Tag Archives: artists

{STYLE STORY} E.O.F. Presents “DAZE OF BEING WILD”

Enjoy this {STYLE STORY} offering  from THE EYE OF FAITH!

A journey that started at night, this is a tale of wandering; wandering thoughts, wandering hearts, and wandering souls.

The city can bring together strangers, while it can also tear those closest apart. Amongst the storefronts, sidewalks, lane ways, and hidden passages – you are bound to find that sacred recluse you have been seeking to find.

Inspiration was taken from wild nights had late at night on the street, rebel gang boys and bad girls of the 1950s, “Rebel Without a Cause“, and the work of film master Wong Kar Wai. We threw it all together  for one hell of a wild ride on the neon streets and shadows of the Junction.

As promised, we decided to preview some of our women’s collection in this shoot so all our faithful lady friends definitely have something to look forward to! We will be photographing and adding our women’s wear over the next few weeks, so keep your {EYE}s open on our {SHOP}.

We were also lucky enough to have our good friend Lydia join us for a shoot, which was more than a pleasure! She is a fantastic model with amazing abilities, so it was pure magic to have her with us on set. Lots of love, Lydia! Lots of love!

So enough messing around, please take part and check  it all out! After all, we made this for you!

Let E.O.F. take you to the “DAZE OF BEING WILD“.

Hope you all enjoy!

Would love to hear your feedback on the photos and looks, so please leave your comments below. Make sure to let your friends know what they are missing!

<FACEBOOK yet, please do! >>

Also, thanks so much for all the support! It really means a lot.

Sincerely,

{theEye}

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GHOST HOLE V FUNDRAISER TONIGHT!

GHOST HOLE V FUNDRAISER Poster

It’s that time of year again – October, our favorite month, not only for all the fun you can have with Fall Fashions, but also for all the creepy cool stuff that begins to emerge with Halloween in our midst!! And with Halloween and all that ghoulishly good inspiration all around comes the re-emergence of GHOST HOLE, the all-night art extravaganza which will take place on Toronto Island in its fifth incarnation.

Also exciting is that yours truly will be taking part in the goings-on this year with an art installation entitled “Voodoo Beach” which will bring light to Toronto’s dark slave history with the imagined rituals and romance of voodoo in all its many faces.

This Friday join the curators of GHOST HOLE, and some of Toronto’s best bands for a fundraiser for the event which will provide much needed $$$ to pay for this one of a kind wild night of art and horror, and help provide some much-needed income to the night’s artists’ who have come together to choreograph this wickedly wild experience that you will never forget.

Check out bands Fresh Flesh, Doctor Ew, Wake Island, CRHYMES, and Rambunctious at Double Double Land (209 Augusta Ave) in Kensington Market with a suggested donation of $5 and plenty of cheap drinks to be had all the night through! Sounds like a blast, right?

Be there or be square. Check out this wicked promotions video by the ever-talented Brandon A. Dalmer for the night’s event to help get you in the mood. . .

GHOST HOLE V will take place on Toronto Island at Artscape Gibraltar Point on October 26 and runs deep into the night.

Learn more at the GHOST HOLE website.

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 Until next time,

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{theEye}
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God is in the Details: Revealing the Early Renaissance @AGOToronto

Revealing the Renaissance at the AGO - secrets in florentine art - the Peruzzi Altar Piece

Revealing the Early Renaissance: Stories and Secrets in Florentine Art (March 16 – June 16, 2013)

ART GALLERY OF ONTARIO (317 Dundas Street West)

$25 adult admission (includes admission to the rest of the gallery)

When thinking of the Renaissance, one might automatically conjure up images of Da Vinci, his Vetruvian man, and Michelangelo’s Sistine Chapel. It is a period in history renowned for its surge of creativity, knowledge, and innovation in areas of art, literature, music, architecture, and science.

It is a period that is also become more and more in vogue due to its resurgence in popular culture with T.V. shows like “The Tudors”, “The Borgias”, and the upcoming “Da Vinci’s Demons”, all putting their spin to this exciting and important moment in history.

But, what is rarely captured is the true birth of this period, and the movers and shakers who brought it all to life.

Perhaps its the fact that most art historians do not even know the names of most of the incredible artisans who painstakingly brought the churches of Florence to life with incredibly illuminated manuscripts, carvings, stained glass windows, and beautifully detailed panel paintings, between the years 1300 and 1350, that truly did start it all.

Revealing the renaissance: stories and secrets in florentine art

This is what Sasha Suda and the curators of the Art Gallery of Ontario‘s latest exhibition, “Revealing the Early Renaissance: Stories and Secrets in Florentine Art“, aim to bring to the forefront, allowing visitors to explore the lost masterworks that truly sparked a revolution, and would change the face of history forever.

In partnership with the J. Paul Getty Museum in Los Angeles, the curators have painstakingly worked on this exhibition for the past 10 years, travelling far and wide to analyze and bring overseas for the first time some of the most elaborate examples of work from this period that define the breaking point from the flatness of Medieval art to a more expressive and “humanized” perspective that has come to characterize the Renaissance.

Many of these pieces have been shut away from the public for centuries, making this one of the most impressive exhibits the AGO has ever premiered, and one that is sure to capture the imagination of all those lucky enough to visit.

The main gallery at Revealing the early renaissance- stories and secrets in florentine art - AGO- March 12, 2013

Sasha Suda Talks Art With Culture Minister Michael Chan

Curator Sasha Suda talks art with Michael Chan, Ontario Minister of Culture, Tourism, & Sport.  

One might, at first, be intimidated by the prestige of such an exhibit, but fear not, as this portal on the past is as much a reflection of our present day, as it is the 14th Century.

Whether or not you know a great deal about Renaissance art, the exhibition is packed full of information, from the audio guide, to the i-pads strategically placed amongst the exhibition to give you the full backstory on some of the exhibition’s most intriguing pieces. The curators have created an easy to understand story, that truly captures all the excitement and mystery of the artists and the works they created amidst the social context of Florence during this period.

Detail of the Peruzzi Altarpiece - christ wounds- revealing the early renaissance: stories and secrets in florentine art at the AGORevealing the Early Renaissance: Stories and Secrets in Florentine Art at the AGO -

God is in the Details . . .

As you first step into the gallery, it may not immediately strike you how these works differ from the Medieval illustrations and paintings you are used to, but upon closer examination, you will find how rich, textured, and full of emotion each piece truly is.

They are not works of art to be admired from afar, but works that deserve an acute eye, and a willingness to get lost in the stories being told within them.

There is a certain excitement generated as you begin to see the layers of colour, and painstakingly small brush strokes that capture the most miniscule details of hair and embroidery. While our culture might be used to multiple images rapidly flashing before our eyes (surely a luxury akin to witchcraft for the men and women of the Renaissance), one must note that the multi-faceted panels and illuminated manuscripts are akin to the cinema of the Renaissance, with all the drama, suspense, horror, and spectacle you could expect from a film of today, with even a bit of special effects here and there.

Revealing the Early Renaissance: Stories and Secrets in Florentine Art at the AGO

An exquisite panel painting. Blood, gore, and devotion. The piece reads almost like an expensive 14th Century comic . . .

It”s all for devotion sake, of course; used to invoke prayer, meditation, deep-thought, or contemplation. There’s definitely that sense of entertainment in the midst, often showcasing the more brutal and tumultuous moments of martyrs and Christ: Agatha with her breasts being cut off, another martyr is grilled on coals in ecstasy, and check out any crucified Christ in the mix and you’re bound to see more than your year’s worth of blood squirt (the most impressive, hands down, being Pacino Di Bonaguido’s “The Crucifixion” from 1315-1320, whose flowing blood rains on the spectators of the scene, as well as a juicy squirt from the chest for the viewer).

The Crucifixion by Pacino Bonaguida at the AGO - March 12, 2013 - Revealing the Early Renaissance: Stories and secrets in florentine art Revealing the Early Renaissance: Stories and Secrets in Florentine Art at the AGO - Detail of Bonaguida's "THE CRUCIFIXION"

Pacino De Bonaguida’s “The Crucifixion” and Detail of (1315-1320)

And while, we might cringe at the sight of this, its patrons felt the bloodshed and pain was the human aspect of their faith, and that one day perhaps, they may themselves reach divination, as did their faithful predecessors.

Getting lost in each piece, you begin to see that this society was obsessed with their idols, and their chance to be a part of them was as easy as getting a master to paint them into a panel or manuscript. In essence, it equated a wealthy merchant to the status of celebrity, having made his way onto the pages alongside the kingdom of heaven complete with Christ, the Virgin, and all the many martyrs who gave their life to the dedication of their fate.

The most entertaining example of this is the Laudario of Sant’Agnesse; an illuminated choir book commissioned by the Compagnia di Sant’Agnese, a fraternity of merchants, for use in charitable events and prayer, and who are also illustrated along the margins of the music. This remarkable collection of 24 illustrated manuscripts have been framed and reunited for the first time since the early 1800s, and will be performed by musical guests Lionheart on April 6 in the Walker Court of the AGO (click for more details).

Detail of Daddi's "Crowned Virgin Martyr" - Revealin ghte Early Renaissance at the AGO - Toronto

Detail of “A Crowned Virgin Martyr {Catherine of Alexandria}” (1334 – 1338) by Bernardo Daddi. 

It is amazing to think that at one time, masters like Botticelli, Leonardo Da Vinci, and Michelangelo must have set their gaze on these exact works to hone their own craft, and garner inspiration to create the masterpieces of the Renaissance we marvel at today. For when staring at the suggestive expression of Bernardo Daddi’s “A Crowned Virgin Martyr” (1334-1338), a glimpse of Da Vinci’s “Mona Lisa”  with her mysterious stare, and face full of subtle shadows that delicately sculpt her face, can definitely be seen,  which make the exhibition all the more exciting, and relevant.

In many ways, the exhibition brings to light that not much has changed in the world of art and commerce; citing the importance of banking and the prosperous merchant class to the creation of these vital works of art. Being so wealthy, members of the merchant class became so concerned that they may not  reach heaven, that they began spending their fortunes on commissioning buildings, and filling them with new art that expressed their hopes, fears, ideals, and emotions.

Revealing the Early Renaissance at the AGO-A view of Bernardo Daddi Italian The Martyrdom of Saint Ursula and 11,000 Virgins

With prosperity, comes art – and not much has changed today, as many of the world’s most successful artists rely on wealthy investors and corporate big wigs to the cut the cheque on a commission. Perhaps they no longer fear purgatory for their sins, but they are most definitely keeping their fingers crossed that their commission could strike them big dollars, and in that way, achieve idol status, and a bit of heaven.

The exhibition has already been lauded by the Wall Street Journal and Los Angeles Times as one of the most important exhibitions in recent years, so don’t miss out on this once-in-a-lifetime opportunity to travel through time, and take in 90 once-hidden masterworks that came to redefine life as we know it today.

Agony and the Ecstacy - Blood and Gore - Revealing the Early Renaissance at the AGO

All the Agony & The Ecstacy . . .

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Revealing the Early Renaissance: Stories and Secrets in Florentine Art” opens at the AGO on March 16 and runs until June 16, 2013. To book your tickets today, click here!

Also be sure to check out the event schedule at the AGO for exciting insights inspired by this latest exhibit (Click here).

Sasha Suda, Michael Chan (Ontario Minister of Culture), and CEO at the AGO, Matthew Teitelbaum - March 12, 2013 - AGO Press Preview

Matthew Teitelbaum (CEO at the AGO), Sasha Suda (Assistant Curator of European art at the AGO), and Michael Chan (Ontario Minister of Culture, Tourism, & Sport) – March 12, 2013. 

Until next time,

{theEye}

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{Let’s do the Time-Warp Again} Best of the 80’s in Menswear Spring 2013


The best fashion is timeless, so no surprises here at the Eye of Faith we are always trying to reinvent the classic’s through modern interpretations of the best basics!  We love to pick out different era’s and reference those ‘era-descent’ influences in our current looks.  We are so happy to see the latest runway shows from around the world are straight up our alley!

From London-town, to Paris and Milan, there is an undeniable 80s influences in most of the shows from this coming Spring 2013 Season.

Weather it’s through unconventional Metallics or lace, or acid washed hair, dyed to perfection.  We love when we can see the past turn it’s cheek and rock it’s way into a jagged-edged future.


A wise man once said “Everything’s already been done”, but we hate to think there isn’t room for anything new at all! We aren’t talking about reinventing the wheel here, but we do miss the days of David Bowie’s gender bending orange head of hair, and Billy Idol’s undeniable sexual swagger.

The greatest idols of the 80s are back in a big way, and all their razzle and dazzle is back on display though the Spring 2013 Menswear season (Through you’d swear this might be 1983).

  

Staring with one of our all-time favourites, Burberry Prorsum is always classic at it’s finest, with Christopher Bailey at the helm, we are always captivated by his modern spin on tradition.  Described as an exercise in contrasts, this Spring collection has a bit of everything—matte versus shine, traditional versus tribal, strict versus oversized. Mylar-esque metallic trench coats and shiny silk shirts play off the brand’s fitted wool suiting. Classic outerwear pieces evolve as well, with Bailey interpreting mac jackets in the new fabrications and turning the classic bomber into a cropped cocoon, worn over a business suit. Bailey explores new territory, while keeping one well-burnished foot firmly planted in the house’s heritage.

  

Anne Demeulemeester always kills it for us, with a spin at modernist edgy, and classic vampire fashion.  What’s more nostalgic of the glam decadence of the 80s than gothic-chic suiting, and lush fabrics fit for Royalty.  Running the gamut from solids to stripes to prints, and relaxed silhouettes, Ms. Demeulemeester’s spring collection seethes with a dark-prince edge—indeed.  From Prince to Keith Richards, any rock star, past and present, would rock these looks on stage.

  

Comme des Garçons always has been an absolutely innovative brand season after season, so no surprises here that they would take influence straight from the Laboratory.  So maybe the nod to 90s cartoon Dexters Laboratory isn’t so totally 1980s, but you can’t deny us the bold black and whites and orange coloured hair are straight out of a 80s hair catalogue in the best possible way (Annie Lennox anyone?!).  Every look included matching trouser-and-shirt combos with topcoats: in sterilized white, pinstriped, with toggles, or with doodled print panels, with a slender silhouette billowing down below the waist.  Menswear at it’s finest, Dexter’s Laboratory‘s eponymous kid genius would be proud.

After that, we want to run out to the nearest vintage store, and try to scrounge up some pieces that will elevate us to an 80’s icons level!  If you need us we’ll be Dancing with Ourselves, and watching every season of Jem and the Holograms.

We hope you’ve found inspiration in our recap of the latest show’s, with a touch of the past. Remember even if it’s ‘been done’, we know it can be done better! The 80s wouldn’t of been possible without the emblematic era’s that came before.  Honour the past, present and future!

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{The Eye of Faith}
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Ghost Hole IV: Island Edition!

It’s ba-aaack!

What do haunted school houses, Toronto island, and art have in common? Well for starters, this year’s 4th Annual GHOST HOLE is making its way to the historical ArtScape Gibraltar’s Point Public School for a night of necromancing through the powers of art!

{The Old School House before it burnt down in 1888}

This will be the first ever Halloween event happening at the site, which boasts an impressive haunted history. Visitors of the old school have cited strange feelings and occurrences in the building which was rebuilt in 1909 after a fire burnt down the original school in 1888.

There are over 30+ exhibiting artists and over six musical performances scheduled for this
one-day only event .

GHOST HOLE IV takes place on Saturday October 27th from 2pm to midnight. Rain or shine.

12$ tickets on sale now at Soundscapes, 572 College St. All proceeds from event go to funding participating artists and supporting local
not-for-profit arts organizations.

{The rebuilt School House at Gibraltar Point on Toronto Island}

We will be there, and if you have are in town, love the unknown, and have a taste for great art you will bet here too.

Looking especially forward to a psychomanteum designed by artist, Morris Fox.

These rooms are specifically designed for communication with the spirit realm through the use of mirrors. This technique of seeking mirrored surfaces to open portals to other dimensions has been used since the Ancients.

Artists have also been revered in the past as  gifts from the Gods for their supernatural talent, and what better use of this psychic tendency than to help the invocation of the lost wandering souls holding on to the memories had within the school’s walls.

Hope we don’t see anything too scary – then again, we hope we do!

For more information visit the official GHOST HOLE IV site or contact event
curator Vanessa Rieger at vanessarieger1984@gmail.com.

Until next time,

{theEye}

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E.O.F. Snapshot of the Day {August 8, 2012}

{The Rolling Stones Leap for Joy, each with an individual flare !  Circa. 1970s}
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{The Eye}

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Music Minute: Poison Ivy – The Coasters(1959) + {Bonus: The Aztecs(1964)}

Written by American songwriting duo Jerry Leiber and Mike Stoller, Poison Ivy was originally recorded by The Coasters in 1959. It went to #1 on the R&B chart and #7 on the Billboard Hot 100 chart.

The duo would write a string of hits which would lead them to rise to fame in the 50s teaming up with other writers and writing hits themselves.  Some famous songs include “Hound Dog“, “Jailhouse Rock” “Stand By Me” “On Broadway“.

About a girl names Ivy, calling her “Poison Ivy” because of the girls reputation.  In a recently published biography about Jerry Lieber & Mike Stoller, the song’s authors, it was confirmed that they also intended Ivy’s “poisonous” nature to be a code for her actually carrying a sexually-transmitted disease. She is compared to measles, mumps,chickenpox, the common cold, and whooping cough, but is deemed worse, because “Poison Ivy, lord, will make you itch.” The song also makes references to other flowers such as a rose and a daisy.

Poison Ivy grew to be covered The Rolling Stones recorded two different versions in 1963, the second version appeared on the EP The Rolling Stones, released early 1964.  The Hollies recorded a version in the 1960s, The Romantics – on the 1985 album, Rhythm Romance.

We love all versions of this hit, but we’ve tracked down a version on youtube by Billy Thorpe & The Aztecs from 1964 that we really wanted to share with our readers.  Maybe not the original (a hard performance to find by the Coasters) but we love a little Aztec Enchantment, and the mid 60s groove in the video above!

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{The Eye}
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Music Minute: “Little Ghost” – The White Stripes – {Get Behind Me Satan}


God, we miss The White Stripes!

+ Here’s a fun gem to break up the day +

+Makes you feel like a  {REAL LIFE} Teddy Boy, if you ask me!+

Enjoy!

Sincerely,

{theEye}

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Today I Woke Up, And Saw Cranes . . .

There were boats, and cranes, and storage containers….

Today I woke up and saw cranes. Been seeing them a lot lately. Sprung out of the Earth, fresh from the soil. They build things for the city.

As the city grows, the cranes move along their way building more things for the city. Paths for trains to the city.

Yet here we are, amongst the cranes basking in our own private industrial oasis.

Sinking ships and railway cars just simply do not compare.

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{the EYE}

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Wide-Open Artists imagined for MASP

From advertising company DDB Brazil, comes a truly awe-inspiring campaign for the MASP Art school/museum in São Paulo.   The advertising giant dissected the 3 well known artists, Salvatore Dali, Vincent Van Gogh, and Pablo Picasso, via illustration to imagine and expose the inner workings of each’s body.

We’re particularly tickled  by the pinstripes on Picasso, makes us curious to see a dissected Jean Paul Gaultier.  Perhaps this is just our Fashion Eye doing the talking, but these pieces have us intrigued and got us lusting for more! We have to thank our fellow blogger, and one of our favourite style blogs Chic Quero for posting about this campaign.

Another other artists you guys can think of you’d be curious to see wide open.
The Eye.

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