Tag Archives: Nazi

Commercial Break: Seventies Style Orgy – “Baba Yaga” (1973)

Baba Yaga 1973- The Eye Wonders Baba Yaga 1973- shot through the heart and youre too late - vintage fashion film inspiration Baba Yaga 1973- illustrated title

Perhaps its the fashion photographer protagonist . . . or maybe the sexy 1970s set decor; most definitely attribute the funky score by Piero Umiliani (you know him – “Mah Nà Mah Nà”), as well as the brilliant presence of film legend, Carroll Baker (“The Watcher in the Woods“, “Babydoll“), and those quirky illustrations that appear, throughout the film – “Baba Yaga” is a bit of a shit show, but a wonderfully unique and stylish one, at that.

I thought Daily Grindhouse summed it up best:

Carroll Baker (BABY DOLL, THE WATCHER IN THE WOODS) is the titular stranger who is all sexed up with hunger for some female flesh. Baba Yaga sets her sights on fashion photographer Valentina Rosselli (Isabelle De Funes) after a chance encounter and soon pays a visit to her humble abode to deliver a doll dressed in some S&M gear for “protection”. After the visit, Valentina’s life is turned upside down; she is suddenly surrounded by death, hallucinations, Nazis (?), and more naked women than a Las Vegas casino. Of the four I prefer the naked women… just sayin’.

It’s these bizarre, unusual, and unexpected (perhaps, even absurd) elements that make a cult classic like this one to remember! You can totally read this film (even just the trailer) for clues on seventies style, and how timeless one can really make it. Love the stripes, the furs, the bobs, the rings . . . love it all! Even the menswear is pretty sublime.

Baba Yaga 1973-creepy vintage bondage doll Baba Yaga 1973- carroll baker holds the eye that freezes time

Did I mention there’s witches? You probably gathered, by now. After all – “Baba Yaga” literally translates to Devil Witch! So, sit back and enjoy the sumptuous feast of the best vintage, stylish,erotic, exploitation, sleaze in three and half minutes you’re bound to find on the internet!

Enjoy the pictures, too.

They really capture the little moments that make this one worth remembering.

[special thanks to Rock! Shock! Pop!]

The Eye of Faith has got you covered! We sift through the shit, to find you the good stuff.

Don’t forget to share with friends. I’m sure they will get a kick.

Seventies glamour is going to be right back in swing.

Or already is? Or never wasn’t?

Just brush up.

A bit.

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Until we meet again,

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Hexing Hitler: That Voodoo That You Do Makes Me Want To Cry…

Let’s face it – the world we live in now, and the world seventy one years ago were two very different places. While some of the biggest box-office smash include the CG comic-book action explosion, The Avengers, top grossing films of 1942 included I Married a Witch, Road to Morocco, and the year’s highest grossing epic, Mrs. Miniver.

On top of that, the world was completely engulfed by the horrors and tragedies of WAR. 1942 was a year, when the best was yet to come, and undoubted pressures and insecurities were running mad like devils (this not being too different than our current social climate), and no doubt there were those who were foreseeing THE END.

Luckily, THE END has yet to be seen in terms of whether or not we are physically standing on this Earth today – this I can confidently attest to. Luckily for us, the horrors of such a war are far behind us. But let us not forget the times where we weren’t so sure.

“On the wet windy evening of January 22, a youthful band of idealists went to a lonely cabin in the Maryland woods.”

These pictures were taken 70 years ago, as well. The year is 1942 and we, The Eye of Faith, have taken a journey South to the backwoods of Maryland where “On the wet windy evening of January 22, a youthful band of idealists went to a lonely cabin in the Maryland woods.”

These previously unpublished photographs taken by LIFE Magazine photographer Thomas McAvoy amazingly capture the drama of a “hexing party” organized “to kill Adolf Hitler by voodoo incantation.” in definitely one of LIFE’s weirdest and most wonderful pieces of history ever untold. It would be three more years until Hitler would go down by his own hand, but such a powerful force of evil could have used a few more helping hands.

“a dressmaker’s dummy, a Nazi uniform, nails, axes, tom-toms and plenty of Jamaica rum,” …sounds like the tagline for a damn good movie.

[SOURCE]

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{theEye}

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E.O.F. Snapshot of the Day {September 26, 2012}

{A new article from the Huffington Post announced Hitlers boyhood home in Austria is up for grabs, and not without fears of neo-nazi condos.  Make’s us nostalgic for the days of Hexing Hitler. Photographed for LIFE magazine. Circa, 1942}


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E.O.F. Snapshot of the Day [May 11/2012]

Robert Ripley Holding Box Made of Human Skin.

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Commercial Break: Salon Kitty (1976)

Nazis, prostitutes and horrors! Welcome to Salon Kitty.  Kitty runs a brothel in Nazi Germany where the soldiers come to “relax”. Recording devices have been installed in each room by a power-hungry army official who plans to use the information to blackmail Hitler and gain power himself. A girl named Margherita discovers the little ploy and with Kitty’s help plans to take on the dangerous task of exposing the conspiracy.
The movie was actually based off of the Salon Kitty incident during WWII when the Gestapo took over a brothel in Berlin (called “Salon Kitty”) and used it as a place to find traitors and enemies of the regime. Basically, all the whores were spies and fucked both German and foreign political figures while trying to extract information out of them.

The Eye.

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Wallis and Edward, “W.E.” . . . Whatever?!

So the reviews have not been so pretty thus far for Madonna’s W.E.

Vogue Italia’s Emanuele Lugli posted a rather scathing review after the film’s premier at the Venice Film Festival in November, and hasn’t garned very much acclaim since (unfortunately) for Madonna as the next great auteur.

This is unfair since Madonna has definitely generated herself as a leader in style, and the art of catching our eye with generations of videos and unique fashions, so it’s easy to see where her interest in the subject lies.

Wallis Simpson was already a divorced American socialite who was subsequently married when the two crossed paths in 1930 at his home, Fort Belvedere in Windsor Great Park, where the Prince often entertained parties and a series of scandalous affairs. It would be almost a year after abdicating his throne before Wallis was officially divorced from her husband, and the two could finally be wed.


Talk about romantic. They quickly became the toast of cafe society around Europe with Wallis gracing the pages of Vogue, with an affinity for French couture including Christian Dior, Hubert de Givenchy, and most especially Madame Vionnet. Equally, Edward VIII had garnered quite a reputation for his outlandish Dandy lifestyle which had quickly fallen out of fashion after the Great War.

Nevertheless, a Dandy must do as a dandy does; with a long lineage of “Dandy-ism” in the family (stemming back to King George IV, legion for the British Regency, and best friends with Numero Uno Dandy Supremo, Beau Brummell) it seemed only natural for the handsome Prince to exploit his God-Given sensibilities.

This he did with thick Windsor knotted neckties, and various combinations of checks, plaids, tweeds, and stripes that would mark Edward VIII as the epitome of manly elegance. He enjoyed his “pants from across the sea”, trousers done in an American high-rise cut, and had matching jackets tailored in London, creating a new hybrid of classic style with an ifusion of American conservatism and British sophistication.

He was J.C. Leyendecker’s Arrow Collar Man personified, and Vogue’s editor-in-chief Diane Vreeland would describe the nonchalant elegance of the Duke as “Chic Fatigue”.All we know is, we’re not getting tired, we haven’t even gotten started!

Also worth mentioning is the Duke and Duchess’ controversial relationship with Hilter, and the Nazi party. Many history books portray the couple as sincere Nazi sympathizers, and this the most would continually taint the pair’s reputation.

And while Wallis recieved much attention for her bold, architectural fashion choices, critics often pointed to how plain a woman she was, and rumors quickly spread of her years in Shandhai and Peking where she recieved extensive training in the erotic arts.

Most recently it has been revealed that the Duke of Windsor had been a patient of psychiatrist Alexander Cannon, known as the “Yogi of Yorkshire”. Cannon was an expert occultist claiming to have levitated a chasm in Nepal, and administered exotic remedies for problems ranging from anxiety, to sex and confidence. Edward VIII was seeing the eccentric doctor for a “drinking problem”, and the two were becoming increasingly close, to the point others described Cannon as the King’s closest confidante (other than Simpson). Most interesting, no?

The tale of Wallis and Edward is full of as much controversy and ridicule as Madonna’s film it seems. Whatever their politics, it’s impossible to discredit the deep love the two obviously share for one another, and to abdicate the throne, be a martyr for love- it’s literally the stuff movies are made of, and I’ll give Madonna that for sinking her claws into such a juicy mother.

My hat goes off to Arianne Phillips and her spot on costume designs for the film. Phillips, who recieved an Academy Award Nomination for “Walk the Line” (2005), and was responsible for the tailored looks of Tom Ford’s “A Single Man” (2009), as well as taking care of Madonna’s costumes for both “The Confessions”, and the “Sticky & Sweet” tours, does an amazing job at recreating the glamour and decadence of the famous couple.

Photographs by Tom Munro for Vanity Fair, Quite Continental has featured a great interview with the designer and her many challenges dressing the film.

Her dynamic work include several recreation of Simpson’s most famous looks, and despite budget restrictions, Phillips’ work comes off as luxe and rich as ever. Most extraordinarily, the sophistication and elegance of Edward is equally imagined and captured, with James D’Arcy doing his best to pull off the Duke’s effortless swag.

The Academy Awards are just around the corner, and though we can safely set Madonna aside for a chance at Best Director, we’re expecting to see another Academy Award Nomination for the film’s exceptional costume designs.

There’s a reason behind the madness people! Madonna knows, she does kaballah…I came across this eloquent quote from Stan Hawkin’s “The British Pop Dandy” for some clarification on perhaps, Edward VIII’s own dandy motto or manifesto he might carry with himself…maybe a certain attitude that could attribute to him, the romantic hero, a true dandy, and Wallis herself, a dandy in her own right. Here goes:

“Someone whose transient tastes never shirk
from excess, protest or rebellion…the dandy
revels in artifice simply for style’s sake as
a mischievous play with masks of calculated
elegance….all the great dandies have been
outsiders…eager to
make themselves publicly visible through a
conceit that is deemed their birthright. Driven
by a desire to draw on a personal style, the
dandy unabashedly states who he is and what he wants
without giving a damn for what anyone cares”

-Stan Hawkins (author, The British Pop Dandy)

Could explain how they always seem to be up to something! Can definitely relate to the “masks of calculated elegance” vibe in regards to the pair. Check out the video below:

Whatever. “W.E.” is making it’s way to a theatre near you January 20. What do you think?
-The Eye


[UPDATE (01/19/2012): Congratulations Arianne Phillips for your Costume Designer Guild nomination for excellence in Period Costuming! ]
The Eye.

[UPDATE: OSCAR GLORY! Congratulations to Arianne Phillips for her 2012 Academy Award Nomination for Excellence in Costume Design!!! (01/24/2012)]

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