Tag Archives: Current

Baby, Let’s Cruise Away From Here. . . GUCCI Men’s Cruise 2017

Gucci Cruise 2017 at Westminster Abbey, London {May, 2016}

“I chose Westminster Abbey because everyone has this idea of London being cool, but for me the history is what’s really cool.” 

-Alessandro Michele {source}

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Check out this righteous collection of photographs from Nick Waplington of the menswear in Alessandro Michele’s triumphant 2017 Cruise collection for GUCCI making another landmark in style for the classic Italian high fashion brand, and what is being known as another groundbreaker in the area of men’s fashion and style.

The inspirations are vast and varied ( spot turn of the century collegiate vibes, 80s punks, 90s street couture, 1920s leisurewear, 70s bohemian playboys, 50s varsity jocks,  19th century naturalists, Edo Japan, and more ), and its this exciting eclecticism that is putting Michele at the forefront of truly changing the way we look at specifically men’s fashion, which for the most part has become a sea of black, beige, and boring.

Our motto has always been ‘more is more’, and we’re happy to have such a prestigious like mind in our corner on the matter. If you are unfamiliar with the new GUCCI vibe, this collection of portraits will not only be getting you a taste, but you will truly understand what all the buzz is about. Taken almost portrait style, the loud and eccentric looks are jarringly juxtaposed against the backdrop of a stately English country home like a tribe of wanderlusting young men who had just conquered the Old World and are setting forth establishing the New.

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This is a new voice, yes; and yet, much of what we see isn’t necessarily “new” in any way, in fact, as we pointed out with the mass of inspirations colliding in this collection, its a true example of taking from the {past} to invigorate the {present} and thus poising change for the {future} …

“The men’s wardrobe is like a ritual and I am fascinated by it and its codes. The codes are not to be cancelled, they have to be reinvented and repositioned in a different fresco. There is the part of formalwear which I consider like the father of all the different styles. There are some punk pieces which are the most romantic part of the collection. When you are punk you are romantic, because you want to break the rules. And then there is the preppy/street part which recalls college-wear and is thought for more relaxed moments. Each of these parts has its own codes and, as always, I enjoyed putting a sort of confusion among the different codes and languages.”

-Alessandro Michele {source}

We have always felt like fashion and style is like a secret society full of codes and rules and symbols that all add up to create greater meaning . . . like geomancy, the way you mix and match elements have different suggestions and powers. If you are wise, you can use these powers to your advantage in your day-to-day, and even make great strides in following your path to destiny.

Through Alessandro Michele’s meticulous orchestration, and continuing success in the fashion industry, be sure to check out the change that is ready to explode in our everyday! Just look around . . .

After looking through the photographs, I’m sure you will notice the sense of individualism achieved in this collection which is a funny thing to say, when a collection is usually thought of as a wholly distinct and cohesive mass, however, what Michele knows is that there will be dozens of different men who in their daily lives belong to whichever tribe  (suits, shorts, bohos, rock n rollers, geeks, streets, etc.) and having such an eclectic array provides the greatest cohesion amongst men.

Also, note the artisanal quality of each piece. This not the same GUCCI that you find horrible knock-offs of in Chinatown . . . these are truly thought out works of art. From the embroidery, to the hand painting, to the beading, bleaching, patchwork, knitwear; each piece has a true artist quality that renders the price tags not even as devastating when you think of the work involved, as well as the increasing value throughout time.

Even with all the embellishment, at the end of the day you are looking at classic and timeless pieces. If you check out our {SHOP} you can find a lot of style-wise pieces that can help you achieve the look!

 

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Keep it classic. Keep it timeless. Keep it unique.

Hopefully we provided some inspiration.

Carry forth, and be wise to your times.

Estis Virum Reddit

Until we meet again,

{theEye}

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The Dapper Mystery Men Who Guard The Secret of the Voynich Manuscripts . . .

The strange, wonderful, and perplex. The Voynich Manuscripts . . . the World’s most wildly weird book. Full of strange diagrams and cryptic text, many generations have passed and still no one has been able to make anything of it.

 

The book is hidden deep away in Yale’s Rare Book Collection making it kind of hard for eager schoolboys to study all of its mysteries . . .The word ‘mystery’, strangely enough comes from the Greek mustrion meaning ‘secret rite’ [from musts, an initiate, from mein, to close the eyes, initiate.]

The mystery would gather together at sacred times in sacred places performing rituals, celebrations, and rites of passage. These sacred ceremonies were held to ensure certain higher knowledge is passed on to the initiate who is chosen under certain circumstances (possessing special intellectual or spiritual prowess, or defining periods in one’s life eg. marriage)

Not to presuppose of course, we all remember Yale is home to one of the World’s most infamous ‘mysteries’ of them all; the notorious ‘Skull and Bones’ society. The notorious fraternity traces its roots to 1832 as ‘The Order of the Skull and Bones”, and includes such influential names as Rockefeller, Tate, Pillsbury, and Bush.

The group operates in secrecy, much as their ancient mystery counterparts, holding their rituals in a building known as ‘The Tomb’. The lost boys were said to possess the last remains of Geronimo. Sounds like a bunch of hocus pocus from an Indiana Jones movie, reads like one too.

Over the years the boys have gotten tied up in strings of allegations and scandals that range from sexual abuse, torture, and Satan worshipping! Not to mention the associations with the Illuminati . . . Seems to me like someone needs to do their homework.

“I don’t mind if my skull ends up on a shelf as long as it’s got my name on it.”

                                              -Debbie Harry

What do you say? Is it all too convenient the World’s weirdest manuscript has landed in the same turf? Maybe they know something we don’t about this strange codex, its weirdly wonderful drawings, and the wisdom that it may entail. Perhaps it provides them with the ingredients to perform the rituals of their predecessors, or maybe they simply see it the same way we do, and this obscure Renaissance relic will continue to be at loss to modern man, and appear as a precarious dot in the framework of history.

I’ll give it to the boys, they have always been doing it in style. Exploring the delicate and strange beauty of the Voynich Manuscripts is a true wonder, and I’d study up now before they do.

The manuscript is available online courtesy of the Beincecke Rare Book and Manuscript Library at Yale University.

Looks to us like everyone’s bathing . . .

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+ Happy Saturday + {MUSIC MINUTE} Baltimora – “Tarzan Boy” + ATLANTIS Rising !!! A Little Witch Pop never Hurt Anyone #seapunk #junglelife

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Give me the order! Give me the order! Ohhhhh Ohhh Ohhhhh Ohhhh. . . 

So, Happy Saturday! Thanks for a great +Art Crawl+

Those we saw, and those we didn’t . . .

Been digging the summer?

Jungle life.

[Props to our girl Whit at Girl on the Wing – check out her safari window on King St. W]

This one’s for you . . .

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NOTE how everyone be using them green screens for this same effect.

Here’s one example (and I’m not mad at it)

In fact, I love me some Ay-Yo-Ay-Yo-I-Hear-You’re-Riding-On-The-Same-Tall-Tall-Tale, especially on a Saturday night!

And, I know you might too! So, enjoy this one also . . .

It’s a double, on the house, from The Eye of Faith!

Oh, and in case you’re like wha?

It’s Azealia Banks.

She’s our girl.

But really.

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ATLANTIS

At·lan·tis

 [at-lan-tis] 

noun
a legendary island, first mentioned by Plato, said to have existed inthe Atlantic Ocean west of Gibraltar and to have sunk beneath thesea, but linked by some modern archaeologists with the island ofThera, the surviving remnant of a much larger island destroyed by avolcanic eruption c1500 b.c
 output_zYHyW9

A little WITCH POP never hurt anybody.

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Remember XIXIXI gets YOU 25% OFF at the checkout

when you shop the

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So go ahead and drop.

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Until next time,

{theEye}

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Elegantly Wasted: A Trip to the 90s with Hedi Slimane for Saint-Laurent

hedi slimane- saint laurent 2013- grunge and the nineties- fall winter- elegantly wasted- vintage style inspiration- hero

When it was announced that Hedi Slimane was to take the place of Stefano Pilati as creative director of the iconic label Yves Saint-Laurent, the fashion world was left wondering what new innovations the Swiss designer could bring to the brand. Then he dropped the Yves.

That’s right. For over fifty years the brand has existed as YSL,a brand coveted for its luxury, craft, and intuition; and yet within a few moments under Slimane’s guiding eye, the brand switched from Yves Saint-Laurent, to Saint-Laurent Paris. A seemingly small change, but for fashion insiders, it seemed to represent a much grander prophecy.

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It should come as no surprise, however, considering Hedi Slimane is a designer who is known for being a somewhat of a revolutionary when it comes to fashion. He is the man that ushered a tidal wave of change nearly a decade ago when he was appointment menswear designer for Dior; making Dior Homme not only a coveted brand worn by celebrities from Brandon Flowers and Pete Doherty to Cate Blanchett, but seriously revolutionized mens fashion altogether. While most collections stuck to a very standard approach to mens styles, Slimane flipped it on its head exchanging boot cuts for skinny jeans, made suspenders cool, had young guys think hats are cool, wearing skinny ties, and switching their blazer for cropped motorcycle jackets.

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On top of that, he single handedly changed the standard of beauty for male models, exchanging the buff All-American dreamboat for the skinny skater kid you see hanging out in the alleyway with his friends sneaking a joint and giving each other tattoos. What would have been referred to as the ‘Teenage Wasteland’ by our grandparents, has now turned into the standard ideal of luxury by fashion insiders, which you have to admit is pretty damn cool.

And if there’s anyone who knows cool its Hedi Slimane, who took a break from designing and took a dip into the realms of industrial design, exhibition design, curating, and of course his photography which he showcased on his site, the Hedi Slimane Diary.

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Now, Slimane has kicked it off with his debut menswear collection for Saint-Laurent in this latest F/W 2013 runway show, proving that he’s still got it in the bag when it comes to making mens fashion that feels fresh, cool, casual, with all the bad ass luxury of a world class rock star.

There’s plenty of vintage inspiration thrown in there too, with a definite ode to the 90s.

 

It’s a decadent rock n roll roller coaster of goth and grunge (very of the moment) that elevates the styles to a whole new level (being Saint-Laurent, after all). Plaid shirts, cardigans, ripped jeans, leopard print, fur coats, and oversized jackets – these are the new standards. Vive Revolution.

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There’s definitely nods to the great, late, one-of-a-kind, king of sadness, rebel bad boy, Kurt Cobain in the mix. And while, we’ve seen this vintage inspiration dozens of times in the past, somehow Slimane is able to rejuvenate the look with unexpected combinations of texture, colour, pattern, and shape. And what might seem like odd styling choices, at times, only adds to the eclectic decadence.

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You could even say it ‘Smells Like Teen Spirit’, as the anthem goes, but its more likely an invitation to  ‘Come as You Are’, when you think about it. No need to fuss or muss. Just throw it on, and march. That’s the best part for us, and the most alluring and beautiful representation of Cobain’s unique style we’ve yet to see.

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river phoenix in plaid too - rock n roll style idol- vintage style inspiration

 

I see a little bit of River Phoenix in there, too . . . he was, of course, a forefather to that grunge look, and probably would have come to represent it even more if it weren’t for his untimely death. There’s also a little Jordan Catalano thrown into the mix . . .

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His F/W Women’s Collection is equally full of these rebel notions, and 90’s attitudes. You can spot inspiration everything from Courtney Love, ‘The Craft’, ‘Daria’, ‘My So-Called Life’, ‘Reality Bites’, ‘Poison Ivy’, Gwen Stefani, Gwyneth Paltrow, and Bridget Fonda in ‘Singles’! It’s every fashionista’s dream collection, pretty much. Expect to see even more of this on the streets, and anyone who was doubting this particular breed of style, can suck it because this is Yves Saint-Laurent, baby – sorry, SAINT-LAURENT, baby!

Hats off to you, Slimane. You bring the past to life in a whole new way, and that’s what makes us love you most. You show that fashion is about reinvention as much as invention, and to look to the past and give it a new spin is about as innovative as you can get. You remind everybody that everything old is easily new again with a little bit of imagination.

Your vintage inspiration is out of this world, and you keep reinventing, not just how we dress, but yourself, in many ways, which is both aspirational and incorrigible to all those of us who call ourselves dedicated followers of fashion….

So, Merci Beaucoup. Somehow, you’ve made me feel like we’re definitely doing something right. And remember, it’s not about being perfect; it’s what makes you imperfect that really counts.

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{theEye}

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{STYLE-WISE} Do it Right! Vintage Dress the Part – Kurt Cobain’s “Heart Shaped Box”

She eyes me like a Pisces when I am weak . . . 

This past September marked the 20th Anniversary of Nirvana’s stellar, and ultimately last, music video “Heart Shaped Box”. Directed by Anton Corbijn, the video is a surreal and disturbing vision of death and disease. It is a colourful combination of the familiar and the insane which make this video a great one.

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  • KURT COBAIN: “Actually, “Heart-Shaped Box’ might’ve been one of my pieces of poems. I know a lot of the words to that song are from poems. It’s just another of those songs that are pretty much wordplay. I didn’t have any specific idea.”

  • Melody Maker: So they’re not intended to mean anything?

  • KURT COBAIN: “No. And the pieces of poetry are taken from poems that don’t usually have meaning in the first place. They were cut-ups themselves. And often I’ll have to obscure the pieces I take to make them fit in the song, so they’re not even true pieces of poem. But this is the first record where I’ve written at least a couple of songs thematically. Scentless Apprentice’ is one, and ‘Frances Farmer Will Have Her Revenge On Seattle’ is about her, (Frances Farmer) about the way she was exploited in her life.”

  • So there ya have it kids. I know Courtney wants the world to think “Heart Shaped Box” was about her vag but according to Kurt Cobain, it wasn’t.

[source]

Not only are the visuals striking (same goes to the enchanting lyrics), so is the fashion, which represents the epitome of Grunge style at its most wild and excessive.

While we often think of Kurt Cobain in his signature wooly cardigans, and almost Grandpa gone bad style; here Cobain has embraced his rockstar qualities and ventures to a more glam version of the Grunge style that even veers into the world of high fashion.

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His iconic metallic silver button down shirt he wears throughout the video (overtop a signature Cobain black and white stripe shirt) was in fact provided by the equally iconic Jean Paul Gaultier, who dressed the band for the video. Gaultier was at the height of his unique take of Grunge style that was overtaking the industry throughout the late 80s and early 90s, so this combination of the two (Gaultier & Cobain) is nothing except magical.

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Since this tidbit had been revealed to us during the Jean Paul Gaultier exhibit a few years ago in Montreal, the idea of this sort of piece has been branded in our memory as a must-have stand out piece for our closet. It took many years, but we found one, and every time it is adorned within an outfit it is a bonafide hit.

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We thought we might never find another one, but alas, our luck has been on high as of late, and we found perhaps even a better representation of this high fashion glam grunge ideal of a metallic silver foil shirt in a remarkable piece by Marc Alan that is straight out of the period and looking for a new home!

Check it out, and maybe it’s for you. The right one will come along. They always do . . .

MEASUREMENTS

PIT TO PIT: 21″
LENGTH: 26″
SHOULDER TO SLEEVE: 31″

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{theEye}

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“STOKER” – The Life and Styles of the Rich and Sophisticated . . .

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“Stoker” is one of those films that only come out once in a blue moon; when we’ve all done our chores, and said our blessings to the universe – then we get a film like “Stoker”.

Complex, beautiful, provocative, wonderfully acted, great dialogue, and stylistically beyond are some words you could use to describe it, but its more the indescribable feelings you are left with after leaving the picture, that truly speak to its prestige in the grand scheme of world cinema.

The term world cinema couldn’t be more appropriate in this case, as Korean Director Park (Chang-Wook of “Oldboy” fame) has choreographed this exquisitely sinister plot in a language foreign to most of the cast and crew. Even while working with the film’s biggest stars, a translator was used to communicate between actor and director. And while this is his first English language film, it will definitely not be his last. As any film buff knows, the language of film is universal, and from the film’s opening shots the director’s eye for detail and acute sensibility sing a song harking back to film makers of a time long gone like Bergman, Hitchcock, and Kubrick.

India Stoker- Classic Vintage Inspired Look by Kurt and Bart

Many things spoke to us throughout the film, from Clint Mansell‘s (“Black Swan”) haunting score, the incredibly articulated and imaginative Production Design of Therese De Prez (another “Black Swan” veteran), Wentworth Miller (“Prison Break”) and Erin Wilson’s sophisticated script, as well as the acting chops of Matthew Goode ( playing against type as the mysterious Uncle with a dark past), Nicole Kidman (the lonely and vindictive mother), and most especially Mia Wasikowska, as India Stoker, the film’s protagonist.

This young starlet is always good in everything she is in, but almost expertly does she manage to tackle this role which requires her to be many things, most of the time without many words, making for a most appreciated and most memorable character in the past decade.

Surrounded by Saddle Shoes- India Stoker Style Stunner

But what stood out in particular for us here at The Eye of Faith, had to be the incredible costume design by designer duo Kurt & Bart, who put together the looks to fully realize these strange personalities.

Indeed, they are very rich and very sophisticated, and from the moment India walks onto the screen in her crocodile skinned LaBoutins, flowy skirt and floral silken blouse – you just knew you were in for a style treat with this one.

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In fact, throughout the film, the costumes play a great deal in helping enrich the story being told throughout. The designers point out a green Marni cardigan, worn during the film’s strange piano duet, noting how the colour of the cardigan matches the colours of the walls in her own house, symbolizing India’s captivity.

Also signature to the film’s main theme is a pair of shoes – saddle shoes, to be exact, which represent the more child-like and homely version of India, before she foregoes her inevitable transformation into womanhood.

India Stoker - Vintage Fashion Inspiration- Style Idol of Tomorrow

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India Stoker- The preraphaelite muse- nouveau gothic- style stunner inspiration- vintage fashion reinvention

While the film displays a nod to the 1950s with the styling of India, the duo point out that no vintage was harmed in the making of this film.

Instead, they studied day dressed and blouses from the era and used them as inspiration in the creation of India’s wardrobe, adding extra details, and unique clasps and fastenings that would indicate India’s obsessively detailed nature, as well as her rejection of the everyday – that’s my girl!

She is not of this world, but of her own, and throughout the film we are by her side in  her own elevated sense of reality.

The Spider Crawls Up Indias Saddle Shoes

I’m gonna bet there’s already been a rise in saddle shoe sales, and I’m hoping to see more girls unafraid to rock a pretty blouse and skirt combination. After all, its all in the attitude – the India Attitude.

She’s definitely a new idol of sorts; Nouveau-Gothic, in a way, with her pastel coloured blouses, and prim and proper way of dress, but grossly morose in her attitude and presentation to the world around her.

She is a representation of that breaking point from teen to adult, and that indefinite feeling of not belonging to the world that surrounds you, and doing everything you can to not fit into it. She’s a strange poster child for our generation, in that way.

There’s no doubting the staying power of this film, and in 25 years from now, we will still be looking back on this one as a great one on the level of psychological horrors like “The Shining” and “Rosemary’s Baby”. Even compared to those great classics, there is something very different here with “Stoker” that cannot be compared. Perhaps it is the contemporary nature of the story, and it taking place today that is very different.

These days American films don’t often delve into the lives of the rich and sophisticated to come out with a vision so twisted and maniacal, so perhaps it is the appropriateness of this action that really helps speak to the “nowness” of it all. There is no denying the conspiracies and secrets of the world’s most affluent families, and as history as shown us, they often hide the most terrible and terrifying secrets . . .

Finding The Letters She Never Received

“Stoker” is a glimpse on what might just be the truth behind the family with the mansion, the housekeeper, the beautifully kept lawn, the designer furniture, valuable antiques, most incredible designer clothing, and carved stone art just laying about in the garden. After all, you never know . . .

From the very beginning it will really keep you guessing, but be warned – its not for the faint of heart. This is a thriller, and while director Park describes his film as a modern fairy tale, don’t be expecting ponies and rainbows from this one. There is a glass slipper at the end of it all – though be them black crocodile LaBoutins at the end of it all, which maybe a few hours afterwards will really strike you as a funny “Happy Ever After” to this very modern Fairy Tale; a fairy tale that, unlike most,  challenges its audiences, and asks you to question the characters motives and uncover their vices to help us question ourselves and our own everyday anxieties.

So if there’s one thing you get up to this week its getting your butt out the door to see this film!

Stoker- Opening Shots

This is me. Just as a flower does not choose its colour, we are not responsible for what we come to be. Only once you realize this do you become free. And to become adult, is to become free.

-India, “Stoker” {2013}.

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Dying for the look? Stay Tuned to The Eye of Faith for the tools to recreate Stoker’s sensual 1950s reinvention!

Shotguns and Saddle Shoes - Stoker Style

Until we meet again!

Sincerely,

{theEye}

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{PHOTOBLAST} Styled To Rock ! [Vintage Style Inspiration]

Styled to Rock-Best Damn Sweater Ever - Vintage Menswear Inspiration- The Eye of Faith

Whether today, sixty years ago, or seventy-five from now, we will always have the need to look good, and put ourselves together in a way that says ‘this is me’. It’s our suit; our armor that lets the world know we mean business.

No matter the day for us, we always like to set the mood for the day with a healthy dose of style, and with the release of Rihanna‘s “Styled to Rock” (finally; the UK version was the SHIT) in the US, we couldn’t help but feel the need to do what we do best: look back to the {past} for clues to the {present} to help us foresee and shape the {future}.

Rihanna always gets it done, and with the epitome of laid-back rock n’ roll sophisticated bad ass cool, Erin Wasson, hosting the gig, it’s a wicked hour of fashion meets music, and the basis for this wicked {Photoblast} of vintage style inspiration that explores some of our predecessors who knew how good life can be when you are Styled to Rock!

Dress to Impress, or Undress…

Until we meet again,

{theEye}

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{STYLE WISE} CARRIE (1976) VS. CARRIE (2013)

 Graduations have commenced, the lockers are empty, and uniforms have been put on the top shelf, but this doesn’t stop us from being pumped for this year’s style conscious remake of “Carrie” starring stylish ingenue Chloe Grace Moretz, and mystic maven Julianne Moore, as Carrie’s fanatical mother. 

“These Are Godless Times, Mrs. Snell”

-Margaret White, “Carrie” by Stephen King.

The film is set to release in October, but until now we can just quench on the latest trailer, and take a look back at what made “Carrie” great so many years back (almost 30!).

Surely no one can outdo Sissy Spacek’s alien beauty and frail feminine qualities, but undeniably Ms. Grace Moretz will bring a freshness to the part that she’s consistently showcased in her last several films. This is her big BIG break. Much as it was Spacek’s those many years ago. . .

{ “CARRIE” (1976) VS. “CARRIE” (2013) }

High school seems like a world away now, but we can’t help but feel a certain sense of nostalgia for those long lost days roaming the hallways, hanging out in the labyrinths of the school auditorium, or ditching gym. “Carrie” does right to set its horrors amongst the most sacred rite of teenage life, {Prom Night}.

I remember my own, decked out in vintage duds; a little gang of mischief-makers danced the night away in the cavern of some out-of-the-way banquet hall in middle-of-nowhere southern Ontario. Waiting for the bus at midnight across from an empty field was but one of the many highlights that mark {Prom Night} as truly a night to remember. Not unlike the kids in “Carrie” . . .

And no better way to get yourself prepped for the film directed by Kimberly Peirce, whose 1999 film “Boys Don’t Cry” had Hilary Swank walking away with an Academy Award for Best Actress (as well as a Best Supporting Actress nod to fashion darling, Chloe Sevigny).

Sounds like a sure-bet to me!

Don’t get this secret diva mad, because once you do,

there’s no holding back those flood gates.

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FAME, LOVE, and EXCESS: Behind the Scenes of Steven Soderbergh’s “Behind the Candelabra”

Scott Thorson and Liberace - Vintage Black and White photograph

Check out this exclusive behind-the-scenes look at “Behind the Candelabra”, HBO’s newest film by Academy Award winning director, Steven Soderbergh. The film is a decadent look back at the life of famed musician Liberace and his “tempestuous” six year relationship with his young lover and limousine driver, Scott Thorson.

The film is crashing the Cannes film festival, and is being eaten up alive by critics for its passionate performances by Michael Douglas (as Liberace, himself) and Matt Damon (as the apple of his eye), and the sumptuous reincarnation of Liberace’s over-the-top lifestyle.

michael douglas as liberace himself- behind the candelabra- vintage inspiration

matt damon as scott thorson in behind the candelabra - vintage inspiration

behind the candelabra - matt damon and michael douglas - liberace and scott thorson - vintage inspiration

We can’t wait to check this film out as soon as we get the chance, but until then, we were happy to come across this in-depth video of all the trials and tribulations of making the film itself. So check it out below:

 

Scott Thorson and Liberace

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{theEye}
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April Flea! @JunctionFlea Says Goodbye to the Great Hall ! Come to the Last Show on Queen Street!

FLEA_Poster11x17april

The Junction Flea has always been good to us here at The Eye of Faith.

We were lucky enough to have our public debut, and first pop-up, with the Flea in January, and since then, we can’t imagine not being a part of it all. On top of being with our favourite shops in the city, we’ve been able to meet a lot of really fun and cool people in the process, which has really made it all the more worth while.

If you’re in Toronto on April 14th, make sure to stop by The Great Hall and get your fix of amazing hand-picked vintage and handmade realness!

We will be bringing with us our usual mix of timeless, classic, out-of-control menswear at great prices, as well as our secret womenswear finds that you can only currently find from us at each month’s Flea. We’ve also been collecting treasures this month to bring to the flea like vintage art, unusual snapshots, legendary fashion magazine issues, vintage LPs, and 1960s horror comics. We’ve got our eye on the prize, after all (this is The Eye of Faith)!

So be sure to stop by, grab a coffee or some dumplings and find something that was truly meant for you . . .

You can get a preview of what to expect by checking out our Etsy shop, and for more on the Junction Flea, be sure to check out their blog!

This should be big, so don’t miss out!

great hall edit

See you there!

Until next time,

{theEye}

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