Tag Archives: galaxy

Fly Me To The Moon! 1967 Cosak by Dormeuil Mens Suit Advertising Campaign

The competition for mens suiting was fierce throughout the 1960s – an absolute essential piece of every working man’s wardrobe, while also a time that signalled the decline of this timely tradition.

More than ever, ad men and women were looking for new and exciting ways to capture the attention of dapper gentlemen around the world.

This 1967 Ad Campaign for Cosak by classic French textile company Dormeuil displays the fun they had doing just that!

Obviously inspired by James Bond or any of the other number of mens genre media / plus the overall futurist movement of the 60s; the campaign features a well-dressed man in several of the classic suit designs alongside a bombshell blonde, and it appears they are prepping to go to space…or are in space already? Not quite sure all the exact subtleties of the scenario…its all very entertaining and more than that – stylish as ever!

These images appeared in Tailor & Cutter magazine, and were found courtesy of Voices of East Anglia. 

We were drawn to these images while doing some research finding we were lucky enough to have a Dormeuil cloth suit of our own. We recently uploaded it into the {SHOP} so click here to check out the listing, or scroll below for a quick look!

 

Classic 1960s Mens Vintage Graphic Stripe Ivy Style Secret Society Playboy Blazer

PIT TO PIT: 22″
LENGTH: 33″
SHOULDER TO SLEEVE: 33″

{BUY NOW}

 

Super rad find, in our eyes! Hope you, or someone deservingly discerning you know, thinks so too!  Share it, or comment below to tell us what you think!

Really cool to find out that this piece comes from a certified lineage of cool!

Remember XIXIXI gets you 25% off in the {SHOP}

So, check it out now!

Until next time,

{theEye}

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The E.O.F. Vintage Summer LookBook 2017 !!!

           Our tagline has always been                 “Escape the everyday…”
Invocations of the {past}, into the {present}, to shape the {future}
We wanted to take it to the next level . . .
What better escape than the infinite stars above?

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remember :

XIXIXI gets you 25% off in the {SHOP}

inquiries ? email us at: the.eye.of.faith@gmail.com

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we are stardust

we are golden

and we’ve got to get ourselves

back to the garden

{Music Minute} Black Sabbath’s “Planet Caravan”


In the spirit of the dunes we thought this timeless classic could definitely coincide. . .

This is an ode to Black Sabbath, the mystical heavy blues rockers from Birmingham who knew just the way to make their music crawl.

With the use of the occult and horror-inspired lyrics, and one-of-a-kind 1970s rock ‘n’ roll bohemian swag, we are definitely feeling a brotherhood with this unique quartet!

EOF- Black Sabbath - 1

EOF- Black Sabbath - 4 EOF- Black Sabbath - 2Black-Sabbath2Black-Sabbath-702x336

So let your spirit float to this one, kids. It is sure to take you somewhere…

Sincerely,

{theEye}

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Pictures loaded by Graham Young, Birmingham Mail. The first ever picture taken of Black Sabbath taken in 1968 of Tony Iommi, Ozzy Osbourne, Geezer Butler, Bill Ward, on a bank of grass close to Portland Road, Edgbaston. One hundred prints have been made at £495 each. Jim Simpson says: "If any one band can claim to be the originators of Heavy Metal, then that band is Black Sabbath. Strangely, Heavy Metal was not a term used in those days, though Sabbath certainly prided themselves on being heavier than any of their so-called rivals. In fact, their early publicity claimed, “Black Sabbath, the Heaviest Band Around. Makes Led Zeppelin sound like a kindergarten house band.” Quite how the Sabs changed from being a perfectly good blues band into the musical phenomenon that we all know and love is shrouded in mystery. It all started with Geezer Butler who contributed the band’s name as well as many of the songs. Their music developed naturally from then and it’s hard to indentify exactly what directly preceded it. Hendrix, yes, to a limited extent, but that only partly explains it. Whatever, Black Sabbath are THE Birmingham Rock Band. Ask yourself this. Who is the world’s most famous Brummie? Without doubt, it’s Ozzy. Also loaded: Jim Simpson at the private launch of Jim Simpson - A Photography Retrospective, an exhibition at Havill & Travis showcasing Jim's extraordinary collection of photographs from of pop, rock and blues stars from the 1960s. Jim was the first manager of Ozzy Osbourne and Black Sabbath. He has run Big Bear Records in Edgbaston for 46 years (to 2014) and founded the 30-year-old Birmingham International Jazz Festival in 1984. Havill & Travis at 14 Lonsdale Road, Harborne, Birmingham B17 9RA. Tel 0121 427 5763. www.havillandtravis.com The gallery is a partnership between fiends Dave Travis (left), ex rock photographer turned concert promoter and Mission Print founder Gerv Harvill. Pictures loaded by Graham Young, Birmingham Mail.
Pictures loaded by Graham Young, Birmingham Mail. The first ever picture taken of Black Sabbath taken in 1968 of Tony Iommi, Ozzy Osbourne, Geezer Butler, Bill Ward, on a bank of grass close to Portland Road, Edgbaston. One hundred prints have been made at £495 each. Jim Simpson says: “If any one band can claim to be the originators of Heavy Metal, then that band is Black Sabbath. Strangely, Heavy Metal was not a term used in those days, though Sabbath certainly prided themselves on being heavier than any of their so-called rivals. In fact, their early publicity claimed, “Black Sabbath, the Heaviest Band Around. Makes Led Zeppelin sound like a kindergarten house band.” Quite how the Sabs changed from being a perfectly good blues band into the musical phenomenon that we all know and love is shrouded in mystery. It all started with Geezer Butler who contributed the band’s name as well as many of the songs. Their music developed naturally from then and it’s hard to indentify exactly what directly preceded it. Hendrix, yes, to a limited extent, but that only partly explains it. Whatever, Black Sabbath are THE Birmingham Rock Band. Ask yourself this. Who is the world’s most famous Brummie? Without doubt, it’s Ozzy. Also loaded: Jim Simpson at the private launch of Jim Simpson – A Photography Retrospective, an exhibition at Havill & Travis showcasing Jim’s extraordinary collection of photographs from of pop, rock and blues stars from the 1960s. Jim was the first manager of Ozzy Osbourne and Black Sabbath. He has run Big Bear Records in Edgbaston for 46 years (to 2014) and founded the 30-year-old Birmingham International Jazz Festival in 1984. Havill & Travis at 14 Lonsdale Road, Harborne, Birmingham B17 9RA. Tel 0121 427 5763. http://www.havillandtravis.com The gallery is a partnership between fiends Dave Travis (left), ex rock photographer turned concert promoter and Mission Print founder Gerv Harvill. Pictures loaded by Graham Young, Birmingham Mail.

DEFYING ‘GRAVITY’ {and our expectations . . .}

Being an astronaut is not as cool as I thought - Gravity (2013)

Alfonso Cuarón is without doubt one of our generations most ambitious and talented directors, whose latest film ‘Gravity’ has solidified him as a premiere auteur of the cinema, that is if his last film “Children of Men” didn’t already have you convinced.

The signs were there from the start.

Cuaron - A little princess - 1994

A Mexican director, Cuarón made his English debut in 1995 with a retelling of the Edwardian classic, “A Little Princess” which reinvigorated new life into the tale of a young girl left at the mercy of a miserable, unforgiving, and demanding headmistress after the sudden death of her father. He turned what could have been a drab child’s tale into an intoxicating rich and exotic affair of the heart and imagination.
Vintage Style- Great Expectations - Ethan Hawke and Gwyneth Paltrow - 1998

Vintage Men Style- Ethan Hawke in Great Expectations - 1998- The Eye of Faith

He followed this up with another adaptation of a classic, “Great Expectations” which starred Ethan Hawke, and featured an immaculate performance by Anne Bancroft, as well as Gwyneth Paltrow at the height of her 90s babe-ness. The film took the Dickensian tale of love lost and greed into a contemporary tale with equal visual splendor.

Sandra Bullock is Scared- Gravity film (2013)
His latest film “Gravity”, however, is a film larger in scope than any of his previous (including “Harry Potter and the Prisoner of the Azkaban”), whilst also being perhaps the most simple in its premise.
Sandra Bullock plays Dr. Ryan Stone, a first time astronaut sent by NASA to install new technologies onto the Hubble Space Telescope before the mission is rudely interrupted by a massive debris storm that wipes out not only her ride home, but what seems to be our entire world built in space. It’s a nail-biter of a film that follows her minute by minute as she quickly comes to grips with her will to survive.
With a little encouragement from a rowdy veteran astronaut (played by George Clooney) she is able to get her wits about her, even as she is hurled through space time and time again.

Gravity trailer -- Pictured: Sandra Bullock(Screengrab)
Bullock plays Dr. Stone with a brilliance never before captured from the Hollywood icon even after winning her Best Actress Oscar for 2009’s The Blind Side. Bullock is able to capture the raw emotion of a woman catapulted into the abyss. She experiences it all: fear, sadness, overwhelming happiness, excitement, delirium, panic, loss, and joy. It’s a spectrum of emotion that very few actresses get to take on, and in turn, can pull of with half as much success.
And damn does she look good. At 49, her body is as fit and toned as ever while her chiseled face is beautifully defined by the stark illumination of space giving us a unique perspective on the star we rarely get to see (she also really suits that short hair).

GRAVITY
What is most exciting about “Gravity” is that while it could easily have been a different movie, Cuarón ensures the universality of its themes, and exhibits an unnerving sensibility to let us wait, and sit, and ponder the moment. After a calamity of events, Bullock makes it into the International Space Station and for a good minute we watch as she retreats into her body like a fetus and floats in space like a unborn baby in a womb. It’s moments like this that bring brilliance to what is undoubtedly Cuarón’s masterpiece.
And while there are plenty of space movies, and good ones at that, this one needs to top the list of those released in the past decade, and comes a close second to the epitome of all movies in space- Kubrick’s “2001: A Space Odyssey”, which in itself is a mighty amazing feat.

gravity-movie-final-trailer-will

Very rarely do films set in space capture the scope of themes and the realism needed to convey the heaviness of life in space. Its no joke, and it’s done without the presence of creepy extra terrestrials or intimidating other-world space craft. When it comes down to it, the most dangerous thing Ryan Stone faces is the presence of an almost non-presence- that of “Gravity” an invisible force that keeps us planted on the ground, and without can turn a single bolt into a deadly weapon that can obliterate even the most expensive and sophisticated technology we have under our belt.

Gravity - Sandra Bullock - Amazing
This film makes you think, and ultimately that’s what movie-going is about. We enjoyed this film thoroughly, and expect to see this film as a strong contender at next year’s Academy Awards ceremony. In fact, I can smell tough competition already between Bullock and Blanchett for the coveted Best Actress win. Can Bullock pull a second win? She sure as hell deserves it. Also expect Cuarón in contention for Director, and his long-time cinematographer Emmanuelle Lubezki (“A Little Princess”, “Sleepy Hollow“, “Children of Men”, “The Tree of Life“) for his very first win.

A rare gem that will go unmatched for decades to come. See this film!!

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E.O.F. Snapshot of the Day {July 22, 2013}

eye

mystery of man. where do we belong?

spin the sacred dial.

worship

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courtesy of Morris Fox

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On days like these, how can we not feel inspired?

Make sure to check out the {SHOP} <—we are going to be relentless about this, because how else do you think we make these posts happen?!

Items starting at $3 in the ‘SALE’ section, plus lots of other reasonably priced one-of-a-kind amazing finds from the past that are perfect for your style needs today (and help shape the future while you’re at it) !!!

Until we meet again,

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{MONDAY MUSIC MINUTE} “Calling Occupants of Interplanetary Craft” by The Carpenters

calling occupants- the day the earth stood still

Last time we shared some tunes by The Carpenters was far too long ago, and with the 66th Anniversary of the Roswell UFO Incident , what better song than their most marvellous, spectacular, and epic track – “Calling Occupants of Interplanetary Craft“.

Originally produced by the band Klaatu, The Carpenters made it their own a year later, and it remains one of their more unusual and eccentric pieces, and probably one of our personal favourites! You won’t believe your ears if you’ve never heard this one. Definitely some sort of revelation. Too bad Karen wouldn’t make it to produce more vivid, narrative tracks like this one!

Please Interstellar Policemen, won’t you give us a sign that we’ve reached you!

Until next time,

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THIS DAY IN HISTORY: ROSWELL TURNS 66 !!!

Roswell-Sacramento-Bee-Article-July-8-1947

fake roswell alien

This is a still from what Ray Santilli claimed was film footage taken from the Roswell UFO incident depicting an alien autopsy. The film was released in 1995, but later revealed in 2006 as a hoax. Santilli maintains that it was a reconstruction of real events opposed to a fabrication. 

Today marks the 66th anniversary of the alleged crash of a flying saucer just outside Roswell, New Mexico.

This special date, and strangely special anniversary number (66 being a universal number of unconditional love, healing, and trust in the divine), are being celebrated by Google today in their daily Doodle.

It was a very frightening and exciting time, that has no doubt shaped and changed our society and culture forever. After several witnesses spotted seeing flying saucers over Roswell, New Mexico on July 8, 1947, suspicions were raised after Roswell Army Air Field (RAAF) public information officer Walter Haut announced that a “flying disk” had been recovered on a ranch near Roswell in a press release. Witnesses at site also claim to have seen alien bodies.

Photograph of Army Guy Sorting Through Roswell Debris - flying saucer- vintage- 1948

These bodies are said to have been taken into top secret research laboratories where they were studied and stored away for future query. Also under question is the alien craft, which many suspect were taken in by the military, and used for their advanced technologies which helped jet us forward into the Space Age.

While the U.S. government has continued to deny the claims (an official 1997 report Case Closed: Final Report on the Roswell Crash attempted to close the case), millions of people still find truth in the dozens of witnesses who have come forward since, claiming to have seen the fragments of another world.

Vintage Photograph of Roswell Debris

Classified Military Documents- Roswell- Proof

Since then flying saucers and aliens like those described by witnesses have flooded public consciousness and become a mainstay of popular society. And while the government might deny the existence of aliens at Roswell, they sure were interested in the existence of U.F.O.’s, which they documented heavily in the files of Project Blue Book which was shut down in January 1970, and  is now open to public inspection.

[click here to view Project Blue Book archives online today]

We might never know in our lifetime, but the way things are going, I wouldn’t be surprised if we did!

Fingers crossed.

Until next time,

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FREAKY FRIDAY: Vintage Ancient Aliens! William Shatner’s “Mysteries of the Gods” (1977)

William Shatner- Captain James Kirk

William Shatner is best known as Captain Kirk in the iconic 1960s sci-fi series (the original, tamer, Battlestar Gallactica), marking his first foray into the world of outer space, extra terrestrials, space ships, and other worldly beings. But in 1977, Shatner released a documentary that would have the Canadian star again looking to the stars, this time for answers.

William Shatner - Vintage- In the Pool

William Shatner - Vintage Outdoor Beefcake Photograph

Based on Erich Von Daniken’s best selling series (his feature film documentary “Chariot of the Gods” was nominated for an Academy Award for Best Documentary in 1970), “Mysteries of the Gods” continued on the popular quest to discover from whence we came. It’s the original “Ancient Aliens“.

Did millions of years ago, visitors from other planets come to Earth and help accelerate our primitive ancestor’s genes to propel civilization as we know it today? Scientists often note how remarkable it is that human civilization went from cave dwelling hunter-gathers to suddenly building slick and sophisticated cultures with engineering that defies the capabilities of today’s most advanced technologies.

crystal skull-mysteries of the gods-1977

It definitely is disturbing to think that we live in a world where we still have not figured out how they moved the stones of the Pyramids?! How far behind are we? Or did ancient people have help from our astronaut ancestors, or worse, giants that literally roamed the Earth?

If not, why do so many “primitive” cultures, even today, still tell legends of giant men who made us “normal” humans seem like crickets? Now I’m starting to sound a bit like Shatner, so instead I’ll simply live you with the video itself.

Mysteries of the Gods- William Shatner- 1977 Vintage Movie Poster

The documentary in its entirety has been uploaded to the web (thank you 21st Century), so you can ponder these questions, in all the 1970s New Age Psychedelia of William Shatner’s “Mysteries of the Gods“.

Don’t miss out on his brown suede shirt – boho chic.

Have a good weekend!

Until next time,

{theEye}

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1980’s French Psychic Predicts 9/11, Obama Presidency, & 2012 Alien Encounters!

capturedcran20120113133We stumbled onto this video full of revelations this morning.

We were astonished by the blatant similarities that mark our present, that this French psychic, who’s name is unclear  (either Albert Florintie or Sean Mciver),  told of back in 1980. With talking of ‘Change’ and clear references to  Chernobyl, we knew we found something for our readers to Eye.

Full of eerie warnings of nuclear powered disasters in the coming decades, and warnings of us crippled by our need for fossil fuels, we were a bit disturbed by the accuracies we are warned of in our impending future including talk of religious wars, and promises of an attack on American soil.

The predictions weren’t only doom and gloom: visions of electric cars on the way, change in America, even a revolution by the People. The most interesting of all has to be the vision of a “black man” becoming President of the most powerful country in the World.

Hoax or not, we are intrigued.  The most alarming revelation of the future would have to be the impending encounter we will face with ‘People from another Galaxy”.  Perhaps this will be a lesson to man kind, and we will see the flaws in our ways and become stronger than ever.

Or, as this French Psychic seems to think . . . impending doom of mankind will surely come our way in 2012.

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“The Old Man on the Corner” by Waldo Tomosky

Waldo Tomosky is one of our regular visitors here at The Eye of Faith, and wished to share this short story with us, citing it as both unique and divine – two very important words we hold close to us here at The Eye.

We couldn’t agree more, and decided we’d share it with you all here at The Eye of Faith.

This story entitled “The Old Man on the Corner” plays off Waldo’s own memory as a boy living in a small town, and how the simplest things in the world can come to be the most profound in the end….

+ THE OLD MAN ON THE CORNER +

by Waldo Tomosky

There is a state that is not what it used to be. There is a village within that state that falls into the same category. Families have an obligation to prepare the next generation for a better life. Political regions apparently do not have that same obligation.

The village has a city name; Johnson City. From the period of my first memories of village life, until the time when I entered the army, I always remember one specific street corner.

At one time a large store was located there. If my memory serves me correctly it was a hardware store. I do clearly remember, I am sure, that to enter the store you had to climb three massive concrete stairs that wrapped around the entire front.

The store no longer exists, due to a fire. A silvery aluminum diner was finally placed on the site. It has always been called the “Red Robin Diner.” But this story is not about inanimate objects; it is about people, or, more succinctly, it is about one man. This man was one of several that were, and are, always located on that corner. Their faces change and their manner changes but they are the same men.

They are retirees, older men living off a pension, a government dole, or off their savings. When I was young they sat on an old wooden bench that was painted red. It probably belonged to the village. The men smoked, and talked about something that I was never privileged to hear. They also had a bottle of something or other that was wrapped in a brown paper sack. In between cigarettes, or cigars, they would pass the sack around and each man had a swig of whatever was hidden in it.

They were nice friendly men. There were no loud voices or harsh words. They simply enjoyed each others company and nodded “hello” to the folks that passed them by. A nice toothy (or toothless) grin usually accompanied the “hello.”

I previously stated that the story is about one man. Possibly my memory has played some tricks on me over the years and this one man is a composite of all the old men that have located themselves on that corner. It makes no difference. This singular or composite soul was friendly, cheerful, unshaven, had a hole in his pants, and his shoes (that were once meant for work) were never polished. Yes; that is a good analogy. His shoes were like he was, unpolished but substantial, faithful, ready to serve.

This man smoked a pipe (in between nips). It was not a beautiful meerschaum pipe. It appeared to be made of briarwood and had a plain shape. He lit his pipe with what us youngsters called “farmer matches.” They were not your modern safety matches. They were more functional for a pipe smoker. The matches were singular (not in a pack) and had a hefty piece of wood (not the cheap paper stick that we now use). The heads had a section to burn and a section to strike. The striking portion was on the end and was typically white in color. Once struck, the burning section would be ignited which in turn would set the hefty wooden stick aflame.

Once again we are not here to compare the old with the new but rather to set into motion the details about this old man and his wooden matches. Keep in mind the attributes of this old man. He was wise, somewhat the worse for wear (as we all would be if we had completed the tasks that he had), a little unkempt, but most importantly he loved the people around him. In fact he loved them almost as much as he loved lighting his pipe. I really believe he enjoyed lighting those farmer matches. He was constantly at it.

The match would appear from nowhere. He would be inspecting it before the casual observer even knew he had one in his hand. The old man would test the wooden section for sturdiness. Then he would spin it between his fingers and inspect the white striking end. This would be followed by an inspection of the secondary lighting section (which was usually red but sometimes blue). Once he was satisfied, the match would be struck against some hard surface. The striking end would burst open into a star like pattern with other minor star patterns being created from the original one; then additional star patterns were created from the secondary ones. You could never tell how many star patterns were created due to the fact that it happened so fast. Yet, you knew that several patterns existed before they died out. At that same moment the secondary fire (blue or red; it makes no difference) would occur. This would create yet another burst of energy that exceeded what was necessary to light the pipe. The old man would keep the creation at a safe distance until the wooden section was on fire. Only at that time would he light his pipe.

I must repeat that he appeared to enjoy lighting the matches as much as smoking the pipe. I say this because he would always use about five matches for every pipe-full of tobacco. Additionally, his eyes would gleam with joy whenever he lit a match. It was not the gleam of a pyromaniac but rather the gleam of someone who created something. He appeared proud like a new father, or, had that “ah-ha!” moment of someone who had a new insight. It was something that I never understood but always was amazed at observing. How could an old man on a corner get such satisfaction out of lighting his pipe?

It was only when I had my own “ah-ha!” moment (years later) that I understood the old man on the corner. The ceremony of the pipe was his creation yet every time he accomplished that act he knew exactly what would occur. Oh, I don’t mean that he knew how many star patterns there would be, and he sure didn’t know what was located on those minute cinders that resulted from the burnt out star patterns. He only knew that he could create them and that the results would take care of themselves. It was only natural that there would be star-cinders, flame energy and gases, and finally the wooden stick that would serve as the means to the end.

Therefore I believe that somewhere beyond all the galaxies, their stars, the gases, the unbridled energy, the cinder-like asteroids, the unknown black holes, there is an old man standing on a corner lighting his pipe. There is, most likely, a hole in his pants. There may be some friends that he shares nectar with; although I can not quite picture it being hidden in a brown paper sack. He is friendly and benevolent but does not care to guide our every move. He simply likes to create a stir with his farmer matches. He loves the explosive star patterns, likes to watch the flames and gasses that are created by the red and blue sections, and is somewhat disappointed when the wooden section finally burns out.

He knows that he will need to re-light his pipe in a few minutes and also knows that the residue of the last match will have to take care of itself. He doesn’t know that we are riding on one of the smallest cinders and that we treat the last burning ember of the striking ember as the center of our system. Time to him is irrelevant. Time to us is in light-years.

We have made such a big thing out of someone lighting a pipe. It is really very simple. We do not know (and will never know) where the beginning and end is. It is not really our beginning or our end; they are His matches and His pipe. So therefore the creative act of lighting farmer matches goes on. The center of the sphere of sparks is everywhere yet nowhere. The length of time for a match to exhaust itself is both future and past (of which neither really exist). Yet we continue to attempt to identify the past through something we call history and the future through something we call science.

It is just an old man lighting his pipe.

© Copyright – Waldo Tomosky

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Waldo has a lot more where the came from over at his blog, so please check it out!

Sincerely,

{theEye}

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