Tag Archives: nightmare

25 WEIRD CREEPY VINTAGE HALLOWEEN COSTUME PHOTOS!

HALLOWEEN is around the corner, people!

We are getting psyched up here, and in true E.O.F. tradition we wanted to spoil our readers with a weird and wonderful stash of creepy vintage halloween photos we have collected from scouring the depths of the interwebs…

It seems, sometimes the sheer simplicity of some of these costumes make for the creepiest outcome…although, a murderous clown will always give you the creeps especially standing behind an innocent baby bystander.

Perhaps, you will even get a little inspiration for your own costume from these crazy odd balls…

 

Hope you enjoy! Want to share your creepy costume with us? Email us at the.eye.of.faith@gmail.com // we would love to hear from you!

Until next time,

{theEye}

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Diary of a Small Town: Vintage Dreams + Nightmares {Vintage Style Moody Mood Board Inspiration}

 

We have quite the tale in store for you today at The Eye of Faith. . .

This one is taken from the darkest depths of our imagination and tells the hidden tales of a quaint small town, not too far from where you sit. It could be any small town, but this one is brimming with mystery, and dare I say, perhaps even evil!

Things started out innocent enough, but there are certain places on this Earth where malevolent energies cluster and stay for many thousands of years. It is in the quiet of the country, far from the claws and chains of the city, that have provided families and individuals with the peace, calm, and safety they desire.

 

But often times, it is the unsettling chill of calm that can provide the most fright….

Even in a town where everyone knows your name, you never know the myths and legends being made behind closed doors or the grim memories lost deep beyond the trees at night. This one is all about wayward youth, rebellion, seduction, secrets, mysteries, beauty, and strength.

Please enjoy our Small Town Dreams & Nightmares . . .

With shows like CW’s “RIVERDALE” capturing our imagination, and a new season of “TWIN PEAKS” in our midst- it goes to show that while the big city is full of brights lights and noise, sometimes its our thirst for nostalgia, the whispers in the trees, and our love of mystery that truly excites our bones!

To our vintage dreams, and  to our vintage nightmares – this one is to a town not yet forgotten. Keep the mystery close, for you never know what clues you may stumble upon. For all you know, they might still need your help.

EXCITING THINGS ABOUND FOR THE E.O.F. {SO STAY TUNED}

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Until we meet again,

{theEye}

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E.O.F. Snapshot of the Day [March 24/2016]

-+The Levitating Man+-

[circa. 1930s]

This image is both majestic and terrifying.

Not sure what incredible moment has been captured here.

It is most decidedly America in the 1930s at the height of the Depression.

Many people turned their sights to the paranormal for an escape from the everyday..

Today we use the internet which is earnestly less exciting.

We wish we could do that.

Daaaammn.

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Courtesy of Vintage Soul Geek

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Until we meet again,

{TheEye}

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E.O.F. Snapshot of the Day {October 8, 2013}

E.O.F. Snapshot of the Day- October 8, 2013

Sometimes it hits you . . .

Life doesn’t always throw you the easiest bone to catch.

You might feel like your reality resembles that of a bad dream, and it all gets a little scary.

The worst part is, we’re all just meant to grin and bear it.

The weird (and evidently expected) thing is that as you look to the past

you see that its always been like that for us humans;

since the dawn of time we have been succumb to adversity.

The universe itself was built under these conditions,

so if it weren’t for the hardships of life we wouldn’t even be here…

It sounds like a dark way to look at life, but I would argue it’s actually optimistic.

Accept life’s struggles for what they are, but don’t be afraid to confront them.

It might seem like a nightmare at first, but like a terrifying roller coaster,

that burst of fear and adrenaline make for all the excitement.

That’s why we buy the $60 tickets!

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 Until next time,

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{theEye}
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{STYLE WISE} – “Stranger Than Paradise”

“STRANGER THAN PARADISE . . . “

by The Eye of Faith

On a journey through the mystery of the most beautiful place on Earth.

Taking us to a world both wild and exotic, this series was inspired by the faded 1940s dreams and memories of life on the high seas in the South Pacific. It is the tale of society’s soldiers taken hostage by the wild. In many ways, it is a true Paradise Lost lived . . .
In a place where the air is hot and its perfume sweet it is hard not to be intoxicated by your surroundings –
lost in a paradise.

+”Nothing is quite as strange, as a day spent in Paradise”+

+GET THE LOOK+

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Hope you enjoy!

Sincerely,

{theEye}

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The Eye of Faith Gets “Lost in the Memory Palace: Janet Cardiff and George Bures Miller”

 

portrait_cardiff_miller_2012

[Photo: Zev Tiefenbach]

The world of Canadian artists Janet Cardiff and Geroge Bures Miller exist somewhere between reality and the vortex of our imaginations. . . 

The artist duo are known for their of-this-world out-of-this-world creations that combine objects, sound, images, mechanics, lighting, construction, and cinema to create one-of-kind experiments and showcases in the transcendental quality and nature of art.

As one of the world’s most internationally respected artist partnerships, we were lucky to get a chance to enjoy a retrospective of their work, in an exhibit appropriately title “Lost in the Memory Palace”, which runs from April 6 until August 18, 2013 at the Art Gallery of Ontario.

From the beginning of their partnership in 1995 to their work today, the artist duo have expertly managed to create evocative and multi-textural and dimensional works that transport its viewers to other worlds and often exotic states of mind.

portrait-janet cardiff and george miller_Bodtlaender

The duo has cited cinema as a major driving force in their work, bringing the immersive technology of the cinema to life in a gallery setting,  allowing the viewers an accessibility and availability that is mostly foreign to other works in the art gallery setting. While we are often encouraged to keep a distance in the world of art, Cardiff-Miller’s pieces are encouragingly tactile and require a closer look.

This is not a show that you can skim through and really “get” immediately. Going into it with this frame of mind would be disaster.

Like a film, the pieces require a dose of commitment, and an ability to get lost in the world being offered to you by the artists. The worlds are often slightly disturbing as you notice odd-looking effigies, or are startled by an abrupt sound; the element of mystery is definitely in the air, forcing you to question your own reality.

Such is the case with “Dark Pool”, the couple’s first installation created in 1995.

Cardiff Miller- Dark Pool

darkpool_4

I like that the technology is so popular it is almost invisible so that people can become intimate with it. At the same time the recorded voice is removed and has a sense of past that a real voice doesn’t, so it can actually get closer to the audience through that removal. They feel safe being intimate with a removed voice.

-Janet Cardiff

You are invited to open a paint chipped antiquated door to enter a long, dark, small room filled to the brim with boxes, books, furniture, rolling racks, and antique objects. You might want to, at first, turn back in fear of what could be lurking in the shadows, but very quickly you find yourself exhilarated by curiosity. As you walk through the room, you hear voices and whispers from the past (children, an elderly woman, a young couple), and begin to notice the clues all around you:

darkpool_3

darkpool_5e

darkpool_5c

[Photos: Cardiff/Miller]

An opened book on reading tea leaves sits behind a tray full of dirty empty tea cups. Two viewfinders, side by side, show a man and woman in a passionate embrace, the other shows a couple with signs of stagnant disdain. You see a collection of porcelain hands. A half-eaten biscuit on a plate. You hear the sound of Judy Garland launch from the radio singing her tragic anthem, “Somewhere Over the Rainbow”. You notice a book that dictates the signs of mental instability.

Often times, as in the case of “Storm Room” (2009), the imagined world is created so thoroughly, you really do question whether the artists have perhaps maneuvered a time slip or some sort of trans-continental teleportation device to get you to the empty Dentist’s office near Tokamachi, Japan, that was recreated for the piece.

Storm Room 1

[Photo: N.M. Hutcgubson]

An elaborate system of pipes, lighting, and speakers provide an uber realistic rendition of finding yourself unsure, even whilst in the comfort of “safety”. You can hear the coughing of a neighbour in the next “room”, and while you wait for the storm to “end”, you find yourself wondering where exactly you might have landed.

Storm Room 2

[Photo: N.M. Hutcgubson]

As water streams down the windows, and the rolling sound of thunder rattles the floor, you notice a roll of Japanese dental floss, buckets filling with water, a telephone, some old Japanese calendars, and a floor fan that only helps instil the uncomfortable quality of a 1960s Hiroshi Teshigahara film.

The Killing Machine- Cardiff Miller

[Photo: Seber Ugarte & Lorena Lopez]

Another unsettling piece, 2007’s  “The Killing Machine”, transports to a world unexpected and unknown. Forcing the viewer to imagine the violence and pain of being held on its soft pink fur chair at the will of two  elegantly choreographed, rotating stabbing wands, the piece is equally unsettling as it is beautiful.

Cardiff Miller- the killing machine - 2007

[Photo: Seber Ugarte & Lorena Lopez]

A statement on the nature of capital punishment, as well as a riff off Franz Kafka’s “In the Penal Colony”, the piece works on the level that it blends these horrors with a beautiful array of coloured lights, a disco ball (who doesn’t love a disco ball?), and almost triumphant orchestration for a bizarrely amusing and eerie imagining of our society’s indifference to killing.

The most impacting piece, had to be the first piece ventured to in the gallery – “Opera for a Small Room” which the couple created in 2005. The piece is a 20 minute long immersion into the tale of a sad and mysterious man (“R DENNEHY”) who speaks throughout the piece about his sad tale of lost love, and a seemingly lost sense of self.

Cardiff Miller - Opera for a Small Room

[Photo: Cardiff/Miller]

Contained in a small shed-like space filled to the brim with nearly 2,000 individual records, eight record players, and twenty-four antique loudspeakers; the piece encapsulate a mysterious, melancholy, and mildly sinister mood, all while telling the story of the strange man who embodies the space between the sounds of various arias, sounds, songs, and pop music. The entire story is aligned with the change of synchronized light and colour.

cardiff miller- opera for a small room- detail

cardiff miller- opera for a small room- detail 2

[Photo: Cardiff/Miller]

As the piece progresses you are enticed to circle the “room” to peer through the wall’s various cut-outs and doorways in hopes of gaining new perspectives on the world inside. As your eyes begin to wander you notice bowling trophies, suitcases, and other objects that add to this strange simulated reality. Its an opus of emotion, and another testament to the artists’ unique craft.

opera for a small room- cardiff miller- room

[Photo: Kunsthaus Bregenz]

   Writing is like a 3-Dimensional process for me. The words and sentences have to work with a physical space, resonate with that space. One thing works on the page but it’s a different thing when they are juxtaposed with a physical environment.

Janet Cardiff

Like a movie in real time playing before your eyes, the works of Janet Cardiff and George Bures Miller are remarkable and exciting works of contemporary Canadian art that we are lucky enough to have gotten the chance to enjoy so closely and thoroughly.

The artists’ cinematic tendencies and unusual combination of various sound and media point to a world where the disparate worlds of various arts and industry can coincide and exist together, for engaging and elevating works of art that not only provide an aesthetic experience, but delve deep into the psyche to penetrate the world of dream, nightmare, and emotion.

To put it plainly, “Lost in the Memory Palace” is as close to Utopia as we’ve seen in this world yet. There are plenty of other pieces by the couple to enjoy at the exhibit, so be sure not to miss out on this incredibly poignant and realized showing on now at the AGO.

“Lost in the Memory Palace: Janet Cardiff and George Bures Miller” at the Art Gallery of Ontario {April 6, 2013 – August 18, 2013}, for more info click here.

Until we meet again,

{theEye}

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+PARES CUM PARIBUS+ VINTAGE FASHION VIDEO from The Eye of Faith

Greetings followers, friends, and I don’t know you, but Greetings anyway!

As you know, we absolutely love a sense of mystery, a glimpse in the dark at what may or may not have been , and we wanted to combine this unique E.O.F. sensibility in a one-of-a-kind fashion video experience.

We aptly titled it +PARES CUM PARIBUS+ , meaning “Let birds of a feather flock together” in Latin; very apropos for us here at The Eye of Faith, because every day it seems we are growing in strength with our numbers.

So in spirit of our eternal goal +PARES CUM PARIBUS+ was made.

We were inspired by a classic; the ever stylish and silicious Ms. Audrey Horne of a town called Twin Peaks. Knowing that bad girls do it well, we took our favorite model Lydia, and placed her in a dreamy netherworld close to our own, but far enough away that unusual things might start to happen.

And like most cases, we just can’t be sure if The Young Lady could perhaps be but a lonesome ghostly memory permeating through the Universe’s frequencies…

Close enough to home, but far enough away that you could forget about it all together – that’s what The Eye of Faith is about, and that’s where we always aim.

Let us know what you think, and if you share our same feathers please share it in your circles and lets let this vision soar!

So, with that said, please enjoy the show!

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“It is not only fine feathers that make

fine birds”

{from Aesop}

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Sincerely,
{theEye}

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{PHOTOBLAST} SKULL & BONES SOCIETY

Thout Shalt Not Enter

There’s no denying our obsession with the iconography; the classic skull & bones is an age-old motif that has fascinated and enchanted for centuries. It can mean power, it can mean wealth, it can mean science, it can mean art.

As Hamlet proposes “To be, or not to be”, so we are faced by the grim reminder of our inevitable end every time we see a skeleton or skull, and yet it seems our society is still obsessed. It seems like some sort of riddle. That we can still hold onto the bits and pieces of our ancestors. In a sense, that’s all that is left after thousands of years.

Skull Scare

It can be a tender reminder, but it can also cause a fright! We hate waking up in the middle of the night to see a skeleton, or skeletons, walking around outside your bedroom. We hate seeing them pop out of their graves. We hate when they attack you in the middle of the night when you are away from busy intersections.

So whether we are crippled with fright, or sporting a warning of your vicious vibrations, or just like the look, the skull is about a classic a symbol as ivy or the fleur-de-lis. We love having them in our art, on our clothes, and in the things we watch on screens. Perhaps it’s as simple as the title says. . . we are a Skull & Bones Society!

Get your inspiration on! Skulls and Skeletons can come to life!

Until next time,

{theEye}

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Take The Oath of The Eye

E.O.F. Snapshot of the Day {November 21, 2012}

+SALON KITTY+

“Salema: The Saultry Girl with the Rifle” {circa. 1940s}.

unknown artist.

FATAL FEMALES: DOUBLE FEATURE PICTURE

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Don’t step on my style!

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Music Minute: Scott Walker Sings “Rosemary”

This is classic. We only discovered this a few days ago, but immediately our perspective shone bright on this beguiling and mysteriously seductive tune by the great Scott Walker (not to be confused with Scott Walker, the Governor of Minnesota).

For those who know of Scott Walker, you know he has a wildly fantastic voice – some sort of unique mix between Bowie and Tom Jones, or somehow tottering in limbo between. He got his start as The Walker Brothers, playing with two friends, but it was between the years of 1967 – 1974, Walker began to shine solo.

His works are definitely a product of the time, but demonstrate a forward motion in music, that some argue has yet to be caught up to. Just sit back and listen to the drama and epicness that is Scott Walker’s “Rosemary“.

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Voices from a photograph
Laughed from your wall
Screamed through your dreams
Wake up rosemary and wipe your teary eyes…

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If you have a spare moment, make sure to listen to Scott Walker’s “Archangel”, giving off extreme E.O.F. vibes all over.

Until next time friends,

{theEye}

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