tale to share with our readers!

French art director Alexis Persani has collaborated with french photographer Leo Caillard to create these photo-shopped marvels.  The Christ with a denim button down smoking a cigarette, the writer Montaigne tries on ‘hipster’ style. Fashion invades the sculptures in the Louvre, indeed!


Watch the below Video to see how this all came together through the magic of photo-shop! Proving one thing for certain, some menswear styles are truly timeless.  Who wouldn’t want to hang out and smoke a cigarette with Jesus? (don’t answer that if you don’t smoke).


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{Leave it to the Eye of Faith.}
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Dreams, Nightmares and Fantasies


Tuck your ambition where no one will notice, or wear it one your sleeve!  Only you can decide how you’d like to carry on through this life.  This is a destiny you’ve been planning in the pit of your own subconscious for many nights now!  Deem yourself worthy of being a hero and envision the future waiting around the corner, your destiny is your own to fulfill.


“A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.”
Oscar Wilde


But be forewarned, the demons come out at night to play and to feast.  They harvest our hopes and turn dreams to waking anxiety.   A dream has turned to nightmare in what seemed like a flash, now arousing feelings horror and distress.  But you are more powerful than creature of the dark.  Fight or flight? Do we deem ourselves worthy of accomplishing the many feats which plague us?  Imperfectly conscious, the truth will be told.

“Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.”
Edgar Allan Poe


There is an energy within our dreams which fuels our ambitions.  A strong desire to accomplish more than which greats us each morning, leaving us yearning for more each night.  A fantasy of a richer tomorrow, where dreams are bright, where we won’t see a fright.  We must battle the darkness as it comes to reap our hopes and prayers.

The demons are listening,  we must cast away any doubt!  Stay strong in our fantasies and remember, don’t be afraid of the doubt.

The Eye.

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Coffee gets Edgier.

Swiss based Carlo Borer (CB Industries) brings its customer objects both subversive and mordern. The self proclaimed ‘object maker’ with a background in sculpture and painting creates pieces using riveted aluminum and aerospace technology. The designs can be spotted from the Hollywood screen to a Satanist’s living room. We were particularly smitten with Carlo Borer’s take on the conventional espresso machine.

Check out CB Industries for more information. Wouldn’t you want to wake up to this?
The Eye.

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