Tag Archives: arrest

DING DONG CHARLIE MANSON IS DEAD!

We’re not in Wonderland anymore Alice

-Charles Manson

 

Maybe we can all sleep a little more sound knowing that yesterday marked the passing of one of the world’s most notorious criminals – Charles Manson.

Infamous for bringing a dark turn to 1969’s Summer of Love co-ordinating a string of horrific murders in the Hollywood Hills of 7 highly influential and well-to-do victims including the heiress to the Folger coffee fortune, owners of a successful grocery chain, and iconic beauty – actress and model Sharon Tate.

You could say 8 victims total if you include that Tate was pregnant.

While he never committed any of the murders with his own hand – there is little doubt that his cult-like hold on his followers was so powerful that he was able to control and manipulate seemingly ordinary people to do some of the world’s most vicious atrocities using his strange magnetic quality, and the help of psychedelics like LSD.

{THROWBACK: “The Night Roger Sterling took LSD with Angela’s Mom from ‘My So Called Life’}

The three women also charged in the murders have all given chilling accounts of the murders, as well as the hold Charlie had over them.

{read Susan Atkin’s account of the murders from December 14, 1969}

And whilst Manson and his black witches were put away, they were spared the death penalty when it was deemed unconstitutional in California in 1972- Manson still garnered countless followers and fans who worshipped the man like a God. Most recently he was even engaged to a 20-something woman named Star, only later to call it off when it was revealed to him that their relationship was a ploy to acquire his body and set up a Lenin-esque tomb in Los Angeles after his death to make money.

All across the internet you can buy merch featuring his face and words, countless best-selling books about the man, his cult, and their crimes, successful feature films, and even an NBC series ‘Aquarius’ featuring the handsome Gethin Anthony as the cult-leader. 

Most recently the popular FX series American Horror Story featured a scene in their latest season ‘CULT’ depicting Evan Peters telling his own followers about the legend of Charles Manson and the murders that incited his revolution. This episode aired only less than two weeks before his death, in a strange twist of fate with Peters also doubling as Manson, and series stars Sarah Paulson, Bilie Lourd, and Leslie Grossman as Susan “Sexy Sadie” Atkins, Linda Kasabian (granted immunity for her testimony at the trial), and Patricia Krenwinkle – California’s longest serving female prisoner.

Personally it felt a bit like a gross glamorization of a horrific act, and a bit of a gratuitous showcase of violence (which is very AHS these days), and the thought that these twisted fuckers could get any kind of glorification from something like this was disgusting.

We’ll post it here, and let you decide:

Then it was announced that Charles Manson was dead, and somehow it seemed like a door had been closed on all that, and maybe we can feel good that some strange twisted energy has been depleted from this world.

Or maybe, its only out there running rampant looking for its next conduit….either way:

Ding Dong Charles Manson is DEAD!

 

We collected some fascinating headlines from the murders and trials, and thought they made for a unique visual of the horror and terror these seemingly simple-minded and harmless people brought onto this world.

His legacy will live on for better or worse, and if there is one thing we can learn from Manson is that evil truly does exist in this world, and we can never underestimate its reach. He may have indeed incited some kind of wickedness when you consider all the messed up things that have begun to avalanche in our society.

 Also, never underestimate a starving artist scorned!

 

From the world of darkness I did loose demons and devils in the power of scorpions to torment.
-Charles Manson

 

Until we meet again,

{theEye}

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{E.O.F. STYLE IDOL} Ai Wei Wei: According to What?

Ai Weiwei

AI WEI WEI: ACCORDING TO WHAT? at the AGO (August 17, 2013 – October 27, 2013)

Ai Wei Wei is currently the world’s leading bad ass.

Arguably the world’s most influential contemporary artist (no doubt, the most popular), Ai Wei Wei has made a name for himself with politically charged works that bring insight into the current politics of his Chinese homeland by fusing elements of the {past} and {present} together to incite change for the {future}.

Ai WEI WEI- NamesColored_Vases_03Ai-Weiwei-Sunflowers

The seed is a household object but at the same time is a revolutionary symbol.

-Ai Wei Wei

His works go far beyond the physical art he creates with teams of talented craftsmen who use thousand-yea-old techniques to create many of his most intricate works, but also stems into the world of photography and new media using video and cell phone imagery to capture significant moments of his life and the world around him.

This god-like attention to the details of his environments have gotten him into major trouble with the government of China which have their own god-like attention to detail when it comes to censoring sensitive subject matters they would rather seen brushed under the rug and forgotten. Ai Wei Wei creates works so that we we will never forget.

He knows the importance of the truth and works like “Snake Ceiling” and “Straight” aim to bring awareness to matters the government would rather leave in the dust.

Ai-Weiwei-installation-Straight

“Straight” acts as a catalyst to remember the tragic earthquake in the Sichuan province of China which killed over 90,000 people. Wei Wei salvaged the rebar of various buildings that were destroyed in the earthquake and had teams of craftsmen painstakingly straighten each bar by hand, and used the revamped rebar to create a piece reminiscent of a series of waves (perhaps invoking the wave-like motion of the earthquake).

The piece is part of the Ai Wei Wei: According to What? exhibit which is making its North American debut in Toronto at the AGO. The piece provided curators of the exhibit a specific challenge as the sculpture was delivered in 40 crates each weighing 2,500 lbs requiring the gallery to seek critique from engineers to ensure the building’s safety during the installation. The entire installation process took 70 hours over a period of six days to complete. The challenge of the piece is a testament to Ai Wei Wei’s relentless vision that sees very little bounds.

“Snake Ceiling” is a beautiful, organic sculpture created entirely from backpacks to commemorate the more than 5,000 children who were killed in the Sichuan earthquake on May 12, 2008 due to clumsy engineering and construction of schools. While the government refused to release the number of children killed, Ai Wei Wei conducted his own citizen’s investigation into the incident to uncover the names of the children killed which were celebrated in a spoken-word performance called “Say Their Name” which was performed at the AGO on August 18, 2013 in conjunction with the “Ai Wei Wei: According the What?” exhibit which runs at the AGO from August 17 until October 27.

Censorship is saying: ‘I’m the one who says the last sentence. Whatever you say, the conclusion is mine.’ But the internet is like a tree that is growing. The people will always have the last word – even if someone has a very weak, quiet voice. Such power fill collapse because of a whisper.

-Ai Wei Wei

According to What refers to a series of lithographs created by one of Ai Wei Wei’s own personal idols – Jasper Johns, and is a poignant phrase that encapsulates Ai Wei Wei’s own personal mentality to always question authority and the things people tell you are true, and to be responsible for your own life and destiny without the interference of others to tell you what to do.

One of the most powerful pieces in the exhibit is a blown up ink-jet print of a brain scan of Ai Wei Wei’s own head after being bludgeoned by police during a protest. Other pieces like beautiful marble sculptures of security cameras and hand-cuffs are also a powerful reminder of the heavy weight of authority and the permanence of the damage this authority can do on individuals.

AiWeiWei-FUCK

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To the media, I have become a symbolic figure, critical of China. According to the government, I am a dangerous threat.

– Ai Wei Wei

Being a child of the People’s Revolution and seeing his own father, a poet, detained for his beliefs- Ai Wei Wei has never been a stranger to police detainment or having alternate beliefs to that which his government demands of his people, and for 80 days was detained in complete isolation with the company of two guards at all times which he has immortalized in a righteous music video called “Dumb Ass”.

He sees no fear, and this quality is very important, and is something to be looked up to in an idol. Don’t back down from your beliefs, and if you see something wrong – point it out and say it. What is the point of being afraid to be arrested or detained for doing what is right. If this is the case – the truth will be known, as is the case with Ai Wei Wei who is almost always in trouble with the Chinese government. What can they do, though? They detain him and arrest him, but in the end, they have nothing against him but the fact his beliefs are not in line with what they want him to believe. It’s an impossible cause on their part, as we, as humans, were born free. Never forget this.

Ai-Weiwei-installation-GrapesAi-Weiwei-installation-Kippe

While his politics are front and center of his work and persona, its some of his other pieces which really strike a chord with The Eye of Faith. Pieces like “Grapes”, “Kippe”, and “Divina Proportione” (after a study in geometrics by our own master and mentor, Leonardo Da Vinci) use antique furniture and pieces from dismantled Qing dynasty temples, as well as century-old woodworking techniques to create masterful sculptures that can make a man weep in its craft, care, and detail. These pieces take from the history of his culture, his past and memories, and create something new in the now that hopes to also provoke future generations to look at art and history in a revolutionary way.

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Dropping_a_Han_Dynasty_Urn_03Ai-Weiwei-installation-Colored Vases

Above all, the ultimate example of this revolutionary fusion of {past}, {present}, and {future} has to be his Colored Vases series which takes ancient Chinese vases (between 1,000 – 4,000 years old) and has them dipped into brightly colored house paint to make something completely new from the very, very old. While this technique has been seen as controversial, it’s another form of fearlessness, and a bold statement on the history of his culture, and the call for rebirth and  perhaps even rebellion.

12.20-54AWW_in_NY_1980s

You can take a lot from Ai Wei Wei, and we were so lucky to get to see so many of his pieces up close and personal at the AGO. If you have the chance to see these works, please do go. While much of contemporary art can come off as superfluous and unrefined – Ai Wei Wei’s work is sophisticated both intellectually and aesthetically, and each and every piece cries out in its importance and significance in the grand scheme of art and our growing global culture.

Style isn’t always about what you wear. It’s a lot about what you do. The most important thing you can take away from it is the power to ask “According to What?”, and see the ever growing power of art and thought in our contemporary culture.

Ai Wei Wei - Jump

A nation that has no music and no fairy tales is a tragedy.

-Ai Wei Wei

Click here to visit his official site.

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 Until next time,

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E.O.F. {Anti} Style Idol: Jack Kerouac [Jack is Back!]

“Great things are not accomplished by those who yield to trends and fads and popular opinion.”

-Jack Kerouac

Every time style blogs or fashion mags bring up Jack Kerouac, they can’t seem to go past exploring his style choices with completely superficial mindsets. What would Jack Kerouac wear today? Where would he shop? Here’s where, and how?! Ta DA! NOTHING. OUTFIT.

“I went one afternoon to the church of my childhood and had a vision of what I must have really meant with “Beat”… the vision of the word Beat as being to mean beatific… People began to call themselves beatniks, beats, jazzniks, bopniks, bugniks and finally I was called the “avatar” of all this.”

“The Origins of the Beat Generation” in Playboy (June 1959)

For example, Esquire Magazine thinks Jack Kerouac would go for a Junya Watanabe coat with Louis Vuiton shoes to hang out with Allen Ginsberg. They also feature him in J.Crew, and for rolling down Beaker Street the shirt and bag combo by Loden Dager is hilarious. As noted in almost every comment, Jack Kerouac would likely never ever be caught wearing thousand dollar jackets, or Patrick Evrell anything, let along so many pairs of Louis Vuitton shoes. Who is Jack Kerouac supposed to be?

Granted, Kerouac can be seen in the simple, utilitarian, work wear looks they attempt to recreate. The only thing is, Kerouac wasn’t going for a certain kind of anything. He just was. That’s kind of the first rule about him.

Completing his draft of On the Road in April 1951 on a single 36 metre (120-foot) role of paper, this autobiographical tale of Kerouac’s journeys across America with his friends is considered the defining work of the ‘Beat Generation‘, and includes hundreds of references to the stories of his adventures on the road.

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“John Clellon Holmes … and I were sitting around trying to think up the meaning of the Lost Generation and the subsequent Existentialism and I said, ‘You know, this is really a beat generation’ and he lept up and said ‘That’s it, that’s right!'”

“The Origins of the Beat Generation” in Playboy (June 1959)

The book wasn’t published until September 5, 1957 but would quickly garner cult status , with it’s wide array of colorful characters, as well as it’s wonderfully liberated prose inspired by the jazz, drug, and poetry that would define the Beat movement.

It was a movement towards freedom, however, it wouldn’t be easily received by the mainstream critics who’s conservatism would lead them to question Kerouac’s anti-establishment philosophies and writing style. In an era of conformity, stuck in the politics of McCarthyism in America, Kerouac would keep doing it his way all the way to the end.

“If critics say your work stinks it’s because they want it to stink and they can make it stink by scaring you into conformity with their comfortable little standards. Standards so low that they can no longer be considered “dangerous” but set in place in their compartmental understandings.”

-Jack Kerouac

Is it all just a great strange dream? Jack Kerouac thought so. He also believed in the meditating powers of Buddha, not to mention having encountered God himself at his first Sacrament of Confession in 1928. He was told he he would suffer in life great pain and horrors but experience salvation in the end of it all.

Little talked about fact: Kerouac first began writing On the Road in Quebec French!

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[Kerouac’s parents were of French-Canadian descent, making Jack an honorary Canadian!]

Funny enough, Kerouac wasn’t exactly the artsy intellectual type in high school, that you might imagine. No doubt he was deep but Kerouac found his tall brooding frame and superior athletic skills leading him to running back for the high school football team, and eventually a scholarship to Columbia University. Who says jocks don’t write poetry?!

Just as his football career began soaring, Kerouac dropped out from school, and continued life in New York City with his girlfriend, Edie Parker. It was there on the Upper East Side he would meet such influential figures as Allen Ginsberg, Neal Casaday, William S. Burroughs who would turn up in many of Kerouac’s works.

Together, this group of misfits, along with others who shared similar views on life contrary to the devastating conservatism of America would band together to foster a movement towards artistic and sexual liberation; freedom free from censorship. Kerouac knew his greatest power would ultimately be his honesty, integrity, and commitment to the truth of the world.

The truth, you ask? It’s the same truth we all are looking for today. The meaning of life, and the truths of existence. Driving the highway searching for the faces of God. In fact, Jack insists:

” ‘On the Road’ was really a story about two Catholic buddies roaming the country in search of God. And we found him. I found him in the sky, in Market Street San Francisco (those 2 visions), and Dean (Neal) had God sweating out of his forehead all the way. THERE IS NO OTHER WAY OUT FOR THE HOLY MAN: HE MUST SWEAT FOR GOD. And once he has found Him, the Godhood of God is forever Established and really must not be spoken about.”

Though, Kerouac would most likely protest the fancy and folly of the fashion industry of 2012, there is definitely a regard to the poet and free-thinker for his laid-back and casual sensibilities. It’s easy to see the appeal – Kerouac is a very charismatic and handsome guy. Not only that, he always seems to have something on the mind- a sense of mystery.

And while polo shirts, trousers, and denim button-ups are easy to find, Kerouac’s one-of-a-kind rebel attitude and poetic insight make for most of Kerouac’s {anti}-style style. This is where style goes far beyond the clothes on one’s back, and reaches deep into the darkest depths of one’s very soul .

It’s the nonchalance and passion for life that exude from all things Kerouac, so it only makes sense that Kerouac’s day-to-day dress would reflect that in its unbuttoned simplicity.  We are talking about the guy who wrote a draft on one 120 foot long piece of paper, save the time of flipping through page after page.

“One day I will find the right words, and they will be simple.”

-Jack Kerouac, The Dharma Bums

There aren’t too many public figures like Jack Kerouac these days, sadly. He died relatively young. On October 20, 1969 Kerouac experienced a violent attack on his body. While sitting in his living room, drinking whiskey and malt liquor, scribbling on a notepad, the writer felt sick, and began throwing up large amounts of blood (“Stella, I’m bleeding!”).

On October 21, 1969 after never regaining consciousness after surgery for an internal hemorrhage due to his lifetime of drinking and drug use, the legend passed at 5:15 AM. Great pains and horrors, indeed. His last appearance on television would be on the William Buckley’s show in 1968 where he rambled about society in what was obviously a little bit of drunken tom foolery on the writer’s account.

“Ah, life is a gate, a way, a path to Paradise anyway, why not live for fun and joy and love or some sort of girl by a fireside, why not go to your desire and LAUGH…”

-Jack Kerouac

Jack Kerouac was raw and untamed, but this we could not fault him for. Like a pilgrim searching for deliverance from evil, Kerouac wandered the land. He kept his eyes open wide, and with his account, a brilliant and timeless perspective of life as an outsider continues to inspire us to this day.

What works most about Jack Kerouac’s style sense is that every man feels they could dress like that. It is not an intimidating look, but really falls on comfort and confidence. There is a mix of his athletic roots, kind-of-academic, and streetwise to boot. Having the latter two is of the dire essence.

“the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars.”

Jack Kerouac “On the Road”

Sam Riley as “Sal Paradise” in ‘On the Road’ (2012)

 

Walter Salles’ long awaited screen adaptation of the Kerouac classic premiered on May 23 at the 2012 Cannes Film Festival. Sam Riley stars as Kerouac’s alter-ego, Sam Paradise, in the film. Click here to visit the film’s website.

And the legend blazes on . . .

{ANTI} STYLE IDOL: JACK KEROUAC

[March 12, 1922 – October 21, 1969]

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Here’s some stuff we found to {GET THE LOOK}

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Until next time,

{theEye}

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