Tag Archives: Bad ass

Baby, Let’s Cruise Away From Here. . . GUCCI Men’s Cruise 2017

Gucci Cruise 2017 at Westminster Abbey, London {May, 2016}

“I chose Westminster Abbey because everyone has this idea of London being cool, but for me the history is what’s really cool.” 

-Alessandro Michele {source}

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Check out this righteous collection of photographs from Nick Waplington of the menswear in Alessandro Michele’s triumphant 2017 Cruise collection for GUCCI making another landmark in style for the classic Italian high fashion brand, and what is being known as another groundbreaker in the area of men’s fashion and style.

The inspirations are vast and varied ( spot turn of the century collegiate vibes, 80s punks, 90s street couture, 1920s leisurewear, 70s bohemian playboys, 50s varsity jocks,  19th century naturalists, Edo Japan, and more ), and its this exciting eclecticism that is putting Michele at the forefront of truly changing the way we look at specifically men’s fashion, which for the most part has become a sea of black, beige, and boring.

Our motto has always been ‘more is more’, and we’re happy to have such a prestigious like mind in our corner on the matter. If you are unfamiliar with the new GUCCI vibe, this collection of portraits will not only be getting you a taste, but you will truly understand what all the buzz is about. Taken almost portrait style, the loud and eccentric looks are jarringly juxtaposed against the backdrop of a stately English country home like a tribe of wanderlusting young men who had just conquered the Old World and are setting forth establishing the New.

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This is a new voice, yes; and yet, much of what we see isn’t necessarily “new” in any way, in fact, as we pointed out with the mass of inspirations colliding in this collection, its a true example of taking from the {past} to invigorate the {present} and thus poising change for the {future} …

“The men’s wardrobe is like a ritual and I am fascinated by it and its codes. The codes are not to be cancelled, they have to be reinvented and repositioned in a different fresco. There is the part of formalwear which I consider like the father of all the different styles. There are some punk pieces which are the most romantic part of the collection. When you are punk you are romantic, because you want to break the rules. And then there is the preppy/street part which recalls college-wear and is thought for more relaxed moments. Each of these parts has its own codes and, as always, I enjoyed putting a sort of confusion among the different codes and languages.”

-Alessandro Michele {source}

We have always felt like fashion and style is like a secret society full of codes and rules and symbols that all add up to create greater meaning . . . like geomancy, the way you mix and match elements have different suggestions and powers. If you are wise, you can use these powers to your advantage in your day-to-day, and even make great strides in following your path to destiny.

Through Alessandro Michele’s meticulous orchestration, and continuing success in the fashion industry, be sure to check out the change that is ready to explode in our everyday! Just look around . . .

After looking through the photographs, I’m sure you will notice the sense of individualism achieved in this collection which is a funny thing to say, when a collection is usually thought of as a wholly distinct and cohesive mass, however, what Michele knows is that there will be dozens of different men who in their daily lives belong to whichever tribe  (suits, shorts, bohos, rock n rollers, geeks, streets, etc.) and having such an eclectic array provides the greatest cohesion amongst men.

Also, note the artisanal quality of each piece. This not the same GUCCI that you find horrible knock-offs of in Chinatown . . . these are truly thought out works of art. From the embroidery, to the hand painting, to the beading, bleaching, patchwork, knitwear; each piece has a true artist quality that renders the price tags not even as devastating when you think of the work involved, as well as the increasing value throughout time.

Even with all the embellishment, at the end of the day you are looking at classic and timeless pieces. If you check out our {SHOP} you can find a lot of style-wise pieces that can help you achieve the look!

 

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Keep it classic. Keep it timeless. Keep it unique.

Hopefully we provided some inspiration.

Carry forth, and be wise to your times.

Estis Virum Reddit

Until we meet again,

{theEye}

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E.O.F. Snapshot of the Day {May 23, 2016}

+ “Where are you ? ? ? ” +

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{ BLACK NARCISSUS, 1947BLACK NARCISSUS, 1947 }

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+until next time+

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{MUSIC MINUTE} Galt MacDermot’s First Natural Hair Band ‘s “Walking in Space”

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+How dare they try to end this beauty+

In honour of our talented cast and crew of ‘HAIR’ and our three show weekend starting tonight, we are sending out this lovely {MUSIC MINUTE} to the universe featuring Galt MacDermot’s First Natural Hair Band, and one of our personal favourite songs of the show “Walking in Space”.

HAIR- Hamilton Theatre Inc- 2016 - Polaroid

It is alleged that Galt MacDermot wrote the entire score for ‘HAIR’ in only three weeks, and initially with at least 30 songs per act.

Galt Macdermot

+Bad Ass Galt MacDermot orchestrating the groovy revolution+

‘HAIR’ is labelled a rock musical, but according to MacDermot, he saw his music more alluding to the funk wave that was stirring through music at the time. And while we remember many of the show’s lustrous melodies, it is truly the powerful rhythms of the show that give the show its unique pulse.

If you ask us, it is the music in partnership with the timeless challenges of ‘HAIR’ that truly make it great.

All aboard the train to Mainline with stops in Pottsville and Moonville . . .

 Hope you enjoy!

Until we meet again,

{theEye}

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{COMMERCIAL BREAK} West Coast Cast of ‘HAIR’ on “Smother Brothers”, 1968

 

Writers of 'HAIR' Gerome Ragni (L), Galt Macdermot (C), and James Rado (R)
Writers of ‘HAIR’ Gerome Ragni (L), Galt Macdermot (C), and James Rado (R)

If you know us, you know that our tagline in life and business both is “Escape the Everyday” . . . and as of late, we have been living out this philosophy not only in our day to day conjuring our many style spirits who help us guide our way through our destiny, but journeying into the past performing in Hamilton Theatre Inc.‘s production of “HAIR: The American Tribal Love-Rock Musical”!

Aaron is “Woof” and Paul is an exciting, fun member of the Tribe, and having the chance to bring this iconic piece of art to life has been a rejuvenating, invigorating, and educating experience.

Before production began, we had been doing tons of research on the original show, its history, and the time period it portrays (a tribe of hippies in 1968 New York City) in preparation for designing costumes for the production, which then inspired the decision to be an even more involved cog in the wheel.

For three months our cast and crew have worked tirelessly to ignite the fire that initially made ‘HAIR’ such a phenomenon almost fifty years ago. Here’s some photos from TIME magazine before the original show hit the Broadway stage:

{Photo Source}

Ironically, the anti-establishment ‘HAIR’  became one of the biggest mainstream successes of Broadway history, and also brought this alternative culture to the masses in a huge way.

Before there was even a barometer of “hippie” style, ‘HAIR’ put its stamp on the vibe with designs by iconic costume designer Theoni V. Aldredge (best known for her Academy Award winning designs for 1974’s ‘The Great Gatsby’).

We use the word “timeless” a lot in this forum, but the word could not be more appropriately paired with this show.

Today, our world is as chaotic and confused as ever; and ‘HAIR’ fights against this conflict with love, happiness, and perhaps, utopian ideals that might never truly win the fight, but at least, keep the fight going.

Tickets are selling fast, so if you are local, do visit the website and order them ASAP. If you can’t see us in person, we encourage you to feel the vibe anyway, and enjoy this wicked quality video of the 1968 West Coast cast of ‘Hair’ performing some of the show’s iconic jams on the “Smother Brothers” show.

This is the Dawning of the Age of Aquarius!!!

Performances for ‘HAIR’ at 8pm: May 20, 21, 26, 27, 28 and 2pm on May 22

TICKETS AVAILABLE NOW HERE

Let the Sunshine In!

Until we meet again,

{theEye}

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E.O.F. Snapshot of the Day {May 2, 2016}

E.O.F. Snapshot of the Day - May 2, 2016- Vampire Lookalike Competition- circa. 1950s - Vintage Style Fashion Blog

+++Vampira Look – a- Like Competition+++

Hollywood, California

{circa. 1950s}

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+ + + + Read more about Vampira (actress Maila Nurmi) + + + +

an original E.O.F. STYLE DIVINITY

+READ AT YOUR OWN RISK+

{images may conjure inspiration}

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Unti we meet again,

{theEye}

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[UPDATED PRICES IN THE {SHOP} – use XIXIXI at the checkout for 25% OFF]

E.O.F. SNAPSHOT OF THE DAY {APRIL 5, 2016}

SNAPSHOT OF THE DAY - APRIL 5

+LAUREN BACALL+

{circa. 1940s}

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Sensuous. Seductive. Strong.

Can’t get enough of these black and white stripes . . .

her cigarette, the stunning jewels, chilling on the floor listening to vinyl…

the photo of herself.

++++ Feel free to share the image  ++++

Lets all channel a little bit of this spirit.

Until we meet again,

{theEye}

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{MUSIC MINUTE} Josephine Siao Covers Gary Puckett & the Union Gap’s “Young Girl”

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We might not be familiar in the least with the name Josephine Siao, but in Hong Kong she remains one of the most beloved stars of all time. Starting her career as a child, she quickly became one of the biggest teen idols of the late 1960s, and made a very successful transition into adult roles.

Its easy to see why, especially in this insane music video of the young star covering American rock band Gary Puckett & The Union Gap ‘s classic song “Young Girl”. We loved the colours and retro-future vibes, as well as the insane 60s fashions, so wanted to bring this hidden gem to the forefront as is our mission here at The Eye of Faith!

Our eyes are open, our eyes are open

WIDE.

Until next time,

{theEye}

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+ 90S THROWBACK to HEROINE CHIC +

 

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Photograph by Davide Sorrenti 

There probably isn’t an aesthetic that struck a chord so controversial in fashion as the notorious 90s inclination towards the new look: Heroine Chic. We are starting to see a bit of a return to this vibe in some of the world’s most prestigious runways, not surprising as the 90s is taking the 21st century by storm these days.

According to Wikipedia, heroine chic is defined as:

a look popularized in mid-1990s fashion and characterized by pale skindark circles underneath the eyes and angular bone structure. The look, characterised by emaciated features and androgyny, was a reaction against the “healthy” and vibrant look of models such as Cindy Crawford and Claudia Schiffer

We found this throwback video of a 1997 episode of Fashion Television (I miss you!) on the death of fashion wunderkind Davide Sorrenti who had been one of the industry’s top photographers for this new look.

Taking photos of his friends in New york City inspired by the images of Larry Clarke and Nan Goldin, and coming from a lineage of art/fashion, he quickly became the go-to for this latest look until his untimely death at only 20 years old from . . . you guessed it!

HEROINE! (Not doing very well for the cause . . . )

According to top 90s fashion photographer Corrine Day  (who is often attributed with the rise of Kate Moss to iconic model status and poster child of this new look) in a 1997 interview for Vogue:

“We were poking fun at fashion” – Corinne Day, 1997

Out of the 80s which was all about glam and excess, Corrine Day in particular, stripped down her editorials to the basics, and instead of big butts, red lips, exaggerated bosoms, and endless hair; she chose young nymph-like beauties with a more natural essence and a bit of grit for a more realistic aesthetic that was really a rejection of the then standard of beauty.

It’s hard to get the joke when you use the words ‘Heroine’ and  ‘Chic’ together, and then you think of the deaths of so many talented young people (first supermodel Gia Carangi, actor and E.O.F. Style Idol, River Phoenix, rock star Kurt Cobain, and of course, ‘heroine chic’ proprietor Davide Sorrenti) during this time, making it impossible to reject the realities that this truly was a problem in the industry. However, I think it is a shame to bash the entire industry and pigeon hole this aesthetic and its creators and muses as – EVIL.

After all, in the end – they are images. You take them as you do, and thats that.

“Is Heroine Chic even real?”

That’s a brilliant question Jeanne Beker asks in this clip, and its what I kept asking myself as I watched it. After all, even Bill Clinton had something to say about this trend and its abuse on younger generations who could be susceptible to the cool factor of the fashion industry essentially embracing drugs.

However, it wasn’t the photographers or models or industry people coining the phrase, it was simply a term coined by the media which quickly turned into a frenzy – on the verge of a witch hunt.

There will always be that push against changing times, and interestingly enough today we are seeing the shift realized towards more “full” sized women in the mainstream of the industry. But, in the end, what does that prove?

It is always important to push healthy body image, but honestly, some of these girls (and boys, too) cannot help being that thin, so I always find it unfair this constant scrutiny on body types. Perhaps, the less we made an issue of either end of the scale, there wouldn’t have to be a problem at all.

The truth is we don’t want to accept each other for what we are, which is absolute crime.

In the end, I guess this clip posted initially by Dazed & Confused Magazine really just got me thinking, and would definitely have me thinking for a while.  There’s no denying this controversial era absolutely broke down walls in the realm of fashion imagery, and brought a rebellion to the forefront that continues to this day.

Nobody is perfect, and that’s what I think this era really tried to capitalize on in the simplest way.

Milla Jovovich interviews at Fashion Out Loud circa. 1996 ft. Davide Sorrenti

The elusive world of fashion will probably always have some sort of bad rep, and that’s fine.

But don’t be silly enough to only look at the surface.

Try to dig deeper in all aspects of life.

Until next time,

{theEye}

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E.O.F. SNAPSHOT OF THE DAY {MARCH 25, 2016}

EOF SNAPSHOT OF THE DAY - BOMBING FOR PEACE IS LIKE FUCKING FOR VIRGINITY

+AMEN, SISTER-FRIEND+

What the hell are we fighting for?

Make LOVE / Not WAR

Will we ever learn?

(Fucking broken record)

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{MUSIC MINUTE} Brigitte Bardot’s “Harley Davidson”

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Brigitte Bardot

{b. September 28, 1934}

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I think its safe to say that Brigitte Bardot is fucking gorgeous.

Timelessly, so . . . a hundred years from now, we will rave on about her beauty.

A thousand years from now her face will emblazon the minds of youth tribes declaring her their new goddess.

Perhaps, that last bit is a bit of a stretch.

Currently searching for good tunes for the catwalk.

Came upon this, and just had to post based on our ever-current musing over biker culture.

Please enjoy!

 

“Harley Davidson”

{circa. 1967}

Now lets channel some vibes, people!

Conjure those style spirits!

Escape the Everyday.

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Vintage Harley Davidson “Righteous Ruler” Embossed Acid Washed Denim Jacket

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Until we meet again,

{theEye}

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